Acid🫠Breaks🖤 Electro⚡️Techno⛓️

Swaying within a wide array of dance music genres, from House & Disco to Jackin, Ghetto, Garage & Techno, Lucia brings old-school gems to the floor, creating unique music journeys between soulful grooves & driving rhythms. 

Her distinct sound, influenced by the scene of Detroit & Chicago, has brought her to some of the best clubs across Argentina, Uruguay Germany & Spain.

Since moving to Hamburg in 2019, she’s become a mainstay at esteemed venues like Südpol, Übel & Gefährlich, PAL, Golden Pudel, Mojo Jazz & performed at legendary underground spots in Berlin like Sisyphos, Heideglühen, Golden Gate, and most recently at one of the most respected and influential festivals in Germany, FUSION. 

During all these years she had the pleasure to share decks with house & techno icons such as Cassy, Roman Flügel, Kollektiv Turmstrasse, Boris Dlugosh, Ellen Allien, Helena Hauff, Sedef Adasï, St. David, Dennis Cruz, Los Suruba, Amelie Lens, Kolombo, among others. 

Following the release of her debut EP on Heattraxx Records, and with an upcoming release on Houseworx, she’s diving into her next projects, pushing her limits, always eager to satisfy her hunger for music.

Bookings: mgmt@luciascholtus.com 
Website: www.luciascholtus.com

Berlin born and raised Producer and DJ. 
Super eclectic and versatile, somewhere between fiction and reality.

To say hello, bookings, requests and promos: Kalderasounds@gmail.com

Signed by:
@hmwl  
@wayurecords 
@weareiconyc 
@themangoalley  
@constantcircles
@Gartenhaus
amm.

Resident:
@dieletztewiese

Always one step ahead, Bart Skils stands as a defining force in the global techno movement. Celebrated for his dynamic, driving DJ sets, he crafts seamless journeys of rhythm and energy—each performance marked by his unmistakable rolling groove and intuitive connection with the crowd.

A cornerstone of Adam Beyer’s Drumcode Records, Bart has produced some of the most iconic releases. Tracks like “Your Mind,” “Roll the Dice,” and “Universal Nation” have become modern techno anthems and staples of the genre cementing his reputation as one of the scene’s most consistent and forward-thinking producers.

His remix work for electronic pioneers including Underworld, Moby and Sven Väth showcases his versatility and deep understanding of the dance floor and essence of electronic music.

From underground basements to the world’s biggest festival stages, Bart Skils continues to push boundaries and evolve his sound. With an ever-expanding tour schedule and a catalogue of impactful releases, he remains at the forefront of shaping the future of techno worldwide.

Booking: marc@poem.agency
Contact: djbaldobld@gmail.com

Running:
@subwax-bcn-distribution
@physicaleducationrecords
@bldtaperecordings
@curatedbytime

Contac remix request,promo:
       squal.g@outlook.com
 Attracted by music since childhood, to the entire generation of 80 years is in the middle of those years that we begin to talk about his house appeared in Chicago followed in 88 of the Detroit techno and a Belgian style called "new beat". This current existed but recently rose timidly. It is in the early 90s that Squal G discovered that musical revival and finds that it matches. We can now talk in France of techno and house music.Le country starts now with a bit of rave behind England and Germany. Fascinated since early in this new musical trend ("The Sound of the Future" which was proclaimed on some tracks.) Squal G starts to mix in 95, with labels such as: k7!, Harthouse, X trax, Primate, important ... with a preference for the sound of acid house mid 90 .Au early 2001 he began to buy a first machine followed by a mixer, but do not start really in production. it is all early 2005, after years of DJing, he leaves envahire by machines and seriously invested in learning the solo electronic music production. To be continued ....


Attiré par la musique depuis tout petit, en passant par toute la génération des années 80,c’est au milieu de ces années là que l’on commence à parler de son house apparue à chicago suivie en 88 du son techno de Détroit et d’un style belge appelé « new beat ».Ce courant existait depuis peu mais progressé timidement. C’est au tout début des années 90 que Squal G découvre ce renouveau musical et trouve que cela lui correspond bien .On peut maintenant parler en France de techno et de house music.Le pays se met à l'heure des raves avec un peu de retard sur l'angleterre et l'allemagne. Passionné depuis le début par ce nouveau courant musical (« the sound of the futur » qui fut clamé sur quelque tracks .) ;Squal G se met à mixer en 95,avec des labels comme : k7!,Harthouse,X trax,Primat,Important…avec une préférence pour le son acid house du milieu des annéés 90 .Au début de 2001 il commence à s’acheter une première machine suivie d’un mixer ,mais ne se lance pas vraiment dans la production .C’est au tout début de l’année 2005,aprés ces années de djing, qu’il se laisse envahire par les machines et s’investit sérieusement dans l’apprentissage solo de la production en musique électronique. A suivre….     
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Labels :
             -Frequency Shift
             -Sound Tool Records
             -District Facility
             -Slates Records
             -Subwoofer Records
             -Sound Kleckse Records
             -Solid Groove Records
             -LW Recordings
             -klangspektrum Records
             -Viral Outbreak Digital
             -Technical Ennemy/Technical Sound
             -We Most Recordings
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Stravinsky et Stockhausen ont passé leur vie
à essayer de créer une révolution musicale.
La techno l'a menée à bien en moins de dix ans . 
Jeff Mills (1996)

Stravinsky and Stockhausen have spent their
 lives trying to create a musical revolution.
Techno was completed in less than ten years.
 Jeff Mills (1996)
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