Excellent track. Guitar/piano, Both of u are very talented

Hey Siamak man, this is a thrilling composition. Exquisitely executed by both of you. Excellent work!

SO Gorgeous Siamak & That Piano @ 2:29 :-)  !!!!

This is a journey indeed, Thanks a lot this reminded me of some old sunny holiday times which are far now :-)

Superb melodic track with fantastic performances from both of You! Amazing production!

Best of SoundCloud October 2025

This is a piano piece with cello arrangements. A peaceful look into nostalgia and memories, composed from the wonderful island of Mallorca. Greetings to all of you who have been following me for years. 

Where we used to be

Another awesome electronic collaboration with David a.k.a. @blackmarketbrains ! I love his minimal techno beats so asked him to send me one that included one of his cool old movie samples.I was inspired right away to lay down some melodic loops and even a bit of guitar.

Cover image is public domain, an illustration from an old edition of Mary Shelley's Frankenstein.

Forge the Creature! w/ Black Market Brains

Blending into the coral reef

An electro Nu Jazz atmosphere with a bit of bossa at a chill 85 bpm

Composed digitally MIDI to DAW via VST instruments, all original, no AI, made by a human

In ATL where I live, rainstorms have arrived for the next few days as Hurricane Erin has moved inland. Yet, even on the rainiest of days, the afterglow of music created around firelight lingers like the smoky scent of burnt hickory. In my world, that “firelight” is a computer screen, although in the past I’ve noodled an acoustic guitar around a campfire. Who hasn’t?! 😀

Today, I feel fortunate to enjoy the immense talent and camaraderie of SoundCloud friends. So a song of thanks. Pretend we’re gathered around a campfire for a toast — Here’s to humans making music 🥂🍻 To the goosebump factory! as friend @TheBeautifulDark calls it  ✨🪄And to its afterglow! 🍾 🙏

AFTERGLOW DEFINITION (Translation by DeepL)
1. A glow that remains after a light has disappeared 
1. Ein Leuchten, das nach dem Erlöschen eines Lichts zurückbleibt
1. Une lueur qui persiste après la disparition d'une lumière
1. Een gloed die blijft bestaan nadat een lichtbron is verdwenen
1. Un resplandor que permanece después de que la luz ha desaparecido
1. Un bagliore che rimane dopo che una luce è scomparsa
1. En glød, der bliver tilbage, efter at et lys er forsvundet
1. Hehku, joka säilyy valon katoamisen jälkeen
1. En glød som blir igjen etter at et lys har forsvunnet
1. poświata, która pozostaje po zniknięciu światła
1. Záře, která zůstává po zmizení světla
1. 光が消えた後に残る輝き
2. A pleasant effect or feeling that lingers after something is done, experienced, or achieved
2. Ein angenehmer Effekt oder ein angenehmes Gefühl, das nach einer Handlung, einer Erfahrung oder einer Errungenschaft zurückbleibt
2. Un effet ou une sensation agréable qui persiste après avoir fait, vécu ou accompli quelque chose
2. Een aangenaam effect of gevoel dat blijft hangen nadat iets is gedaan, ervaren of bereikt
2. Un efecto o sensación agradable que perdura después de haber hecho, experimentado o logrado algo
2. Un effetto o una sensazione piacevole che permane dopo che qualcosa è stato fatto, vissuto o raggiunto
2. En behagelig effekt eller følelse, der varer ved, efter at noget er blevet gjort, oplevet eller opnået
2. Nautinnollinen vaikutus tai tunne, joka säilyy sen jälkeen, kun jotain on tehty, koettu tai saavutettu
2. En behagelig effekt eller følelse som henger igjen etter at noe er gjort, opplevd eller oppnådd
2. Przyjemny efekt lub uczucie, które utrzymuje się po zrobieniu, doświadczeniu lub osiągnięciu czegoś
2. Příjemný účinek nebo pocit, který přetrvává poté, co je něco vykonáno, zažito nebo dosaženo
2. 何かを成し遂げた後や、何かを体験した後に残る、心地よい効果や感覚。

…………….
85 bpm
Fm, E6 with a short C7 transit in the middle 

DAW: Apple Logic Pro X
MIDI: Akai Professional Keyboard

E-INSTRUMENTS:
Concert Grand
Ambient Lead
Analog Phaser Pulse
Lunar Chords
Session Strings
Breathy Keys
Acoustic Guitar
Dark Bass Sweep FX
Studio Upright Bass
Deep Round Synth Bass
South African Singers
E-PERCUSSION:
African Kit
Latin Kit
Pop Kit
Studio Brush Kit
Drum ’N Bass Remix

LOFI AUDIO of fire igniting from a matchstick was recorded live on August, 15, 2025, and birdsong was recorded live on May 19, 2025, both via iPhone.

COVER ART is original CGI by SUNNYBECK using a composite derived from original and AI-generated images rendered by the DaVinci app, then altered, retouched, and designed in Photoshop.

August 21, 2025, 11:11 PM ET 
Released on SoundCloud
All Rights Reserved
………………….
.

Afterglow

Ray (https://soundcloud.com/user-364196783-552705040) and I went back to the well, and came back with this.

You Oughta See

- Picture -
Art Cover Editor. Shyntwirl
Colorist. Shyntwirl
Lightning. Shyntwirl
Quality. Shyntwirl
Effects. Shyntwirl 

- Music -
Producer. Shyntwirl
Programmer. Shyntwirl
Composer. Shyntwirl
Structure. Shyntwirl
Developer. Shyntwirl
Quality. Shyntwirl
Keyboard. Shyntwirl
Music Box. Shyntwirl
Reverb. Shyntwirl
Background. Shyntwirl
Fx. Shyntwirl
Synthesizer. Shyntwirl

PROD. Shyntwirl

Shyntwirl - The Last Rays Of The Sun Of The Day

"The only journey is the one within." 

guitar played by my talented friend Hani Shababi 👌

from album "Life", originally released in 2018

mix & Mastering by @amin-pishehvar 🙏

Circle of Life (featuring HANI)

(Music: Hans-Michael Albers, Lyrics: Terry Reeves)
Terry Reeves:  Vocals
Hans-Michael Albers: All instruments, Arrangement & Production

Today, 22nd. August 2025, marks 13 years since our dear brother Bri succumbed to the deadly combination of leukaemia and Guillain-Barré syndrome.  Watching him through 2012, unable to do anything for himself and increasingly confined to a hospital bed is something none who loved him will ever forget.  
He has never been (and never will be) forgotten, not only for the music he created but for the force of nature he most certainly was.  In 1964, our Mum & Dad bought him an entry level acoustic guitar as a Christmas present and his progress on the instrument was something to behold.  By the time he was 18, he’d bought himself a Gibson Les Paul on HP (24 payments of five pounds and thirteen shillings per month) from Selmers in Charing Cross Road, London.  He joined a band, somehow co-opting me in as lead singer at the tender age of 15 (still a schoolboy, no less) and over the ensuing ten years, formed bands of whose line-up I was always a part, graduating from singing to percussion and eventually drums.
There being guitars laying around the family home, Tel took to playing and encouraged by Bri, never stopped.  Fast forward another five years and he too started writing songs so that by ’82, the 3 of us decided to form a band (Root Division) to play them.  It’s a truly special thing to be in the same band as your brothers and recording those songs became something Tel and me still remember with an abiding nostalgia.  No wonder we still talk about those days…
This song started life as an instrumental, written by Hans and of course, it’s brilliant as is but Tel liked it so much, he asked if he could write some lyrics and a vocal melody.  Being a generous fellow, our dear friend from Hamburg said he’d love to hear what Tel had in mind.
His basic idea was to incorporate as many references as he could to Cripple Club tracks, in celebration of the firm friendship we have formed in together recording what amounts to over 50 songs.  There may be a few of you who can spot one or two…
So this is for you, Bri.  We love and miss you, sweet brother.
(Gary Reeves)

Last Summer day reasons
Hamburg always shines
Shadows of Superheroes
Another surprise will come in time
Click toward a pension
From birth but never knew
Surprised to find a blackbird
In the flames as the music grew

Touch wood for satisfaction
CC music every day
Root of strong existence 
Step off the world to feed the phrase
Another Titan message
Titanic stories past
Image of a fraying edge
Never thought hang of time would last

It’s the time, it’s the place
It’s the only performance I can show my face

Last chance for singing
Avoid resistant tide
Pleasing distant garage
Remember 4 to 3 to 5
Stars in space that linger
Soaking up the blue
Palette of sunshine yellow
Mix to green for go - but for who?

T,G & H, Two and you!

LAST SUMMER'S DAY BLUES - CRIPPLE CLUB

SOON to move to Bandcamp as an album - in the meantime, you can also listen in sequence here: soundcloud.com/sonic-textures/sets/scalar-fields
instruments: Jeff Gardiner and jo richter
voice: Jeff Gardiner
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter



when the waves of silence break
on the dharma nomad's sitting mind
the daylight sleeper's naugual wakes
for a body of the idle kind

that speaks in riddles muted rhymes
and labrythene paths of jesting Joyce
where assonance stands guard and chimes
on onomatopoeic trysts.

For rivers run and waters foam
and dogs are dogs of many heads
no dwellings last where prospect roam
and liquid hope permits no rest

and the knowledge of the miserly
cannot withstand the yearly flooding force
and can and will and is not allowed for atrophy
as long as eight blurred legs still makes a horse

ah burning barnacles to make light
of tonal drylands and bold vertebrates
bridges? Yes, bridges burn for ashes flight
and sparks and bio luminosity and micotonal clefs

for those who walk the open scalar fields
have guns that glow and minds to blow
for those who raft down rapid vector creeks
have dreams to grow and seeds to sow---

the scalar fields part 10: Vector creek with Jo Richter

Alara

Vocals: @Oddrun-Eikli 
Trumpet: @Arne-Hiorth
Lyrics: @user-264930040 (Peter)
Piano: Debra Buesking
This piano composition takes its cues from Beethoven's Bagatelle "Für Elise".  It seemed a bit of fun to give Beethoven's famous piece a new twist and so we have.  Thank you to my dear friends Oddrun, Arne, and Peter, for this marvelous and joyful experience of working together.  It brings us all a bit closer together.

An Autumn Pastorale

The year’s getting late, now summer’s sleeping
I contemplate how autumn’s creeping in.
Berries shining for the birds
As they harmonise each others’ words In a chorus like the angels heard.

The year’s getting late, for carefree living

Lazy times, with honest give and take.
Simple joys like baby smiles
And climbing hills to see for miles
The evening star switching on…year’s getting late

The year’s getting late, memories clinging
Better times, that sweet hope’s bringing in
The last of this year’s butterflies
Mother nature’s neat surprise

Can’t those days come back please? … year’s getting late.

Autumn Pastorale | Oddrun E, Arne Hiorth, Peter the Poet, & Debra B

Special thanks to Paploviante for his generous open collab offer 🫶

I added mostly keyboard music to Paul’s jamming jazz track of keyboard, guitars (awesome solos!), bass, and percussion. VST instruments or E-instruments that I used are listed below. No AI, made by humans.

Paploviante's original track is here:  https://soundcloud.com/paploviante-and-friends/time-turns-back-paploviante

And if you love saxophone as I do, check Joerxworx's sax remix of Paploviante's Time Turns Back here:  https://soundcloud.com/joerxworx/time-turns-back-by-paploviante-joerxworx-sax-remix

BTW, time falls back one hour on Sunday, October 26, 2025, in most of the European Union, and on Sunday, November 2, 2025, in the United States, Canada, and other locations observing Daylight Saving Time in autumn.

…………
85 bpm

DAW: Apple Logic Pro X 
MIDI: Akai Professional Keyboard 
Concert Grand 
Ambient Lead
Studio Trumpet 
Focus rhythm arp
African Kit ~ Metal Shaker for an extra Tick-Tock rhythm in the intro, outro
……………..

COVER ART is a surrealistic interpretation of the song as original CGI by SUNNYBECK using a composite derived from original and AI-generated images rendered by the DaVinci app, then altered, retouched, and designed in Photoshop. Includes a thumbnail of Paploviante’s original cover art.
.

Time Turns Back by Paploviante | SUNNYBECK Remix

'Shadows In Fallen Clouds' Chemtrails are covering our skies worldwide daily. These chemtrails contain a mixture of chemicals and heavy metals. Most of the worlds population appear to think that these chemtrails are clouds or contrails and some are even oblivious to their very existence. However I am not and am well aware that what is being sprayed artificially in the upper atmosphere, won't stay there for long and will soon succumb to gravity. So then these chemtrails start to fall to earth, with their pollutant toxins. We are then breathing these in and eating the food produced from the contaminated ground and drinking the water. 
My track then 'Shadows In Fallen Clouds' is my protest to this assault on the earth and every living thing on it.
Alan

CON-FUSION

Shadows In Fallen Clouds

La plage

Remixes

The Future Is Inside You (Remix 2025)

This album features alternative versions of songs from Riccardo Corso's Electric Vibe. These new arrangements explore entirely different sounds and colors, offering a fresh take on the originals. While the sonorities and textures have been transformed, the core harmony and musical structures remain true to the original compositions, providing a new perspective while respecting the essence of the tracks.

Bandcamp

Not for Me - Jazzy

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765

I'm just a self-taught musician and piano player who tries to express his mind and thoughts through the black and white keys.

Circle of Life (featuring HANI)

Siamak Sarmadian

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