Band formed in São Paulo, Brazil, in 2004 by three friends with the intention to make an authorial work. The band’s name came out from a “SMS” sent out by a friend, on cold Saturday afternoon, which said: “mas que friaca braba”- (Slang for freezing weather). 
Thus, the name Triaca Braba came out – Wagner Krüger (drums); Lincoln Ladeia (guitar) and Thadeu Castro (bass and vocals). 
At the end of 2005, Thadeu Castro left the band, but the two remaining musicians decided to carry the project, adapting Triaca Braba compositions to instrumental versions. 
With the new proposal, the band decided to change the name to just “TRIACA”. Combining Hard Rock, Progressive and Heavy Metal, Triaca launches in 2015 its first EP, recorded and produced in the John Armless Project Studio. In 2017, Paulo Krüger (Bass), joined to Triaca Band.

Introducing Cosmck-J, an artist breaking out of an internal prison. not a physical one, but the kind where creativity gets locked away behind doubt, distraction, and conditioning. This project is built on a love for music, community, and the belief that sound can activate something ancient inside us. The intention is to use frequency to pull people back into alignment with their higher awareness, to remind them that creativity isn’t external or earned, it’s already encoded in their DNA.

Jaime, the person behind Cosmck-J, has been immersed in music since childhood. He trained in traditional instruments such as bagpipes, guitar, and side drum, performing and competing in pipe bands, carrying old musical lineages into the present. But the underground psychedelic music scene hit differently. It wasn’t just entertainment, it was transformation.

Festivals like Twisted Frequency and Dimension ignited the shift. They showed him that music could act as a key to unlock higher thought, a tool for remembering.
From there, Cosmck-J stepped behind the decks, shaping sets built on dark progressive, Zenonesque, psytech and psychedelic frequencies, sets filled with deep chonky basslines, grounded atmospheres pierced by flickers of melodic light. These sets aren’t performances; they’re internal journeys, a conversation between the hidden self and the one trying to break through.

But behind the DJ stands a second voice forming, one that speaks through creation rather than selection.

Ubecho.

Ubecho is the producer identity, the architect of the sound from dimensions and worlds yet to arrive.
The name itself comes from the fusion of ubiquitous and echo, a sound that exists everywhere, resonating beyond time, beyond the individual, beyond the space it’s played in.

Where Cosmck-J guides the journey live,
Ubecho builds the language the journey is spoken in.

Cosmck-J’s mission is to clear the path for that voice, to free the creator within, not just for himself, but for anyone listening. To break loops, to unlock dormant expression, and to remind people that their creative fire was never lost, only made quiet.

When the time is right, Cosmck-J will shift.
The decks will become the doorway, and Ubecho will step forward fully, unfiltered, unbound, unmistakably his true voice.

The echo will not fade.
It echoes to remind,
to awaken,
to remember one’s true self.
Let the frequencies do the work.

Currently writing new album material.......
Set on End formed in West Auckland, New Zealand, in 2005. In late 2007, after a nine month hiatus, the band replaced their front man with current vocalist, Jesse Williams. 

Their debut EP, 'Means to an End' was recorded in late 2008 with acclaimed producer and musician Zorran Mendonsa (ex-New Way Home, Solstate) in their home studio, Mindset. Mastered by Evan Short (Cobra Khan, Subtract, ex-Concord Dawn), with artwork by Damian Alexander (Blindspott), Set on End independently released 'Means to an End' in early 2009. 

Officially making their live debut in January of 2009 with shows throughout New Zealand in support of Kiwi metal legends Subtract, Set on End went on to be a headlining act at both HMHR’s Metalfest 1 and Metalfest 2. Since then the band have regularly performed around the country, most notably playing support for US bands Trivium, Whitechapel and Poison the Well, Canada's Cancer Bats and the UK's Bring Me the Horizon.

Set on End are currently writing new music for an upcoming, full-length album. With a second guitarist added to their lineup (TBA), the aggressive, groove-oriented rhythm section of 'Means to an End' is set to evolve into a richer, more complex and dynamic scape.

Set on End's debut EP 'Means to an End' is available in selected stores and on iTunes, Bigcartel, Amazon, Rhapsody, Emusic and Napster.     






[ classical orchestral symphonic/ witch / triphop / shoegaze / dust / breakcore / black - death - gore - operatic - prog - sci-fi metal / dark trap / Idm / chopped and screwed / phonk / drone / pagan / future bass / liquid dnb / cinematic horror / psybient / psytrance / djent / dungeon synth / chillwave / minimal house / deathstep ]

Followers of Set on End