“6 Hauntings” are a set of generative soundscapes based on material recorded for the digital release “Hauntings”. Each piece is continuous, without a start or an end and the music is suspended in constant flux, ever evolving. The system keeps launching new combinations of sounds based on carefully set probability rules and durations and the stream of samples is fed into a chain of digital effects. Thus, (dis)harmonic textures appear, fight for attention and then eventually die away. 
At any time the listener experiences just a fraction of the infinite number of possible combinations that the setup can generate. And yet, stochastic as the process may be, the sonic landscape soon settles for a steady tonal colour and mood. The compositional objective here is Complexity, not Chaos.

6 Hauntings

Fourth Haunting (based on Ningyo)

Phantomine  live performed in the planetarium Dome in Bruges Belgium on the 30 june 1992 and composed and played by Serge Devadder and Patrick Goethals.
Made with vintage gear  (analog synth and sampler, Roland studio system 100M and 101 and 102, jupiter 6 and Korg DSS1, Roland analog space echo and Boss pedals for effects)

Phantomine

ambient electronics - sonic textures - soundscapes

selected   discography:
- The Shape of Solitude [with Vidna Obmana] (CD, Multimood , 1999) 
- Cambrian  (CD, self-released, 2014)
- Ganda 	(CD, Groove Unlimited, 2016)
- Taxon 	(CD, Groove Unlimited, 2018)

Fourth Haunting (based on Ningyo)

Serge Devadder

Related tracks