Name: Talk to me by sick_level
Duration: 2 min 17 s
Description: Old noisey/bass track that rips. Never showed it to anyone.

Never The Right Time

Never the right time (feat. Alison Skidmore)

PRE-ORDER: https://linktr.ee/suctionrecords

Artists: Lowfish / Solvent
Title: suction001
Label / CAT#: Suction Records / suction001 (25th anniversary reissue)
Format: Vinyl 12-inch/Digital EP
Release date: November 11, 2022

2022 marks the 25th anniversary of Suction Records, the Toronto-based electro/IDM label founded in 1997 by two emerging producers, Lowfish (aka Gregory De Rocher) and Solvent (aka Jason Amm), the latter still overseeing the label to this day. The label’s inaugural release was a split Lowfish/Solvent 12”, marking both artists’ debut vinyl appearance. 

Gregory and Jason had known each other since high-school, but a deeper friendship was forged during their university years, after Gregory introduced Jason to early Rephlex releases by Aphex Twin and µ-Ziq. Gregory had been making electronic music in his bedroom for more than a decade, but it was those Rephlex releases that ignited Jason’s passion to do the same. After several years of obsessive gear buying, music making, and playing tracks for each other, Lowfish and Solvent had hit their stride, and their demos even attracted the interest of legendary early IDM labels labels Skam (for Lowfish), and Isophlux (for Solvent). But things were slow-moving in those days — letters, faxes, phone calls… nothing was panning out. So that’s when they decided to start their own label, and put out 300 copies of this 12”, suction001.

The label was heavily inspired by contemporary artists like AFX, Autechre, and Panasonic, but on suction001, those influences collided with their ‘80s synth-pop and industrial roots to create something unique. 25 years later, it still sounds fresh, and like nothing else out there. On suction001, 808 drum machines are run through distortion and breakbeats are chopped and mangled, contrasting with melodic OMD-style leads and catchy synth-pop basslines — a sound the label would refer to as ‘distortion pedal new wave.’ 

Over the past 25 years, Suction’s sound has morphed and evolved, but in recent years has shifted back to it’s original Rephlex-inspired roots. That makes 2022 the perfect year to revisit this wild, 1997 debut, now reissued in a new, expanded edition for it’s 25th anniversary. The reissue adds 2 bonus tracks — a 1999 remix by Detroit electro-punk duo ADULT., along with a previously-unreleased version of Lowfish’s A1 cut, and also features new and improved artwork, including an insert with full label discography. 

Limited to 500 copies, and comes with a Bandcamp download card.

Tracklisting:

A1. Lowfish “Helski Gotenks”
A2. Solvent “Course Hub with Garnish”
A3. Lowfish “Helski Gotenks (version)”
B1. Solvent “Flexidisc”
B2. Lowfish “Your Last Legs”
B3. Solvent “ESP (edit)”
B4. Lowfish “Peanut Butter Castles”
B5. ADULT. vs Solvent “Flexidisc (remix)”

ADULT. vs Solvent "Flexidisc (remix)" (from suction001 25th anniversary reissue)

Black Rainbow

Thinking Of You

DADRAS - Yuppie Scum
Off of RUBAIYAT I, out now on @humanpitch

Buy, listen, support here:
http://smarturl.it/hpc03-digi

© 2015 Human Pitch // www.humanpitch.fm

Buy on iTunes

DADRAS – Yuppie Scum

Old noisey/bass track that rips. Never showed it to anyone.

Talk to me

The other week I had to take down that bootleg all of you wanted. So I turned it into 2 new original tracks. Stopper (Dub Mix) is out now!

Stopper (Club Mix) out tomorrow

Free Download

Stopper (Dub Mix)

Berlin resident Anastasia Vtorova aka Machine Woman follows up her ‘For Sweden’ 12” on Peder Mannerfelt with two new cuts for Where To Now? Records, accompanied by an expansive and sprawling remix from Kassem Mosse.

Machine Woman is beginning to cement herself as a rather unique figure in the world of Techno. Her music is undoubtedly brutalist, functional, industrial, and stripped back for the most basic of heads down body movement, but there’s a persistent seductive, soulful, and human element to her work which is in a state of constant interplay with this idea of the ‘Machine Woman’ - an approach which is undoubtedly inspired by the pioneers of man vs. machine music - Kraftwerk.

‘Genau House’ opens with the 11 minute ‘I can mend your broken heart’. Shuffling percussion struts alongside a myriad of synthesized melodies and the sound of data processing. For Anastasia, the track is inspired by unsuccessful Tinder dates, and the yearning lyrical content of the tracks certainly laments the implications of this perhaps often mechanical and rigid love seeking world against an honest and seeking heart – A Machine Music space to explore the increasingly common impact of disposable Computer Love colliding head on with a legitimate longing and want for lasting human connection.

‘Friday Night’ encompasses a similar vocal mantra but here the focus is not so much on the intricacies of the human heart, but rather the seduction, enthrallment, and sometimes unfortunate exclusivity inherent in sectors of the Berlin nightlife. Undoubtedly a track aimed towards the pitch-black nightclub ‘Friday Night’ is stricter in its intention, with less space for romanticism. An unrelenting Techno thud grinds with the mechanical shifting of gears and movement to create the desired hypnotic state whilst Anastasia’s heavily treated vocals plume the melody into even darker recesses of the dancefloor.

Kassem Mosse makes an appearance to close the record with his own incredible interpretation of ‘I can mend your broken heart’. To call this a remix is a discredit to Kassem’s ability to completely transform a work into his own whilst staying respectful to the original artists intention. Much like his interpretation of Simone White’s ‘Flowers in May’ (Honest Jons, 2015) Kassem takes the vocal line of the original and sets it against a deep, sprawling, immersive soundscape of his own. Over it’s 10+ minutes a Deepchord style dubwise basin of echo and melody lingers behind the deepest Trip-Hop style palette of slow, churning, and intricately evolving percussion.

“Machine Woman draws upon her foundations in ‘90s Leningrad and the hardest edge of her new home city’s industrial scene to forge a raw, buzzing, and brutalist style working on the cusp of dance functionality and avant-garde, tonal exploration. – Boomkat.” 
credits
released May 13, 2016

Genau House

Machine Woman - Genau House -  I Can Mend Your Broken Heart

"Diagram VII (80's Mx)" from our reissue of D'Arcangelo's debut EP from 1996, originally released on Aphex Twin's Rephlex label.

Buy: http://darcangelo-suction.bandcamp.com

ARTIST: D’Arcangelo
TITLE: D’Arcangelo (Rephlex CAT039 reissue)
LABEL / CAT: Suction Records / suction039
RELEASE DATE: 06/06/2017
 INFO: 6 track 12" EP, 500 copes  w/150 on BLUE vinyl

Suction Records is thrilled and honoured to announce the reissue of D’Arcangelo’s self-titled debut EP for Rephlex, the legendary UK label run by Aphex Twin and Grant Wilson-Claridge from 1991-2013. D’Arcangelo are the Italian duo of brothers Fabrizio and Marco D’Arcangelo, active in the underground electronic scene under various aliases since the early ‘90s, and still going strong today. Released in 1996, their Rephlex debut “D’Arcangelo” was one of the first releases to make a firm connection between contemporary IDM/electronix and the sound of ‘80s synth pop. The 3 tracks on Side A are ripping, industrial-strength electronix, as fierce, crunchy and menacing anything Aphex Twin himself had released at the time. In sharp contrast, Side B’s 3 tracks are playful, clean and melodic instrumental synthpop, with clear synthetic references to bands like Depeche Mode and OMD. It was a sound that was certainly not in fashion at the time, and helped the EP stand out in 1996, for that very reason.

Suction Records was launched in 1997 by Toronto artists Solvent and Lowfish - both producers attended high-school together in the ‘80s, and both were obsessed with synthesizers and electronic music. The synth pop sound of the ‘80s was in their blood, but in the ‘90s, both became absolute converts to the sound of Aphex Twin and other like-minded artists on labels like Warp, Rephlex and Skam. Discovering this “D’Arcangelo” EP in 1996 was a revelation for the pair, a marriage of their 2 favourite sounds, and was one of the key inspirations for starting Suction Records the following year… so it was a dream come true when D’Arcangelo agreed to allow Suction to reissue this long-out-of-print and sought-after EP. In respect to the original release - Rephlex CAT039 - we saved a matching catalog # for our reissue: This is suction039.

D'Arcangelo - "Diagram VII (80's Mx)" (suction039)

EOD - Utrecht

RX-101 "Hearts Utd." from "Serenity"(suction050 2LP/CD/digital).
Release date 02/14/2020. ORDER:
👉 http://suction.shop/collections/rx-101
EU/UK/International:
👉 http://suction-eu.shop/collections/rx-101
Bandcamp (digital + limited physical copies):
👉 http://suctionrecords.bandcamp.com

Don't let the title fool you - Suction Records' latest dive into RX-101's 1997-1999 tape archive is not al lush, serene melodies. On "Serenity," scorched, crunchy, jackhammer beats combine with emotional, plaintive pads, delivering a classic set of vintage-Rephlex-style bliss, a la AFX, Caustic Window, and Cylob.

RX-101 "Hearts Utd." (suction050)

RX-101 - "Hearts Utd. (Brainwaltzera Remix)"

Track A1 from RX-101 - "Hearts Utd." (suction052) - an addendum to RX’s recent 2LP “Serenity”, with 5 additional caustic braindance assaults from the archive, alongside a brand new remix by Brainwaltzera.

RX-101 - "Hearts Utd. (Brainwaltzera Remix)"

All tracks are at least 5 years old, some more than that. Finding time to make music is tough.
Some hold up some suck.

Talk to me

sick_level

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