https://sfx-space.bandcamp.com/album/pitch-blender-sf04

Power Dynamics

Hey you.
I'm really happy to share with you the final opus of my double single series ! It's called Another Boys Band / The Lunatics.
While both tracks testify for my taste for jungle music, they are, in a sense, kinda opposite. 
The first track, Another Boys Band, starts with a nudge to DJ hype, and his legendary "Weird Energy" track, and goes into bro mode for a constructive chat between Korn and Limp Bizkit frontmen... A ridiculous cock fight between two alpha men, supported by a deep subbass and eviscerating breaks, ending only in misunderstanding and mental breakdown; just like the real thing.
On the other side, The Lunatics' gut-twirling atmosphere is based on a re/de-constructed Genesis P-Orridge interview, in which they talk about their chirurgical interventions, to melt two bodies into one. Rolling breaks and a typical distorted reese leads you to them, praising, while a pristine pad will bring you relief before a final breath.
Imagine industrial music's top controversial character and neo-metal bros confronting their huge egos, admitting their fears and kissing each other on fast paced jungle music.
( ◜◡＾)っ✂╰⋃╯
Mix : Simon Nicolas & Seul Ensemble
Master : Paulie Jean
Artwork : Elvire Menetrier & Seul Ensemble
Thank you so much <3
<(￣∇￣)ゞ

GET ME

Seul Ensemble - Another Boys Band

Get it here: https://yukumusic.bandcamp.com/album/innate-needs

"‘Innate Needs’ marks my first extended release as an artist, following the release of my debut album. I've leveraged similarities to create a juxtaposing, almost severe, experience with "Innate Needs." It delves more into the concept of wants, the forces that shape a being's needs, and far more. The release marks an investigation of darker musical experiences with undercurrents of burdened grief and reminiscence. The broken beat selection is halfway between listening and dancing. This six-track compilation, which began with a storytelling notion, pays homage to the grunge and gore epoch of human history."
—I7HVN

@i7hvnmusic
www.instagram.com/i7hvn/

Innate Needs

Get Me

I7HVN – Hyenas

"project_1" represents a piece of RareFlora's soul, released into the world. The dusty and blurred sound of the release is complemented by colorful resonances, robotic rhythms and glitches.

Inspired by the rich diversity of IDM music, “project_1” immerses the listener in an atmosphere of deep experience, giving an unforgettable expirience with a full spectrum of melodic emotions.

RareFlora is a musician and producer actively working on the genre crossroads of hyperpop and avant-garde electronics. Svyatoslav managed to collaborate with such hyperpop artists as Petal Supply and New Sylveon, produced his debut longplay Embrace, joined the roster of the label and community RESEARCHCORE and started a vocal side-project Saint Online, where he writes both lyrics and music.


Links: RareFlora https://soundcloud.com/rareflo https://www.instagram.com/rareflora #internetghetto https://soundcloud.com/internet_ghetto https://internetghetto.bandcamp.com https://www.instagram.com/inttternetghettto

NÜ PREMIERE :  RareFlora - Flow_1 (#INTERNETGHETTO)

KAOTE AT SEA

St. Amp - Cave

CEM - FORMA
Cat. Nr: DN031
Format: Digital / Transparent LP
Release Date: 28 March, 2025
Buy / stream: dansenoire.ffm.to/cem

CEM has gained international notoriety over the past years for bewitching club and festival audiences alike with his feverish, polymorphic and richly referential DJ sets. For his debut full-length album, FORMA, the Berlin-based Herrensauna founder momentarily departs the dancefl oor, instead contributing a refl ective and at times menacing compositional study on terror and temporal anachronism for our perplexing times. All six pieces were originally commissioned to accompany Portuguese artist Mauro Ventura’s performative installation of the same name, shown fi rst at the Volksbühne in 2022; the work engaged notions of labor and repetition through a multiplicity of gestural and corporeal interventions. Featured prominently on FORMA are the sound of bells—doorbells, meditative bowls, farm cowbells, Shinto bells—a motif CEM distills repeatedly onto the record to presage and work through both the violent specter of order and discipline, as well as the reparative qualities of harmony and retreat.
Opening the album with poignant synths, granulated bell hits, and double bass string drones is “The Calling”, which summons listeners into a rattling and twisting soundscape that dichotomously channels alertness and serenity at once. “Bells Corrupt”, in turn, transforms the comforting chime of bells into an alarming and insistent pattern as it evolves in pitch and form, recalling the anxious fi lm grammar of Italian giallo legends Lucio Fulci and Dario Argento or Czech animator Jan Švankmajer. “An Industrial Satire” is conceived as an homage to experimentalist Limpe Fuchs, known for her Dadaist use of self-made, metallic instruments and strings. The second part of the piece takes a staggering turn with the addition of ghaita—a Northern Moroccan double reed horn with a series of holes—sampled from the Master Musicians of Joujouka’s collaborative 1971 album with Brian Jones and layered alongside CEM’s own percussion work. The horn elements—linked to the ancient fertility rites of Pan—here culminate in a melodic embodiment of panic and celebration. “Statue Garden” is a minimalist organ drone piece interlaced with fi eld recordings accumulated through the musician’s recent travels across East Asia. Its dexterous balance of stillness and depth provides a contemplative interlude amidst the album’s vigour. The album closes on a provocative note with “The Sincerity Test” that features Berlin-based Lithuanian performance artist Gertrūda Gilytė, whose wry spoken-word intervention mirrors the kind of grotesque, deluded ‘positive affirmations’ that abounds on social media, suggesting a relatedness between narcissistic online speak and the rise of reactionary politics.

CEM is no stranger to the ever-threatening past and present of fascism, having been raised in Vienna within a Turkish-Kurdish immigrant household. FORMA thus emerges as a militant sonic offering and, through its razor-sharp interweaving of atmosphere and texture, conjures a fractured, albeit elegiac, space of possibility wherein time is out of joint and the circular motion of history with a capital H is dizzyingly thrown into disarray. As our world rushes forward into the past, casting dissonant spells might turn out to be our last rempart.

Forma is a series of action painting performances founded and directed by Mauro Ventura with movement direction by the choreographer Kiani del Valle

Track 1 mastered by Raphael Valensi
Track 2-6 mastered by Rashad Becker
Artwork by Niels Wehrspann

buy / stream 

CEM - An Industrial Satire I

Hazy Summer Nights

Kan eun emzivad x2vr

Know V.A.: Hibernation (Knives)
Release date: 6th November, 2020

Knives follow this Summer’s Kuedo OST release with an upfront club tool EP from DJ / producer duo, Know V.A. 

'Hibernation' traces ecstatic elements from the hard dance music familiar to their formative experience growing up in Holland, and fuses them with more UK leaning frameworks of late 90s techstep and late 00s vaporous grime, forming an ode to the romantic nostalgia of a shared club experience. Across the 5 tracks on 'Hibernation', Know V.A. set baroque string and choral arrangements into orbit around a hypnotic meandering of fierce gabber stabs and chattering percussion - at once reminiscent of both devine, classical ceremony and flailing club experience, drenched in sweat.

Know V.A. have performed internationally for a range of promoters and venues, such as Boiler Room and Stedelijk Museum. They curate the event and club night ‘Strange Days’, which seeks to showcase contemporary hardcore experimentalism and explore how the genre, sonically and visually has remained active in the underground. Their soundtrack work includes music for Calvin Klein and the acclaimed hardcore documentary 'Thunderdome Never Dies'. 

A collaborative artwork for the project is provided in the form of an emblem designed by artist Nicholas Law, subsequently animated by Winston Duke.

The EP will be closely followed by an additional release of remixed tracks, provided by UCC Harlo, Exploited Body & Sully. 

As of 2020 Knives is an independent project, now separate from any parent label.

Hibernation 

Know V.A. - Dirt

SEUL ENSEMBLE 
LLLCLUB
Booking : Paralleltapes21@gmail.com