Prod. Kickbeatz

Recorded on my Phone 

Part of my album Vibes from the Sky lemme know what y'all think in the comments I went back to my more melodic flow style for this one and was more so venting about my recent relationship traumas hope y'all felt me on this one as always we taking off 

👨🏾‍🚀🚀✨

these songs really just my open journal so I appreciate anyone tapping in and vibing wit me let it all out 😞🫶🏾

lol I lied again  this the real last song of the album ✍🏾✨🤭 wanted to end it with 24 songs on some Kobe shit   I love y'all gang

new album  merch on my website  https://www.bonfire.com/store/sdrs-merch/


Broken Arcade

The Urban  Poet 📝 "Dress for Success" 👔 "Perform like the Best"👨🏾‍🎤 "Let God Handle the Rest" 🙏🏾🕊️

Sharpdressedray (Sdr) is a music artist from Harrisburg, Pa (717) has been writing music for years now but has been recording on his phone for 5 years as he perfects his craft racking up over 600k plays on SoundCloud and hasn't even put his music on all platforms yet ...

When will he go to the studio 🤯⚡🤔

No promo just God and staying consistent I truly do this out of the love for music I appreciate the ones who been supporting and listening to my music  we taking off gang 👨🏾‍🚀 🚀 🎶

Damn I leaked the vault might delete later 🤯⚠️

Appreciate all the support my fellow Lonely Astronauts 👨🏾‍🚀💔

New  Merch Just Dropped check it out in the link down below 👇🏾 

https://www.bonfire.com/store/sdrs-merch/


Anything donated will go into my studio time and music equipment stay blessed 😇🎶
Business inquiries, collabs, features email at Raycarter90@gmail.com

Rip B-Large 🕊️🪦 I do this for you 🙏🏾

Old Soul✨ Hood Poetry 🕷️ Stoner Music💨

Lost dog files 🐕‍🦺🎶

Nicknames from fans👇🏾

"One Take Carter" 
"The Lonely Astronaut"
"Hood Poet" 

Just That Kid With The Crazy Phone Raps 🤳🏿

Store Manager for Metro by T-Mobile 🍇

Join the Vibe Tribe 🤘🏾🍃⛽

Where my fellow lonely astronauts 👨🏾‍🚀💔🥀

https://discord.gg/45aYV2NgaW

Cash App: $Brennanc99

Hey i’m 15 but my mind feel older. i been through stuff that made me grow up fast. i go by ASHES not just a name, but what i rose from. pain, past, loss... i turned that into something real. music ain't just a hobby for me, it’s how i speak when nobody listens.

i’m not tryna be like these other dudes. i don’t chase trends, i chase truth. i don’t just wanna be remembered, i wanna be felt. i got dreams bigger than my situation, and even if the world don’t see it yet, i know what i’m becoming.

i move different. i think different. i feel everything heavy. and maybe that’s my curse, or maybe that’s my power. either way, i’m using it.

this ain't just a phase it’s the start of my story.

m@tro-music is my life I grew up in Yucaipa CA. My musical influences are the rolling

Stones,faces,Ronnie,wood,also men at work, Colin hay and Bruce Springsteen.Colin hay and Bruce Springsteen are my favorite song writers.Another artist I enjoy is j.mascis I grew up in the 80s so i had a lot of music in my life.Im just a working class guy making music from my heart my solo stuff can be found @ https://share.amuse.io/jSUEL2CnWzqz
also my m@tro YouTube link👇
https://www.youtube.com/@matro951


STH (band)-STH-(small town heroes) 2 best friends,matt hanson aka m@tro  (vocals) and Jeff pippin aka p@radigm(guitar)write songs and play music together since 2004 with long hiatuses in between we just started playing together again most of our songs where recorded in 2004 and 2008.STH project acoustic album can be found @ https://share.amuse.io/QIuo-GJgsVnK also on bandcamp@ 
sthmusic3.bandcamp.com
YouTube link------👇
https://www.youtube.com/@sth8453
Donations 
https://www.paypal.com/donate/?hosted_button_id=JB3T2ZU6PLUX8
to buy our CDs here is our store
http://Kunaki.com/MSales.asp?PublisherId=189585&PP=1

𝐎𝐟𝐢𝐜𝐢𝐚𝐥 𝐒𝐨𝐮𝐧𝐝𝐂𝐥𝐨𝐮𝐝 𝐃𝐞 
𝐙𝖓𝖆𝖎𝖉𝖊𝐑 𝖄𝖚𝖗𝖊𝖄


Hunnid is an award winning urban artist, songwriter, producer and engineer with many accolades already under his belt. Continuously raising the bar higher for himself, the one-man army is on a devoted mission to be the voice for those who are often silenced.

“In my time listening to hip hop (since the 1990's) I've not heard anything like Hunnid before.   This is a single song called "Buss That" and it has a catchy chorus as it's just a matter of singing along with "Buss that, baby, buss that" and I feel like it could be a strong radio single in that sense-- because it has that pop appeal within the chorus but what it could be compared with in terms of other songs I've heard is not so easily defined.”
⁃Raised By Gypsies

Born and raised in Chicago by his single-parent mother, Jake Jacobs acquired the name ‘Hunnid’ when a friend from a different side of town discovered that Jake was from 118th S. Eggleston. This neighborhood was an area dogged by crime and poverty, referred to by many as ‘The Wild, Wild Hundreds’. From then on, his nickname stuck with him. It would become his identity when he went on to gain rapid recognition in high school. This recognition began when Jake started spitting epic freestyles over heavy beats created by peers who would pound their fist on the lunch table in a melodic manner. His flare for freestyling no doubt had a lot to do with his natural adeptness to write poetry, which once even led to a piece being published at only 10 years old.

“Hunnid draws for us in rich detail life coming up on the Chicago’s Southside. The gangs, the grind, the struggles, striving for self-improvement and ultimately keeping your head above water and the poetry that comes out of those experiences. The video for the song features Hunnid rapping with a brisk cadence and packing so much content into each line with an impressive economy. The insistent, dreamlike beat, a sample of warping guitar, shuffled claps and clicks like drum sticks on a wooden block, accents Hunnid’s storytelling perfectly. Throughout the song there isn’t some kind of tough pose, rather an attempt at preserving sensitivity and not being inured to hardship by becoming hard oneself. “ 
⁃Queen City Sounds And Art


Hunnids music truly has no boundaries.  Garnering international attention, Hunnid’s music is leaving an impression on listeners across the globe. Starting in the wretched neighborhoods of Chicago, to the slums of the UK, all the way down to the providences of Africa, Hunnid’s talents are reaching millions. 

“Une chanson excellente qui sonne comme la parfaite parenthèse musicale au moment où les vacances touchent à leurs fins. Comme nous aimons le dire, tout le monde devrait avoir sa petite dose de hip-hop quotidienne. Ce moment agréable où des flow de qualité s’écrasent sur des instrumentaux d’une qualité impeccable. C’est de cela dont il s’agit ici.”
⁃Iggy Magazine 

Hunnid learned the importance of having a solid work ethic from a young age, by seeing how hard his mother worked to provide for him. His grandmother, who would play her records extremely loud majority of the time, exposed him to the power of music. It makes sense that those deep-rooted values and experiences would help form the imposing presence that Hunnid exuberates on stage, as well as his hard head for business.

His one-man method has won him awards and earned him multiple nominations, not to mention a string of other achievements.

“The Punisher, as we like to call him around here because it hits you hard every time you listen to Hunnid. The way he manipulates the track flow and creates his own element of surprise to throw us off the scent, but it's such a great track that leaves no ear left unheard.
⁃EDM Sauce

Keep it 1OO and follow Hunnid here to become part of the journey for 2020!!

I was born in 1983 in Västervik, Sweden. I got early inspiration from my very talented older brother “M Stage” to play keyboard. Since then I compose and produce music in different genres with both hard- and software. I'm influenced by all kinds of music, including soundtracks from movies and games. My ambition is to create dynamic songs with melodies that catch your mind for health.

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YouTube: Shroomgod Reborn
Bandlab: Shroomgod Reborn
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Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

I've been playing music for a while now and since corona I've invested my time in learning to produce. And it became incredibly addictive. I hope you guys like my music and feedback is always welcome!