The official Relapse Records SoundCloud page. Home of the finest current and alumni roster in extreme metal including artists such as OBITUARY, MASTODON, BARONESS, DYING FETUS, THE DILLINGER ESCAPE PLAN, RED FANG, OBSCURA, NOTHING, SUFFOCATION, NILE, AMORPHIS, DEATH, THE ALBUM LEAF, NECROPHAGIST and many more!

Follow us today and receive automatic updates with the latest new music from our entire roster! 

With over 40 million units sold, over 20 years in business and multiple Grammy Awards, Razor & Tie is one of the most successful independent music labels and publishing companies in North America.  The roster includes a variety of both established and developing artists such as The Pretty Reckless, Starset, All That Remains, The Sword and Red Sun Rising. Razor & Tie’s alternative-leaning imprint Washington Square features Austin Plaine, Soren Bryce and Mothxr.

𝙆𝙤𝙤𝙡-𝘼𝙞𝙙 𝙤𝙪𝙩 𝙚𝙫𝙚𝙧𝙮𝙬𝙝𝙚𝙧𝙚 𝙣𝙤𝙬 🍇🧃
https://bmth.co/Kool-AidIA

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

Making a statement is an understatement, next-gen is here to stay. Delivering the finest in popular Electronic Music with a wide array from Dance & EDM through lofi to Chill & Ambient... with a versatile approach and zero boundaries! The Music Network (Metanoia Music x Mezzanotte Network) has proven itself to be the leading new imprint in the scene. Just sit back and enjoy the music, because there's a lot more where it comes from ;)

At the end, before the beginning, in the forests of Eseroth, there was a band of warriors. With their musical prowess and might, they decided to bring peace to the dying ears of the land, and bring forth a mighty, epic sound of light. They drew their swords and then erased them before the great wars of time. Hark! Evermore! They reached the Kingdom! To the mountains and far away seas, the Warriors of Thunder rode and cried out their deadly attack: “ShadowStrike!”
ShadowStrike, from Long Island, New York, delivers a melodic, fast-paced, and grandiose sound to the local music scene. The band’s main objective is to deliver a fully immersive musical experience that includes an entertaining stage show and utilizes both musical and extra-musical thematic content to draw from pre-established tropes within the fantasy genre. 
Bringing in favoured styles of each member, ShadowStrike creates a unique sound for its American audience. Each member of ShadowStrike has strong family ties to various European backgrounds and traditions. This makes itself apparent in the style of metal that they play by including classical orchestrations, and melodies and themes that are reminiscent of European folk music, all while being mixed in with elements from popular American styles, early video games, and Japanese metal music. In short, the core sound of ShadowStrike’s music can be linked to the musical tendencies of almost every culture immersed in the metal genre: a true American experience!


ShadowStrikeBand is following