Rituals of Release was forged, not recorded. We summoned it—pulled it from the haze of two restless nights in Berlin and Madrid, late in 2023.

This is no album. It’s a reckoning. These sounds were not crafted, but unearthed—echoes buried beneath the surface, only waiting for us to dig. No rules guided our hands, only a primal pull toward chaos and freedom.

Rituals of Release is the pulse of a decaying world—a collision of flesh and machine, where desire becomes worship, and wanting is never enough. The struggle to hold on, the surrender to let go—it’s all here, in every warped note and fractured beat. It’s the sound of humanity collapsing and dancing in the ruins.

Each track offers a dangerous plunge into unknown depths. This is not a map; it’s an invitation to lose yourself. No journey here is safe, and no listener will return unchanged.

Dive in, if you dare. We’ll meet you on the other side.

Signed
Evil & Dr.K

Rituals of Release

Joe's Revenge

LA FIN DU CYCLE

9 tracks: Synthmaster, opal, Sem, Minimonsta, FB 3300, Bass satation and Korg drumlogue

NOT A PERFECT WORD

Púca

From the album MITOCHONDRIAL REDOX, listen at : https://peteswinton.bandcamp.com/album/mitochondrial-redox

02 MR Two

Disquiet Junto 0722 asked us to create a spooky pairing of a spy and horror movie soundtrack. I had a lot of fun going back and listening to some classic spy movie music, taking notes on some of the tropes that I wanted to incorporate in my response. 

The brass was a huge stretch for me. I generally try to stay away from synthetic versions of a lot of acoustic instruments because of how impossible it is to accurately simulate their performance, so I don't have any experience with writing for horns. I found some helpful advice on various music composition threads, and I'm happy enough with the arrangement for a fun Halloween piece. 

But you know what's really scary about this piece? I spelled "exsanguination" correctly on the first try.

More on the 722nd weekly Disquiet Junto project, Spook Street — The Assignment: Make music for a haunted spy film — at https://disquiet.com/0722/.

The Exsanguination of Agent 99 (disquiet0722)

unit

2025-11-15

dark universe

2025-11-16

changes in the sun

Electric guitar, analog bass synthesizer, effect pedals, voice, unsynchronized loops, two tube amps, broken heart beats and a lot of time manipulation. Field recording: electromagnetic waves made audible with Soma Ether. All sounds, voice, mixing and production: Velvet Something Superdark. Image: inside a shop-window in Berlin Neukölln (photo VSS).
This is the second part of https://soundcloud.com/velvetsomethingsuperdark/wonderful-wasted-world-part-1

Wonderful Wasted World, Part 2

It is recommended to listen to it with headphones.
This work is based on a 7-hours field recording I did in 2017 while spending the night with my partner at that time.

Always (2020)

Trashy artist from Planet Keron. No pronouns, for grammatical reasons "she" is acceptable.

Always (2020)

Dong Zhou (Shimo)

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Fab~aen

Chimera

Oriental Love a.k.a Kaya Takada

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