Final batch of Soundcloud dump material, going out in style: a selection vaguely spanning the Come to Daddy/Hangable Auto Bulb, Drukqs and Analord eras.

Part One here https://soundcloud.com/selectabwoy/aphex-twin-drukqlords-part-one
Part Two here https://soundcloud.com/selectabwoy/aphex-twin-drukqlords-part-two

Plenty more here https://soundcloud.com/selectabwoy/sets/aphex-twin-soundcloud-albums

luke vibert spiral staircase [future music competiton]
14 Cornish Spreek5b St Nectan S Glen Waterfalls Mix
30 Dolby C
4 acid organ[rough mix]
33 jonny hawkes broken guitar[notFinished]
Synthacon1
18 elb2
(mortal 1)
7 Cutting
(HAB un23)(unfinished)
Cheetah3 teac
CHEETAHT7 teac
notting hill bus

That's the lot.

Aphex Twin: Drukqlords (Part Three)

From a bygone era where tunes were on big round pieces of plastic and the humble home studio took up your spare room and bankrupted you. 

Producer slowly coming out of retirement

Terkini Daripada 
Creator/Rightful Owner of the High Flyer Empire©
372 Peminat 
My 1st original release ⤵️ 

https://on.soundcloud.com/MMpuWPmc2oB5TnyS9

we are the music makers and we are the creators of the dreams

* Message me if you have any copyright issues *

Home of my own mixes - predominantly jungle/hardcore with the odd bit of D&B, plus eclectic sample-digging, breaks and hip-hop, techno & electronica. 

Pre-2001, all mixes vinyl; Post-2016, all mixes digital (DJay 2); Post-2018, Ableton Live. Why? Why not?
I've got an old skool DJ's mentality, early influences ranging from Sublove, Ratty, Randall & Hype to Coldcut, DJ Juice, MK & Primo.  In the early 00s I turned my back on D&B, retired my turntables in favour of family/work commitments, and got into funk, soul, reggae and so on... a lot of this driven by curiosity around the sample roots of hardcore and jungle.  Forward another decade and an early mid-life crisis saw me messing around with virtual decks on my phone, and later acquiring a vinyl ripper, with one vision in mind: making mixes.
Although I'm partial to the odd DJay or vinyl mix when I get the chance, the progression into Ableton Live was a simple means to an end.  My ideas stretch further than the limitations of my physical collection and real-time mixing, and by sequencing I can pick, choose, chip away and structure mixes at my leisure. Which I do... a lot :)

Wait, there's more ... an absolute stack of classic golden era/old skool hip-hop/turntablism, jungle and d&b, hardcore, techno and house mixes retrieved from my dusty tape & CD archives.  This includes (by my reckoning) the most exhaustive collections of classic Full Cycle and Sublove Galaxy Radio shows, live Ruffneck Ting jungle tapes, loads of studio & compilation mixes, all manner of rave tapes, and so on. 

Have fun, spread the love :)

Please check out and support these like-minded individuals
@the-roadblock
@ethereal94
@kolanut 
@drumtrip 
@repertoiresound
@sonarsghost
@dj-madbeats
@dareerickson
@danielnorman
@vykhod_sily
@sonicrampage
@rough-culture
@wiseguisedjs
@distantworldtransmissions
@code618
@user-381614661 (trackfx)
@user-626612322 (Made in Chedzoy)
@mafsone
@mihailpetrovski
@cash_bailey
@sinewavebass
@10inchpress
@user-118560124-972751930 (hardscore)

Aphex Twin: Drukqlords (Part Three)

Selectabwoy