Related tracks: T O M O R R O W

Sinister Serenade begins with a haunting minor feel, immediately setting a tone of melancholy and quiet despair. The track features a combination of electric guitar, ukulele, subbass, claps, choral pads, Rhodes piano, and additional piano layers, creating a rich but sorrowful soundscape.

At a tempo of 105.63 BPM and in 4/4 time, the track moves steadily, evoking the image of walking through cold, rain-soaked streets of New York on an autumn night. The third section of the piece introduces a cool arpeggiated guitar figure, panned to create a sense of movement and depth. Although the track maintains a single, melancholy emotion throughout, a shift in the middle introduces a hint of something more sinister, with subtle magical harmonies lifting the mood before returning to the somber melody.

The longing melody, which bookends the track, reinforces the feeling of solitude and contemplation, making Sinister Serenade an ideal choice for cinematic scenes that require a blend of sadness, quiet tension, and a touch of the supernatural.

Sinister Serenade

-> https://andersson-arte.com

Kindle eBook [ https://www.amazon.com.au/Unadulterated-Thought-Mechanism-Andersson-Arte-ebook/dp/B0DBP4WJL7 ]

Marty Andersson: Christmas Bonus - Last Embrace A cappella | Free Download

Here is a new composition about the simple fact of loving.  Once again I could find many reasons to Hate, but I choose Love.  It's more pleasant.

Voici une nouvelle composition sur le simple fait d'aimer.  Je pourrais encore une fois trouver de nombreuses raisons de Haïr, mais je choisis l'Amour.  C'est plus agréable.

Embrace the Winter

Outback

Mats Demotape

Alla dagar. ( 1994 ) Eddy Mango - Margareta Theorin ( Eddy )

"A Quiet Room" is played on a Jeff Bamburg FSC guitar. Carpathian Spruce/Macassar Ebony, DADGAD tuning. A short tune which gradually "earned" its title as I made my way through composing this piece. Recorded Feb/2025. Thanks to all who might have a listen to this new track!

A QUIET ROOM

T O M O R R O W

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on Twitter: mobile.twitter.com/AMAAlexMagicArt
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HEARTHIS.AT all AMA Tracks: hearthis.at/alexmusicart/

Created Arranged Produced by
AMA - Alex Music Art - Alex Magic Art Productions
2025 All rights reserved.

T O M O R R O W

Megacosm

Glass Ankh

Composition and Sampling collage by Synline.

Let's Talk About Love

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition 
Llanpsych -- @llanpsych -- Tez – Fender HSS Telecaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass with a plectrum 
 
This song began as one of Joe's, lyrically centered songs, which he wrote and filled in with VST instruments. He came up with the lyrics by sharing ideas with fellow SoundCloud musician Michele Ansani.
   Knowing that Josh is a fan of his work, Joe offered this song to him in hopes that he'd share it with the rest of the band. Of course, Josh jumped at the opportunity to work on his song, and immediately shared it with the rest of the group. 
  Ken went to work first, adding his driving, excting drums. Josh was having a hard time coming up with a good bass line for it, until Ken suggested that he use the power of the 1/8 note to propel it. Tez was up next with his clever fills you hear throughout the first half of the song. Stephen came along right after and matched Tez's energy for the guitar fills in the second half of the song. 
  It was still missing a solo in the designated spot, though, so Mark stepped up with his innovative piano solo you hear in the middle. If it sounds a little mechanical, that's because he's using an arpeggiator to achieve the effect. We thought it sounded good in a song about AI, though. 
  Once all the parts were dialed in, and Joe had gotten all his vocals tuned up, we asked one of our resident pros, Stephen, to mix it for us. He did that and mastered it, too, expertly, as always.
  This is the first song we've ever done with Joe, and don't expect it to be the last. We all really enjoyed putting together, in no small part because Joe is such a competent, receptive, and gracious collaborator. We all hope you enjoy listening to it as much as we enjoyed creating it. 
Original lyrics by Joe Stroffolino (and Michele Ansani):
When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string 
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune 
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers 
But I continued to play
And the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics, 
your push a few buttons let the AI choose.
And people will think your songs are great even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure
And a catchy vibe and beat
It was overly verbose but when I played it people tapped their feet
In my forties I stopped wasting my time
Work was more fun I was doing just fine

AI Sucks! (Eclectic Collective with Joe Stroffolino)

NO FUSS // Short Musical Story Why Excitement Is Not Worth It …
@docfritz // Soundscapes, Music, Rhythm Design, Cover, Mix & Production
Composed, Arranged & Performed by DOCFRITZ @ OESJ 
© 2025 // All Rights Reserved

NO FUSS

This is the only live-recorded ballad I can put up here from the first album of Stytz Syndicate.
Line Up:
Stytz                             : guitar/leadvocals
Michael Roth                : harmonicas/vocals
Günther Reger             : saxophone/vocals
Claus Wengenmayr     : keyboards/vocals
Benno Richter              : bass
Jörg Schäfer                : drums
Lyrics                            : Pee Gee
Album Cover-Painting : Joachim Scheffler

Many people in the audience that night became teary-eyed hearing this song. 
The band gave it their absolute best and Stytz sang with heartbreaking intensity.

Thinkin´of the years we spent
Together...you and me
Goin´thru a constant change of ups and downs
I remember when we fell in love
A world full of colors surrounding us
We were happy all the time

It´s so hard to bear when words get in the way
So hard to bear when nothing`s left to say
So hard to say ...I´m sorry, it´s too late
I just fail to understand why
Our love´s come to an end

So afraid of losin you
I made a big mistake
But I know I have to realize
The feelings are gone
I can never change your mind
You made your own decision
Tryin´to find a way 
Leadin` back to yourself

It´s so hard to bear when words get in the way
So hard to bear when nothing´s left to say
So hard to say...I´m sorry it´s too late
I just fail to understand why
Our love´s come to an end

Our Love´s Come To An End ,  Stytz Syndicate

DRUMAX PROJECT proudly present track 60 ... nomen est omen :-)
@joerxworx > Composition, Instruments, Arrangement, Alto Saxophone
@docfritz > Rhythm Design, High Energy Drums & Ethnic Percussion, Artwork
© 2025 by joerxworx and docfritz / DRUMAX PROJECT

DRUMAX // THE SIXTIETH

special thanks for their acapella to : Ashes and Dreams
Additional voice " On sight"  thanks to :  Deadbitctrosa.....

Lyrics : 
The truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you

You got jump-scared so bad in your waking hours
You thought you were seeing stars
The truth sure likes to sneak up on you

Gonna see it, gonna see it, gonna see it, gonna see it
Gonna hear it, hear it
Only when you’re not listening

Gonna hear it, gonna hear it, gonna hear it, gonna hear it
Gonna see it, see it
Only when you’re not looking

It’s the same from Winnipeg to California
Punishing your intuition in the corner
It’s the same from Winnipeg to California
Punishing our intuition in the corner

The clue stuck to the bottom of a shoe
The mud trail she tracked through the living room
Told you what you already knew

The truth
The truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you

THE TRUTH. 🎧. Feat  Ashes and Dreams

The Divide

Transparent (Interlude) - Fire Ark Radio Production

Transparent-Interlude

Stomp on that

For my sixth birthday for weeks and weeks I begged my dad for a dog
But my dad didn’t think I was responsible enough and he was also kind of cheap
But I kept asking him constantly and finally he broke down
He gave me a little cabbage plant growing in a Styrofoam cup

He said if you take good care of this cabbage plant
Next year I’ll consider buying you a dog

I named him Charlie and I planted him in the flowerbed in the front yard
And every morning I’d go outside, and I’d feed him water and fertilizer
I’d update him on what was going on inside the house
And as far as cabbages go Charlie was a patient listener

Every night before I went to bed
I’d stick my head out the window and say goodnight to Charlie.

Our friendship was more than one of those passing fads
And every day Charlie grew until his head was bigger than my dad’s

And I guess my dad must have noticed too because one crisp autumn afternoon
Me and Charlie were sitting in the flowerbed listening to a baseball game
My dad came outside, and he said to me, it’s time for you to become a man

He reached down and he ripped my best friend Charlie out of the ground
For a couple of seconds, I could see his little roots gasping for soil 
Then we took him in the house and we cleaned and we gutted him

 And I swore that would be the last time I’d ever have a personal relationship
 with a vegetable of the cruciferous type
And as we sat around the table, eating our cabbage soup
It occurred to me I was so glad my dad hadn’t bought be a dog

I dedicate this song to Charlie because he made such a big impression on me
Those months we spent together made me so happy.
I go down the produce aisle at the grocery store.  I see those cabbages and it makes sad
I’m glad for the time we spent together.  Sorry it had to end up so bad.

Charlie (Cabbage Song)

Lyrics:
She was wrong for me
I knew it from the start
I'm not very smart
I left a spare key under the mat
To my broken heart

I'm kicking it
One step ahead of the blues
I'm kicking it 
One step ahead of the blues
I'm sleeping it off in those Sunday pews

My boss had an epiphany
When I was working at the mortuary
He said: Dig them holes faster!
"This business has no room for uncertainty!"

That may be
Oh, can't you see?
When I'm working for you
I just don't feel like I'm being me
When I'm working for you I ain't following my muse
And there she goes...
(There she goes!!!!)

I'm kicking it
One step ahead of the blues
I'm kicking it 
One step ahead of the blues
Hey friends, won't you help me spread the news?

I get all my blues for free
Don't you know I'm so low I can't see?
A lousy day...
A lousy pay...
I'm a lousy lay...
I think I'm everything
That everybody say

I'm kicking it
One step ahead of the blues
I'm kicking it 
One step ahead of the blues
I'm sleeping it off in those Sunday pews

One Step Ahead Of The Blues

Original composition and drum programing by Neno J.
Electric guitar Yamaha SG, recorded directly using multi effect Hotone Ampero 100, Bass guitar Ibanez
May, 2025.

Colorful feelings

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

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Shock the Algorithm