House Salad Music is a label based in Mexico dedicated to promoting Underground House music across the world, supporting DJs, producers and labels, who love and enjoy House Music.  Our mission is to give you your dose of the freshest underground House.
Keep it Underground
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House Salad Music, es un proyecto dedicado a promover el House Underground en México y en el mundo, apoyando a djs, productores y disqueras que aman y disfrutan el sonido de esta vertiente de la musica electrónica.  House Salad Music busca espacios para dar a conocer al talento mexicano y al internacional que genera sonidos y mantienen la escena real del House Underground.
La misión es nutrirte con lo más fresco de la escena House Underground a nivel mundial.
Keep it Underground!

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Submit a mix/Promos/Demos/Buy a shirt?
Contact us:
housesaladmusic@gmail.com

here to make you smiile 

Management: mgmt@chloecaillet.com

Agent:
W/O: jim.oregan@teamwass.com
US: lhughes@teamwass.com

Love Bug is a party featuring house music curated by tall, elegant fopp Gavin Belton, aka Little Man Big

i think music is pretty neato...
bookings: 
US/Worldwide: andrew@liaisonartists.com


Berlin based label-owner, DJ, producer and Promoter.
Best known for the track "Body Language" and the remake of Laurie Andersons "O Superman". Bodmer and his former band partner Philipp Jung, along with DJ T. and Booka Shade are the founders of Get Physical, which became one of the most popular dance labels in the world. M.A.N.D.Y. subsequently provided mixes for other labels, including „At the Controls“,  „Fabric“ and „Renaissance“. Following collaborations with Bob Moses, and Dubspeeka, as well as remixes for Roxy Music, Röyskopp, The Knife and Underworld to name just a few. The long-awaited debut artist album Double Fantasy was released, incl. collaborations with the iconic Jungle Brothers and the classical and experimental pianist Francesco Tristano . 2018 signaled the beginning of a new era for M.A.N.D.Y, since Patrick Bodmer will continue to fly the flag under M.A.N.D.Y. without his former partner and childhood friend Philipp Jung, who started his solo project „Forever Jung“.

Listen to 'The Party is Over' radio - curated by the Keinemusik crue - on Spotify. Updated weekly: goo.gl/MbTbcY

When one could assume, &ME entered the House and Techno world somewhat out of the blue, it is due to his sublime modesty that’s already captured in his alias. His way to become one of today’s most praised and sought after DJ/producers is based on a solid foundation. A foundation comprised of solo-releases, remixes, projects and collaborations that numerous, we’d rather refer to his discography than weary you with namedropping. Besides, all those references would just distract from what truly matters – the music this guy is delivering. Not to underestimate the importance of a project such as Terranova for &ME’s current path, but still the alignment has been made – to focus consistently on his solo-work. And it shows.

There are not many artists around turning in such a slew of globally praised floormaterial like &ME did over the last years. Just think of his last offerings on Keinemusik, a collective of Berlin based DJs and producers, including Rampa, Adam Port, Reznik & artist Monja Gentschow, he helped founding in 2009, namely “After Dark” and “Woods” or his “Vermillion”-remix for Damian Lazarus – all serious bangers, played by every renowned DJ worldwide. Everything is falling into place for the fella. His DIY-approach to handle things, his easy going attitude, his reputation as a gifted producer and DJ extraordinaire, his ability to link innovative production with consensual reception, making him one of the most unique and original figures in the game.

Worldwide Bookings: David at Constellate Talent - do@constellatetalent.com

Jimpster: The UK House craftsman shaping soundscapes with soul and subtlety

If you’ve ever lost yourself in the smooth, rolling rhythms of deep house, you’ve probably had Jimpster to thank without even knowing it.  Behind the decks, in the studio, or even just in the groove of his own life, Jimpster—aka Jamie Odell—is one of the quiet yet crucial architects of the genre, a producer who’s somehow managed to keep his sound fresh while paying homage to house music’s roots.  With releases stretching back to the early 90's, Jimpster’s sonic journey has evolved from the cut n paste, sample-heavy bedroom productions of his early releases to the deep house anthems he’s known for today.  He’s the artist who’s mastered the art of organic warmth, blending digital precision with analog textures in ways that sound both timeless and ahead of their time.  His music often draws from a deep well of influences: jazz, funk, soul, electro and even ambient textures—but it’s always tethered to the dancefloor.  He’s the kind of producer who can make a sub-bass rumble feel like a heartbeat while surrounding it with lush, atmospheric synths and intricate percussion that push his tracks into a hypnotic, almost meditative space.

Jimpster's discography is packed with both original tracks and remixes that make you move without even realising it: there’s the spaced-out, trippy disco allure of “English Rose”, the groove-heavy slo-mo swagger of “The Sun Comes Up” (which is basically the soundtrack to *that* sunset), and let’s not forget the timeless “Dangly Panther.”  Each track feels like a wave—a smooth ride that pulls you along effortlessly but leaves you wanting more.  His remix of Osunlade’s Momma’s Groove has become iconic but he has also offered his golden touch to artists as diverse as Seal, Bob Marley, Kerri Chandler, Josh Wink and Adam Port to name just a few.

But Jimpster’s influence doesn’t just stay in the studio.  As a DJ, his sets are like a carefully curated journey, blending stripped back disco, underground house and the more soulful end of techno into smooth, liquid transitions that captivate without ever feeling rushed.  Whether he’s playing an intimate, low-key club night or a larger festival stage, his mixes retain a sense of control—an ability to weave a narrative out of tempo, tone and texture, always keeping the dancefloor locked in.  From Panorama Bar (Berlin) to Cielo (NYC), Womb (Tokyo) to Fabric (London), Jimpster has pretty much span there and returned with the T shirt.

As co-founder and A&R of Freerange, Delusions Of Grandeur and most recently Cyphon Recordings, he’s helped nurture an entire generation of producers, sharing his deep understanding of groove and sound design with those who came after him.  Despite his three decades in the business and pivotal role in shaping the electronic music landscape, Jimpster remains relentlessly focused on who, or what, will come next, as excited as ever by discovering the freshest new talent and sounds to expose to the world.

Jimpster’s music is a reflection of his unrelenting pursuit of musical depth in club music.  A balance between nostalgic warmth and forward-focussed vision that continues to captivate listeners and dancers alike. For him, it’s not about creating music for the moment, but building sounds that resonate over time, long after the track has finished playing.

"Mixes are time capsules of sound.  Each capturing a moment in time that will not be repeated the same way.  Each mix is meant to transport the listener in their own time machine to their own destination.  These are soundtracks for daily living..."

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