Discovered this piece thru Métamorphoses, it is a pure gem, it feels like a blessing. Huge amounts of gratitude!!

very cool piece. so much details and subtle elements. well done Sebastian!

The final volume of the Pulsar.scramble series. All tracks are composed using pulsar synthesis, an advanced form of particle synthesis used to generate trains of sonic particles. Its output ranges from singular impulses and sequences to continuous tones across multiple perceptual timescales. 

Most of the material presented in this series uses the New Pulsar Generator (nuPg) software designed by Marcin Pietruszewski.

https://pwgen20.bandcamp.com/

Multifoil (Pulsar.scramble vol. 3)

Kunstkammer

Inventare Nr. 1

https://wihh.bandcamp.com/track/white-grape

freeDL

(whaite Grape)

Tarara! - Tarara Tales!

Label: Kitty On Fire
Release Date: 31 March 2023
Purchase: tarara.bandcamp.com

Artwork by Valeria Baret
Written by Valeria Baret & Marco Henri
Produced by Marco Henri
Mix and master by Antoni Bellever

Epílogo, Caricia

Music performed by Francesco Corvi (nesso.xyz) using generative systems and live coding techniques

All rights reserved

Excerpt from live at The Grey Space (The Hague)

Sigh In My Ear

Eventless Plot, Schemata

Sam Wolk "Trop-plein" excerpt from new cdr on Salon available at http://saloncdr.blogspot.com/

New stereo improvisations by Sam Wolk. Max/MSP, Acoustic objects and feedback, SP-404, Saxophone (Max Lesser), Voice (Charmaine Lee)

The trio of improvisations which follow are variations on a single idea.  Running a Max/MSP patch and interacting with it is a method of transducing energy from one form to another.  Electrical energy drawn from the grid is ultimately transformed into acoustic energy emerging from speakers along with the accompanying, over-flowing waste energy [entropic release].  The ephemeral, unstructured heat released in the process of generating structured acoustic energy [the composition] takes multiple forms: the discarded acoustic energy of computer keys pressed while manipulating the patch, the kinetic energy of hard drives whirring as data is read from disk into the patch, the thermal energy of CPUs radiating out and the acoustic energy of fans loudly attempting to reroute those heat flows.  In this trio of variations the central theme is feedback.  These ephemeral energy fluxes associated with keys, fans, disks, and CPUs are subjected to recycling [feedback] as the energy they produce is transduced by a contact microphone and the computer's internal microphone back into electrical audio flows which serve as the input to the Max patch itself.  As such, manipulating the audio at the human-computer interface generates the very energy flows which are transduced into the audio to be manipulated in the first place... The computer processes its own unstructured flows of waste energy back into structured audio [the output of the patch].  The machine is not treated as an abstract, universal computational device whose digital nature renders its physical existence irrelevant.  Instead, as it harvests its own unstructured heat and processes it into structured audio, its physical identity is embraced for what it is: a concrete, individual, material machine imbricated in a larger system of energy flows. 

Recorded at the Harvard University Studio for Electro-acoustic Composition, 2016. 

Special thanks to Jeff Witscher. 

Play loud.

Sam Wolk "Trop-plein"

2017 · Copenhagen, Denmark / Eiði, Faroe Islands.

Original format: 12-channel fixed medium.

Premiered at Den Sorte Diamant in Copenhagen on November 4, 2017.

Vocals performed by Anna Katrin Øssursdottir Egilstrøð.

The piece was commissioned by The Royal Danish Library.

Awarded first prize in category A of the 10th biennial acousmatic composition competition Métamorphoses (Belgium, 2018).

Vestiges (Stereo reduction)

22 summer storms, 22 celebrations of music from today. 

Posh Isolation turns 10 this year. 
We celebrated in Copenhagen for three days and three nights - Port Out, Starboard Home. Some people could not 
be there, some forms change — we honour them by celebrating again, digitally. 

Make the day come alive again. 

'Summer Storms' wades through the heat, never quite settling, yet taking in every surrounding. Gather everyone 
together, celebrate a shared motif. 

Come stream with us. 

Clear skies. A raving harbour. The best storms cancel plans. 

Make the day come alive again, 

today. 

Dedicated to Ezra 

Posh Isolation 227

Puce Mary & CTM - Release

Dumbosmurfs

Sebastian Edin is a sound artist and composer. Their work includes fixed media compositions, sound installations, performance pieces, music for modern dance and theatre and pieces for instruments and electronics. Their work has been presented in Denmark, Sweden, Finland, the Faroe Islands, the U.S, England, Italy, Belgium and Germany at venues and festivals such as L'Espace du Son in Brussels, Belgium; LAK Festival, Rum 46 and Den Sorte Diamant in Denmark; Norbergfestival and NyMus Live in Sweden; G! Festival and The National Art Gallery of the Faroe Islands; Conservatorio Pollini di Padova, Italy; ICMC-NYCEMF in New York; North Atlantic Flux Festival in Hull, England; Jornadas Internacionales de Música Electroacústica in Córdoba, Argentina and Errant Sound Berlin and Saarbrücker Tage für elektroakustische und visuelle Musik in Germany.

They were awarded first prize in category A of the 10th biennial Métamorphoses competition for their piece Vestiges (Belgium, 2018).

Vestiges (Stereo reduction)

Sebastian Edin

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Kristofer Fagerström

lola ajima

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