هوا ایمشو چی تاریکه
می دیل چو رشته باریکه
بوشو آی شو، بوشو آی شو!
تی جه ترسه می ریکه


#لالایی
#موزیک_کست
#انسانک32

Lalaei Gilaki

آواز:سعید عباسپور
تار:رضا موسوی زاده
تنبک:؟
سال نود و شش
آموزشگاه آیین فاخته

حال که تنها شده ام-سعید عباسپور-رضا موسوی زادهSaeed abbaspour-reza mousavi zade

Caspi

čamanzār (the Meadow)

Osho Baba

The song is relaxed, somewhat reminiscent of the “electro” genre, and aims to convey a playful approach to life in an artistic and musical way, because life is what it is: unpredictable, unplannable, constantly changing, and fascinating in a wonderful way.

Such is Life

Souvenir ému, sensualité
Âmes enlacées, complicité
Je te dévore la nuit des mille étoiles
Mais tu m’échappes, tu mets les voiles

Tu sauras en ce jour parfait mon cœur pour toi à jamais
Romantic attraction
Erotic sensation

Souvenir perdu
Sensualité 
Âmes qui se frôlent 
Étreintes sucrées 

Tu prendras en ce jour parfait
Mon cœur à jamais
Romantic attraction 
Erotic sensation 
Romantic attraction 
Erotic sensation 


Oh oh oh oh
Oh oh…

Oh oh oh
…

UN JOUR PARFAIT 2

Press f to litigate

غزلیات حافظ

حُسنت به اتفاق ملاحت جهان گرفت

Nist Sho (Single)

Nist Sho-Alireza Qorbani نیست شو-علیرضا قربانی

Ensemble shanbehzadeh - Sharveho Dammam

Dead Bees Animal distinction, Burning. Rainforests, Plastic oceans, Weather Engineering, Excessive waste in space, and ....

Sorrow of the time, in honor to Maestro Mohammad Reza Shajarian
in Binaural 3D immersive audio 

Reviews: 
https://www.divideandconquermusic.com/indie-music-album-reviews/art-tawanghar-vivaldi-summer-1st-and-3rd-movementfeat-persian-santoor-binaural-3d-in-432hz

https://www.pleasepasstheindie.com/post/art-tawanghar-vivaldi-summer-first-and-third-movement-feat-persian-santoor-binaural-3d-in-432hz

Saadi Shirazi Poem no. 404 Sorrow of time English translation
Should I grieve for the times or endure the distance of a friend? Which burden should I carry with the endurance that I do not hold?
Nor do I have the ability to stay away. Nor do I have the power to embrace him rudely and fearlessly
I do not have the patience to hold it in the sleeve of reason. And not an intellect with which I can reach the realms of peace.
No guts to get rid of friends because of persecution. If, like a real man, I do not bear the unkind burden of a friend
When it is possible to endure malicious oppression with patience, why not be patient to endure oppression?
I, who drunk from the hand of a butler, need to also endure the illness of a hangover
If a flower like your face fell into my hands middle of the meadow, the least I can do is draw Saadi's eye to the thorn of that flower.

 ديوان سعدي
شماره ٤٠٤: غم زمانه خورم يا فراق يار کشم
غم زمانه خورم يا فراق يار کشم	به طاقتي که ندارم کدام بار کشم
نه قوتي که توانم کناره جستن از او	نه قدرتي که به شوخيش در کنار کشم
نه دست صبر که در آستين عقل برم	نه پاي عقل که در دامن قرار کشم
ز دوستان به جفا سيرگشت مردي نيست	جفاي دوست زنم گر نه مردوار کشم
چو مي توان به صبوري کشيد جور عدو	چرا صبور نباشم که جور يار کشم
شراب خورده ساقي ز جام صافي وصل	ضرورتست که درد سر خمار کشم
گلي چو روي تو گر در چمن به دست آيد	کمينه ديده سعديش پيش خار کشم

Sadi was held in great repute by his countrymen, and found a liberal patron in the King of Persia, Sad-Atabak, who encouraged learning, and was fond of the society of learned men. He made Sadi Court poet, and SAdPs grati- tude was shown in his almost fulsome praise of the monarch.


Sadi has written numerous works, in prose and verse, on moral, theological, and amatory subjects; and the best known and most read of his writings are the Gulistan in prose and verse, and the Bostdn in verse. He delighted in wit and repartee, and puns abound in his works. His moral and religious remarks show great depth of thought, correct observation, and knowledge of human nature. Judged by modern European ideas of propriety, he sometimes borders on the obscene in his remarks; but orientals do not guage their morality by European standards, and allowance must be made for Sadi accordingly. His style of writing is simple but vigorous, and the pride he occasionally displays in his conscious superiority in intelligence and eloquence over his neighbours is pardonable. He is credited with having worked miracles, especially that of restoring to life a young lover, who had cast himself down from a tower, one hundred feet high, to the ground. If the young man survived the fall, it was certainly a miracle! I Sadi was modest in manner, and could not tolerate vanity in others. He dressed modestly, was short in stature and not handsome ; but a face beaming with intelligence and a long-flowing beard gave him an engaging and venerable appearance. He closed his chequered life at Shiraz, the place of his birth, A.D. 1291, having reached the ripe age of one hundred and sixteen years. He is honored as a saint by Mohamedans, and his tomb —called the Sadiya in the vicinity of the town of Shiraz, is visited by numerous pilgrims and travellers.

Sorrow of Time 432Hz  ft. Mohammad Reza Shajarian / غم زمانه خورم یا فراق یار کشم استاد شجریان

May we all awaken
Out of the dream of Maya
To our timeless perfection
In Truth

Osho Baba

Sidd

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