Etherpose

Back after a long vacation.new name new projects.  releasing my musical ideas again:) stay tuned! 
-Dov
No I will not pay for plays or fans thank you:)
All brain no Ai…..

Speedcore, noise, industrial, industrial hardcore, experimental, abstract techno, death industrial, power electronics, powerviolence, digital hardcore, breakcore, hip hop, rap, gangsta rap, drone, dark drone, ambient, dark ambient, ritual ambient, terrorcore, hardcore, acidcore, acid, noisecore, 8bit, chiptune, breakbeat, hnw, harsh noise, harsh noise wall, splitter core and extratone professional musical artist, producer, mix engineer from Darwin, NT, Australia. Currently living in Wodonga, VIC, Australia. Making extreme music and funny skits/sound collages since 2011.

External links: 

https://www.facebook.com/cornholecrucifixion/
 
https://www.youtube.com/channel/UCqk6JGm4fyOFHR_g2gLdOuQ

https://cornholecrucifixion.bandcamp.com/

https://bandcamp.com/cornholecrucifixion0

https://www.discogs.com/artist/4820783-Cornhole-Crucifixion

https://www.mixcloud.com/cornholecrucifixion/

https://www.mixcloud.com/blaze-vansyl/

https://enderecords.bandcamp.com/album/ende85-dj-california-crisis-cornhole-crucifixion-dj-californiacrisis-cornhole-crucifixion

https://speedcoreworldwideaudionetlabel.bandcamp.com/track/armee-der-toten-cornhole-crucifixion-remix

https://cornholecrucifixion.bandcamp.com/album/cornholecrucifixion-album-bitchezzz

https://cornholecrucifixion.bandcamp.com/album/the-crucification-of-cornhole

https://brokentothecorerecords.bandcamp.com/album/bttc-03-cornhole-crucifixion-vs-low-entropy-extreme-speedcore-disorder-ep

https://cornholecrucifixion.bandcamp.com/album/rift-in-anal-prolapse

http://extratonerecords.blogspot.com/2018/08/cornhole-crucifixion-rift-in-anal.html

http://lowlifehighvolume.biz/LLHV-16.html

https://lowlifehighvolume.bandcamp.com/album/enjoyable-cornhole

https://plataformarecs.bandcamp.com/album/hell-machine-series-001-03-cornhole-crucifixion-antoine-trauma

https://plataformarecs.bandcamp.com/album/split-misantropskia-vs-cornhole-crucifixion

Meat Load,  Inoperative Sytem   https://soundcloud.com/user-272092002

CircularDope, with Senmove    https://soundcloud.com/brainsdisappearedcorp
senmove    https://soundcloud.com/senmove

b0t23 + Inoperative System https://soundcloud.com/patterned-media

bot32    https://soundcloud.com/b0t23

New vinyl record available to order from Elasticstage now, entitled "Phazes". enter SPINMAS at checkout for 10% off until 24/11
 https://elasticstage.com/soundcloud/releases/phazes-album  Dave Lumbard a. k. a "Phobeus" , electronic and ambient techno artist, surfer, music producer living in kernow promoting "cornish techno". 

Lover of Electronic and modular synthesizer music, IDM, techno and collecting vinyl. Lover of travelling and searching for new inspirations in exotic places. All music available to download on Spotify and Bandcamp, check it out!!

 I hope you continue to love the music I produce as much as I enjoy creating it.
Thanks.

Dave

Dude from the hills. Thankyou for taking the time to listen and supporting my works, it is very much appreciated.

My new EP, 'maisey moore' under CRSY is out now. Check it out via the links below :-) if you'd like a free code for the Bandcamp release then just give us a shout
Still CRSY, just fancied a name change 😁

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...
My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
Sorry Joe. =(
...
sometime in 2025:
I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Adrien d’Elzius is a traveler of shadows and halos, a silent-walker who transforms emptiness into a path. His art invites listeners to hear what happens between states — where doubt yields to a gentle clarity, where the body-sound and image respond to and illuminate each other. In his universe, contemplative electronic music blends with abstract imagery and AI-enhanced visual writing, giving rise to a transmedia experience that does not merely tell a story but makes it emerge through each medium.

Musically, Adrien d’Elzius favors sounds that speak directly to bodily and emotional listening. His textures are spatial and sensuous: pads that breathe like nighttime landscapes, drones that sustain poetic tension, and discreet melodies that sharpen the sense of time. The rhythmic backbone, precise and technically crafted, is nurtured by his live drumming and a keen sense of groove — a framework that offers clarity without ever sacrificing emotion. This rhythmic dimension forms the skeleton upon which organic textures and electric scratches unfold, guiding the listener along an inner journey that unfolds without a promised endpoint, but with a growing clarity upon repeated listenings.

Visually, Adrien d’Elzius’s work is conceived as a door — a sequence of portals, halos, and organic motifs that reinvent themselves with every release. The sleeves, clips, and digital paintings are not mere illustrations but elements of a shared symbolic language. They accompany the music and render it legible as a complete sensory experience: a dialogue between light and matter, between opening and confinement, between world-dust and inner glow. This transmedia approach, where AI and manual craft coexist, is not mere technical experimentation but an artistic choice asserting that poetry can be produced as much by algorithms as by hands.

The heart of his universe is guided by a simple, ambitious thread: to traverse the inner space without imposing a fixed truth, offering tools for each listener to read their own path in sound and light. The journey is not a straight line but a living itinerary, oscillating between tension and reconciliation, between urgency and breath. In this frame, two poles stand as anchors: the blunt honesty of Bukowski and the mystical depth of Rilke. These voices, far from being imposed motifs, act as sparks that illuminate textures and tonalities: the former invites facing reality unmasked, the latter invites listening to the world with a near-sacred attention. Other voices—Jung, Watts, and McKenna—further nourish this thread, offering angles on the psyche, consciousness, and awakening.

The artist’s lexicon unfolds through recurring motifs: doors that open ajar, halos of light, spirals, and abstract structures. These motifs recur across all facets of his work—music, sleeves, clips, and digital paintings—and serve as a transversal language to articulate his universe. Their recurrence gives the whole a cohesive flow, like a book advancing chapter by chapter while remaining legible on every page.

*** WE NEED MUSIC ... LIKE MUSIC NEEDS US !!!   STAY DIFFRENT RUDE BOY FOR LIFE *** 

sudblockstudios@gmail.com
Servicio de mastering online.