La Vie 2

Reweirding

Lend Me Your Radio - Oct 20

Giuseppe Falivene

Igloo Magazine :: Best of 2020
https://igloomag.com/features/best-of-2020

Igloo Magazine :: Best of 2020

Depths of Electronic 79. (Underground & atmospheric music ...) 2-3 Hours

Depths #79

Ambient 52

:: OUT TODAY ::

Here's the 4th track of my new 7track ambient album entitled "her name is a whispered lullaby" I wrote, composed, performed, recorded, mixed and mastered between December 2020 and March 2021.

SOLD OUT, Digital copies are available:
shimmeringmoodsrecords.bandcamp.com/album/her-name-is-a-whispered-lullaby (Shimmering Moods Records' Bandcamp), thechildofacreek.bandcamp.com/album/her-name-is-a-whispered-lullaby-out-now-on-shimmering-moods-records-the-netherlands
(My Bandcamp)

The album was released by Shimmering Moods Records in a wonderful edition of 40 cds.

Instruments performed, recorded, processed:
Piano, Electric Piano, Organ, Synthesizers, Acoustic Guitars, Electric Guitars, Voice, Field Recordings.

Album cover by my lady and myself.

FALLEN:
Bandcamp: thechildofacreek.bandcamp.com
Soundcloud: @fallenproject
Instagram:_the_child_of_a_creek_fallen
Twitter: The Child of A Creek/ Fallen
YouTube: Lorenzo Bracaloni The Child of A Creek

SHIMMERING MOODS RECORDS (The Netherlands)
Bandcamp: shimmeringmoodsrecords.bandcamp.com/album/her-name-is-a-whispered-lullaby
Soundcloud: soundcloud.com/shimmering-moods-records
Instagram: shimmeringmoodsrecords

04 your hand in mine_by FALLEN_ALBUM OUT NOW on Shimmering Moods Rec_CD

A remix of the ending theme of Paranoia Agent by myself.

Susumu Hirasawa-White Hill - Maromi's Theme (Remix)

Ambient Electronics from the High Skies - Sounds of Earth mini album https://matjarvis.com
Featured in the game 'Osmos' http://hemispheregames.com

Sounds of Earth

The Shape of Things to Come

High Skies - The Shape of Things to Come

Ambient electronics from the High Skies - Sounds of Earth EP https://matjarvis.com

Voyage en Argent

High Skies - Voyage en Argent

Forecast Fire

High Skies - Forecast Fire

Title track from the High Skies - Sounds of Earth EP https://matjarvis.com

High Skies - Sounds of Earth

interview: http://goo.gl/0fqDhS

www.inputselector.fr

IS 227 - Blue Hour [Blue Hour]

SUB 041 Side D: DEETRON
D1. The Core
D2. The Core (Beats)
D3. The Core (Reprise)

SUB 041 Side B: DJ BONE
B1. Black Patterns
B2. Black Patterns (Beats)
B3. Black Patterns (Reprise)

D1 Deetron - The Core

Previously released on Who We Are (WWA012)

I want this!

Woodwork

Track from Poiesis, out now on Rural Colours.

Siyr Siylur

When the song of the veery thrush is slowed down, it becomes obvious that it "swings" in the same way as jazz musicians. Read more at: www.newscientist.com/article/2140543-swinging-birds-play-with-rhythm-like-jazz-musicians

Bird mp3s

Veery thrush song slowed down

Ever since their initial singles were released in the mid-1990s and became international calling cards for the Chain Reaction label, the Porter Ricks duo of Thomas Köner and Andy Mellwig have represented that crucible point in which techno music leaked into new social environments and became the background music for cutting-edge cultural critique. Their submerged “scuba” sound, presented in dark tone colors and reverberating to infinity, is now instantly identifiable as one of the ‘soundmarks’ of Berlin club culture. Just as importantly, it is still a palpable aftershock of a pre-millenial genre explosion that saw deep dub, shimmering post-rock, abstract hip-hop and art-damaged noise all drinking from the same well of inspiration. Together with restless international collaborators such as Kevin Martin, and theoretical thinktanks such as the Mille Plateaux label, Mellwig and Köner were key players in a larger decentralized rebellion against musical monoculture. Their stated desire to make unexpected timbral shifts as important to their compositions as rhythm, along with their indifference to concerns like public image, set up a situation that critic Kodwo Eshun picked up on early on (“no pictures or interviews act as shock absorbers…the full force of their inexplicable sounds falls around your ears.”)

For proof of Porter Ricks’ enduring legacy, look no further than the fact that “dub techno” is now a stylistic movement that has expanded far beyond the confines of Berlin and the Basic Channel / Chain Reaction label alliance (where Mellwig’s mastering skills also played a starring role). Lurid traces of PR’s aesthetic can now be found in the work of producers like Andy Stott and Miles Whittaker, showing the potential for the duo’s unique ‘aquatic’ techniques to be applied to a variety of different musical contexts. However, this does present Porter Ricks with the unique challenge of reasserting themselves in a scene that has mastered their sonic vocabulary so well, the originals themselves run the risk of sounding like imitators…are they up to the task?

Their new LP on Tresor, Anguilla Electrica, may be their first full-length release in seventeen full years, but it radiates with confidence and with a clarity and intensity rarely seen in a world so oversaturated with communications noise. It’s made clear at once that it’s a continuation of a sonic ideal rather than a tribute to what has already been achieved: the duo is not idly sitting back while their newer acolytes do their talking for them. From the outset, the title track “Anguilla Electrica” slithers to life with bouncing and panning sequences that cover the full frequency spectrum and provide a perfect update on Porter Ricks’ exploration of animalistic movement and perception. Elsewhere, pieces such as “Scuba Rondo” also reanimate the classic Porter Ricks sound in striking fashion, playfully setting up a virtual sonic kitchen in which gelatinous sound phrases blend with steamy hisses and distinct crackling. In other places, like “Port of Tangency” and “Shoal Beat,” the duo once again demonstrates just how effortlessly catchy the conversational tension between lockstep groove and slightly unhinged, unidentifiable sound material can be.

This new LP is well worth the wait and is a life-affirming one in an uncertain and perilous time, drowning out daily anxieties like a rush of incoming surf - yet it is far more invigorating than relaxing. True to the Porter Ricks tradition, it will be just as exciting hearing this music as it will be to experience what new cultural mutations it leaves in its wake

Anguilla Electrica

Tresor Store

Porter Ricks - Port Of Tangency

Chez Toi

She's a Queen

Somewhere in Time and Space

Created a long time ago and originally meant to come out on a Zone+ & Usif ep. Due to a lack of communication and continued delays by the comissioning label, I have decided to put it up as a freebie. 

Download here: https://vicnorman.bandcamp.com/track/zone-usif-hallelujah-victors-remix
Also keep a look out for Ioanis's version released on Wildfang Records: 
therealwildfangrecords.bandcamp.com

Pay what you want

Zone+ & Usif-Hallelujah (Victors Remix)

'Lunae Semita' is the first release from Araceae, which is the ambient techno side project of Uun. The album was built upon field recordings gathered in Upper Michigan, Detroit, Berlin, and Amsterdam.

Written and Produced by Ryan Malony.
Mastered by Emanuele Pertoldi.
Faint007 // FaintCD007
Faint / 2018

Araceae - Lunae Semita (Snippets)

Dale Cooper Quartet and the Dictaphones, "Une Cellier"

Music is an eternity-long journey. With his musical message, the author wanted to talk about the transience of time, about his inexorable speed and character. Everyone is given an indefinite period and the task of each human to live it steadily and consciously, somewhere slowing down, and somewhere increasing the pace. The main thing - to live. A kind of space ambient, enveloping and immersing. Music that makes you stop and look around. Enjoy listening!

Produced by Heavenchord (@nirgoona)
Design by Thomas Carmody (@thomascarmody)
Photo by David Werbrouck

» Select music service: goo.gl/XtD8KE

Infinity From The Inside

Buy on Bandcamp

Heavenchord - Revelation Of Water [YIN040]

Peripeteia

Peripeteia (Continuous Mix)

Download

Cyborg - Pandemy

Marching Parades

Blow Your Mind with this tune xoxo
DFG to your ears!

DFG - Blow Your Mind

Seeing Is Believing

Cognitive Dissonance

Dark Cabal

MIMS is delighted to host the world premiere of the first ever collaboration between Emanative and Vula Viel’s Bex Burch! And it’s a banger! Deep 808 drum machine and African-inspired percussion meets cold-wave post-punk. Producer and fellow percussion-addict Hector Plimmer even gets in on the action to sprinkle some additional charms.

Emanative makes his vinyl debut here for Shapes of Rhythm following contributions to their ‘Isolation Compilation’ and an ‘Awkward Corners EP’ both earlier this year. Known for his love of collaboration, Emanative connected remotely with Bex Burch during the global lockdown. 

Disrupt #4 is the result of a meeting of two percussive minds in the midst of a pandemic, and like all good things it started with a groove. Nick initially provided Bex with a hazy, 808 african-inspired sketch. What followed was a musical dialogue which quickly gained momentum.

A post punk-esque vocal mantra was added, reflecting the here and now of 2020 and driving the track forward. Bex’s trademark Ghanaian Gyil xylophone is the conversation with the groove throughout the track. Hector Plimmer also joins the collaboration, seasoning the mix with synthesizer and tape delays.

Released November 6th, strictly limited to 300 copies, the first 50 come with an inner signed by the artists, and the record and sleeve have been produced "as green as possible" by Deep Grooves in Amsterdam (the greenest vinyl pressing plant in the world). "Disrupt #4" is backed by an equally disruptive remix from Awkward Corners, whose debut LP this year surely ranks among this year’s best.

Pre-Order

Exclusive Premiere: Emanative & Bex Burch "Disrupt #4" (Forthcoming on Shapes of Rhythm)

ΠΕΡΑ ΣΤΑ ΟΡΗ | REVANCHE 
4-tracks Digital EP + 4 Remix  - https://evel.bandcamp.com

ΠΕΡΑ ΣΤΑ ΟΡΗ has spent the last couple of years steadily increasing interest in the underground electronic scene due to his collaborations with labels such Yellow Machines, Furthur Electronix and his incredible remix for Brainwaltzera on Touched Music. Now, reveals in his upcoming 4-track EP on Evel Records a new sound even more futuristic and elevated.

4 boom tracks one after another + 4 excellent remixes from Nike Vomita, Secret Kitchen, Pollux Rose & Tsev.

Revanche

ΠΕΡΑ ΣΤΑ ΟΡΗ | REVANCHE

Giuseppe Falivene - Echoes, diffusions
CD/Digital

Order one of the limited edition CD packages, hand made, hand numbered, 30 copies:

https://shimmeringmoodsrecords.bandcamp.com/album/echoes-diffusions

Releases October 29, 2020

All tracks by Giuseppe Falivene 
Mastered by Giuseppe Falivene

Giuseppe Falivene - Echoes, diffusions (Album Preview)

_ph011 Jordan Christoff - Плаващ

ʼIs My Destroyerʼ unfolds like a story arc, always filled with a sense of time and direction as ideas morph, grow, disperse and rekindle; with key pieces like ‘Palaceʼ these ideas seem unbound, bursting out of their seams with emotional grandeur, elegance and passion, while other works such as ‘Orioʼ or ‘The Towerʼ offer sincere moments of reprieve.

https://soundcloud.com/vaagner

Premiere: Blessed are the Hearts that Bend - Kaal [Vaknar]

Dragon’s Eye is pleased to announce the release of 'Mixed Signals,' a new collaboration between longtime electronic musician FAX (Rubén Alonso Tamayo) and guitarist Braulio Lam. Both hailing from Mexico, the duo have crafted a multifaceted, shimmering ambient record that calmly propels the listener through passages echoing with just the right amount of reverb. Muted beats thrum against waves of ambient wash; bubbling guitar rides along the crest of synthetic sweeps. These carefully balanced mixed messages align with the album’s title, though the effect is not one of confusion. Listening creates a feeling of motivation toward a sense of ease, or settling into flux.

Mixed Signals

Fax & Braulio Lam - Insomnia

Raft of Trash is a generative music project exploring the sounds of systems using the natural rhythms of environmental dialogue in the world-building game SimCity 3000. It is a collaboration between sound artists/musicians Andrew PM Hunt (aka Dialect) and JC Leisure, and designer Thom Isom.  

Like the group’s early EPs, their debut album Likeness on the Edge of Town showcases the breadth of possibilities emerging from their unique process. Whilst playing SimCity 3000, the in-built sound effects of the game are converted and repurposed into MIDI data which is then fed to Hunt and Leisure's synths and samplers in real time. The resulting soundscape, imprinted with the dynamics of a simulated environment, is then augmented with live guitar, spoken word and field recordings to create an uncanny collage of wild synthesis, experimental narrative and bending, viscous guitar.  

Inspired by Fluxus artist Alison Knowles, the spoken word passages sprinkled across the record act as part travel journal, part system theory field guide as “someone guiding you through the simulated desert landscape, and through some kind of inner journey”. Exploring for instance the connections between the irregularities we discover in our functioning bodies and the impact of environmental influences or describing the fullness of the reality of stopping at a truck stop, these passages are an illuminating exploration of the complexity of living systems and real-life situations. Subtle musical references to Americana and sounds sourced from the desert around Joshua Tree contribute to a journey-like mood throughout the record. 

Musically, the record remains in largely abstract territory. Synths sprawl, crawl and fly above a sonic bed of creaks, ripples and bleeps; nothing is at it seems. This ambiguous relationship between the organic and the synthetic further highlights the themes explored by the group.  

Releasing in full on November 20 2020, as a limited edition poster and as digital files. 

Purchase on Bandcamp: https://raftoftrash.bandcamp.com/album/likeness-on-the-edge-of-town

Raft of Trash - Sans Sherif at the Painted Oasis

This song, which was originally supposed to be featured on a compilation, was ultimately scrapped for being too "dark". The bulk of this track was recorded in April of 2020 and then altered, possessed, exorcised, and eventually mastered by Sam Regan in October of 2020.

Ghoul Gathering In Ligovsky Prospekt

*S O U N D S C A P I N G*
Contact: Shimmeringmoodsrecords@gmail.com

Other projects:
Slow Tone Collages 
https://soundcloud.com/analogue-chat

*Monthly Radioshow @ Resonance Extra: First Wednesday at 8pm / 21:00-23:00 CET www.extra.resonance.fm