A funereal echo emanates from deep within the abandoned outskirts of Antigo, Wisconsin.

Hidden among the rusty detritus of a long-since boarded up pea canning factory you will find the Tiki Room, and nestled within its hundreds of Polynesian idols and unused bar ware resides our mournful heroes, Wyrding. A group of reunited childhood friends, Wyrding set forth to take the slow, agonic sounds of the early Finnish "funeral doom" sound, translated into a lyric-based "word ritual" setting. Performed entirely on acoustic instruments, that is to say, stripped of their predecessors' volume and bombast, Wyrding concentrates on the style's essence: raw emotion, atmosphere, and a distinct concentration on melody. A play on the old word for "fate" or "destiny," Wyrding's celestial, doomed folk sounds were derived from an aleatoric re-arranging of words, using chance to define structure. It was fate, nay, Wyrd which reunited these wayward souls, and it was Wyrd which defines their unique, mournful sound.

- Jon Rosenthal

Repartiseraren is not only a blog-zine now, but also a label, that doesn't adhere to trends since 2010.

Sub-label: Öresundsreligionen
Etiquettes (Catalogue): Invisible Guy, Erinran Om En Annan Tid

BRRRZZZZZZMMMMMM
oooooooOOOWWWW
EEEEEEEeeeeeepfsch!

"I'm a mellow artist, ageing 69. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases:

https://whitelabrecs.bandcamp.com/album/the-book-of-dreams
https://chitrarecords.bandcamp.com/album/lieder-ohne-worte 
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli ‘amateurs’, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

Ehrler Vogel and Lights Galaxia are the music projects of Joe Snodgrass, currently based out of Tacoma, Washington.

shiftingsandscongregation is following