Such a beautiful vibe / jazz blues creating a perfect soundscape

Another virtuoso creation! Melodic imagination, supple modulations, appropriate sonorities (in the old days we would have said ‘science of orchestration’), mixing and, of course, rhythm (‘The Rhythm Divine’ as Yello would say)... If I made the same kind of music, I'd throw in the towel :)

Great vibe and melody.  Thank you for sharing your music with us.

Lovely tune. Nice and chill. Very nicely recorded 👌🏽🔆

No Fuss indeed--Such a dreamy cool groove:)

Related tracks: T O M O R R O W

White Sail | Korima

Listen to Korima at www.korima.net.

White Sail

I've started posting a few tracks that feature isolated instruments on previously uploaded songs, just for fun. On this one, I've done a bit of a short remix to highlight the nasty harmonica solo at the end of one of my fave songs I collaborated on with the charming & talented Eclectic Collective gang. It was the first time I'd tried playing that style with the heavy echo/reverb effect, and I was surprised how it turned out. 
Here's a link to the original full song, featuring wicked solo turns by several members of the group:

https://on.soundcloud.com/NcZz44EUFyChiR4LA

More goodies in the "ISOLATED TRACKS" playlist:
https://soundcloud.com/user-432503709/sets/isolated-tracks
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image created using a mix of ChatGPT AI and Photoshop

A Brush With Death (BLUES HARP SOLO)

"A Quiet Room" is played on a Jeff Bamburg FSC guitar. Carpathian Spruce/Macassar Ebony, DADGAD tuning. A short tune which gradually "earned" its title as I made my way through composing this piece. Recorded Feb/2025. Thanks to all who might have a listen to this new track!

A QUIET ROOM

T O M O R R O W

AMA on Insta: www.instagram.com/alexmusicart/
on Twitter: mobile.twitter.com/AMAAlexMagicArt
YouTube: www.youtube.com/user/alexmagicartworks/videos
HEARTHIS.AT all AMA Tracks: hearthis.at/alexmusicart/

Created Arranged Produced by
AMA - Alex Music Art - Alex Magic Art Productions
2025 All rights reserved.

T O M O R R O W

DEMO written, performed, & produced in Logic by Kate E. Stanton 2/23/25 for FAWM
I recently attended a composer's workshop with the instruction of creating a song based off of specific pitches tied to letters in a name. I chose M-O-L-L-Y (Gb, G#, D#, D#, C#) for my inspiration and created this for my daughter. 

Gold
You came in the dark, where light was so far,
Lost in my loneliness, you are a star.
A dream I’d hoped to see, & hold so tight,
Innocence bold, like purest light.

Heart of gold
My shining stone 
A ray of hope in all I've ever known,
In your eyes, 
I want to be
The very best 
version of me.

No money buys what I have found,
This treasure of gold, she's always around
floating freely in my mind 
freely in my heart like
an inner child 

That’s why I love you.
I love you,
heart of gold.
I want to be the best version of me.

Gold

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition 
Llanpsych -- @llanpsych -- Tez – Fender HSS Telecaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass with a plectrum 
 
This song began as one of Joe's, lyrically centered songs, which he wrote and filled in with VST instruments. He came up with the lyrics by sharing ideas with fellow SoundCloud musician Michele Ansani.
   Knowing that Josh is a fan of his work, Joe offered this song to him in hopes that he'd share it with the rest of the band. Of course, Josh jumped at the opportunity to work on his song, and immediately shared it with the rest of the group. 
  Ken went to work first, adding his driving, excting drums. Josh was having a hard time coming up with a good bass line for it, until Ken suggested that he use the power of the 1/8 note to propel it. Tez was up next with his clever fills you hear throughout the first half of the song. Stephen came along right after and matched Tez's energy for the guitar fills in the second half of the song. 
  It was still missing a solo in the designated spot, though, so Mark stepped up with his innovative piano solo you hear in the middle. If it sounds a little mechanical, that's because he's using an arpeggiator to achieve the effect. We thought it sounded good in a song about AI, though. 
  Once all the parts were dialed in, and Joe had gotten all his vocals tuned up, we asked one of our resident pros, Stephen, to mix it for us. He did that and mastered it, too, expertly, as always.
  This is the first song we've ever done with Joe, and don't expect it to be the last. We all really enjoyed putting together, in no small part because Joe is such a competent, receptive, and gracious collaborator. We all hope you enjoy listening to it as much as we enjoyed creating it. 
Original lyrics by Joe Stroffolino (and Michele Ansani):
When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string 
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune 
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers 
But I continued to play
And the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics, 
your push a few buttons let the AI choose.
And people will think your songs are great even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure
And a catchy vibe and beat
It was overly verbose but when I played it people tapped their feet
In my forties I stopped wasting my time
Work was more fun I was doing just fine

AI Sucks! (Eclectic Collective with Joe Stroffolino)

NO FUSS // Short Musical Story Why Excitement Is Not Worth It …
@docfritz // Soundscapes, Music, Rhythm Design, Cover, Mix & Production
Composed, Arranged & Performed by DOCFRITZ @ OESJ 
© 2025 // All Rights Reserved

NO FUSS

des essais de nouveaux effets sur ce nouvel ambient; et puis finalement j'ai enlevé les effets, et repris l'original ( c'est souvent comme cela : l'effet plait bien à la première écoute, introduit - c'est le cas de le dire - un effet de surprise, mais ensuite, on s'aperçoit qu'il était un peu inutile, un peu tape-à-l'œwil pour tout dire... Lien sur youtube  : 
https://youtu.be/msWKiPey94

n'en parle qu'aux étoiles

Uranus

special thanks for their acapella to : Ashes and Dreams
Additional voice " On sight"  thanks to :  Deadbitctrosa.....

Lyrics : 
The truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you

You got jump-scared so bad in your waking hours
You thought you were seeing stars
The truth sure likes to sneak up on you

Gonna see it, gonna see it, gonna see it, gonna see it
Gonna hear it, hear it
Only when you’re not listening

Gonna hear it, gonna hear it, gonna hear it, gonna hear it
Gonna see it, see it
Only when you’re not looking

It’s the same from Winnipeg to California
Punishing your intuition in the corner
It’s the same from Winnipeg to California
Punishing our intuition in the corner

The clue stuck to the bottom of a shoe
The mud trail she tracked through the living room
Told you what you already knew

The truth
The truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you

THE TRUTH. 🎧. Feat  Ashes and Dreams

Of Cause & Claws Of Air

Torrid Talons

✨ MIRAGE OF THE MEDINA  
Step into the mysticism of Morocco, where desert winds meet lantern-lit alleys. “Mirage of the Medina” blends non-lexical Sufi-inspired chants, whispered Arabic blessings (qalb = heart, ruh = spirit, layl = night), and layered group hums with oud arpeggios, darbuka grooves, ney flute sighs, and brass bowl resonance. 

This session is rooted in Maghreb ritual sound — where the medina’s tiled courtyards, incense smoke, and moonlit dunes carry centuries of music, memory, and spirit. Designed for warm nights, deep listening, and trance-like wanderings.

▸ REGION: Morocco / Maghreb — Sufi chants, Berber echoes, medina rituals  
▸ VOCALS: nonverbal Sufi-style chants, whispered tokens, desert wind hums  
▸ INSTRUMENTS: oud, darbuka, riq, ney flute, handclaps, brass bowl, wind FX  
▸ MOOD: hypnotic • sultry • lantern-lit trance  

━━━━━━━━━━━━━━━━━━  
🎧 Part of the *Zenith Dunes · Buddha Lounge* ritual journey series  
📀 Label: ÆTHERFLUX RΞCORDS  
🔥 Explore more sessions → soundcloud.com/aetherfluxrecords  

#MirageOfTheMedina #MoroccanChill #SufiAmbient #BuddhaBarVibes #WorldFusion #OudMusic #DesertNightMood #GlobalLounge #Downtempo #ZenithDunes #Ætherflux  


Sirr al-Layāl

Ehhh

Modest

Spitfire Audio - British Drama Toolkit - Ensembles + Main

Together

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

DocFritz aka P. Pasch is a Live & Studio-Drummer, Comp. & Prod. Here you can hear own tracks and collabs. For example @oesj and DRUMAX PROJECT with @joerxworx.

NO FUSS

DOCFRITZ

Recent comments

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The Beautiful Dark

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LARENGONAT.

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