A super arrangement and really great sounding track. I love the chords in the chorus.

Mixed and Mastered by Woods Studio
soundcloud.com/woods_studio

Lyrics:

Lost little angel, you have left your heavenly host,
Oh little angel, perched upon your lonely post,
My little angel with your silver glow, all dusted by the snow.
Lost little angel, wonder how you came to be
The lovely crown that’s on the top of my Christmas tree?
Oh little angel please relate your tale, upon your goodness I will prevail.

You tell me that you have a heavenly assignment,
Lonely though it may appear to be.
Years ago you sowed the seeds of what turned into,
A wonderful eventuality.

Lost little angel you were part of a holy choir
Creating music that would set the suns on fire,
But on a blessed night you lost your way, 
While pursuing a star’s bright display.
You followed it until it led you to a place,
Where Endless God was finding birth in the human race,
The holy host had sought and found you there, 
And they joined in jubilation and prayer.

From that time forward you earned a special mission,
All the other angels did agree,
At Christmastime you would appear among the humans,
To help a lost and lonely one like me.

Lost little angel, guess you’re right where you should be,
Giving me guidance from the top of my Christmas tree,
Oh little angel you’re not lost at all, your serenity says it all.

Halle…  Halle… Hallelujah!

Lost Little Angel

Ce titre original, la première sortie de l’album de MC-DC à venir,  est composé - paroles et musique -  par Denis Caouette et chanté par Marie-Christine Tremblay.  Le duo existe depuis plus de 20 ans et se spécialise dans la musique pop et jazz. 
‘Amoureusement nôtre’ nous invite dans l’univers intime d’un couple qui se retrouve le soir une fois les enfants endormis.
L’importance de se garder du temps, en amoureux, se permettre le temps de souffler et de se coller est mis en évidence dans le texte.  Pour bien appuyer le texte, j’ai opté pour une bossa nova qui ramène bien à cette douceur et ce calme dans la maisonnée.
Pour bien épauler Marie-Christine j’ai choisi à la contrebasse, Alain Picotte, Marcel Bergeron à la trompette et Michel Otis au sax ténor.  Je suis à la guitare et à la programmation. Pour réaliser le tout on a fait appel à Martin Larose au Studio Septentrio pour mixer et masteriser (encore un très beau travail) cette création.
Bonne écoute!
This original song, the first release of MC-DC’s upcoming album,  is composed - lyrics and music -  by Denis Caouette and sung by Marie-Christine Tremblay.  The duo has been around for over 20 years and specializes in pop and jazz music. 
‘Lovingly ours’ invites us into the intimate world of a couple who meet again in the evening after their children have fallen asleep.
The importance of keeping time, as a couple, allowing time to blow and stick together is highlighted in the text.  To support the text, I opted for a bossa nova that brings back to this sweetness and calm in the home.
To support Marie-Christine I chose Alain Picotte, Marcel Bergeron on trumpet and Michel Otis on tenor sax.  I am at the guitar and programming. To record the song we called on Martin Larose at Studio Septentrio to mix and master (still a very nice work) this creation.

Good listening!

Amoureusement nôtre

Little Things

04 Apple Pie Duo

LYRICS 
Take It Like It Is

Your rebel heart is breaking apart 
Take the pain to what you can sustain

You act so brave
You're ready to fight
But your really terrified

It's ok ,there is always a way
To free the lion from it's cage 

With all your scars, you've made it so far
You never want to play the game

Take it, take it like it is
Shake it, Shake it, as you wish
Break it


No compromise, you want to survive
Middle fingers to the world outside 

You try to live your way
But all they want to do is douse your flame

What you see, what you do , everybody wants to take a piece of you

Well it's just the way it is   

Take it, take it like it is
Shake it, Shake it, as you wish
Break it

Take it, take it like it is
Shake it, Shake it, as you wish
Break it

Fake it, Fake it 
Make it like it is
Crave it, Crave, as you wish
Chase it yeah yeah















Take It Like It Is

Ballad 
Chill
Guitar 
Acoustic 
Love Song
Variété Française 
Calm 
R&b
Pop moderne 

"Envie d'être avec Toi " Charléza Refaeli

01 Under Your Spell

CHI HA SPENTO LE STORIE è  il decimo singolo di Pietro Labonia con l'etichetta discografica Rhoon Records.
Mastering di Fabricio Ariel Sarmiento e foto di Tonio Carnevale.

Chi ha spento le storie?

Song composed & created by The Boilerman
Eric created & plays: all octave, clean & distorted lead & rythm guitar
Eric created & mix's: all drum, bass, ambient, atmo & pads
P.L.O created & sings: all spoken word
Production by E.H.T Studios
Thank you for listening!

The Ghost Of Reason

This song is about finding Christmas in an unexpected place — in the quiet heart of a city that never really sleeps. It’s me standing among glass towers, cold nights, and lonely reflections, and slowly realizing that hope still exists there too. The city itself becomes a choir, with lights, snow, and hidden voices rising together in the dark. It’s about listening closely enough to hear warmth, freedom, and connection even when everything looks frozen on the surface, and letting that shared spirit lift us higher when we need it most.


LYRICS:
[Verse 1]
In glass towers high
Reflections in the sky
Another lonely night
Oh oh oh
City lights a lullaby

[Prechorus]
But listen close can you hear it
A sound of hope a Christmas spirit

[Chorus]
Midnight choir
Singing higher
Glass city choir
Setting hearts afire

[Verse 2]
Frozen fountains weep
Secrets that they keep
While snowflakes softly fall
Oh oh oh
Answering freedom's call

[Prechorus]
But listen close can you hear it
A sound of hope a Christmas spirit

[Chorus]
Midnight choir
Singing higher
Glass city choir
Setting hearts afire

Glass City Choir

This song was born out of real anger and disbelief after reading about how federal Head Start programs were told to avoid using certain words in their funding applications — words that describe the very children and families they are legally required to serve. It comes from my heartbreak over seeing language about disability, inclusion, race, and belonging treated like something dangerous or shameful. The song starts in a whisper because that’s how silencing happens — quietly, through paperwork and pressure — and it builds into rage and protest because this policy is now being challenged in court for a reason. It’s my refusal to accept a system that tells us to help people while erasing their names, and my way of saying that if someone exists, they deserve to be seen, named, and defended out loud.
https://www.wypr.org/2025-12-11/head-start-centers-told-to-avoid-disability-women-and-more-in-funding-requests


LYRICS: 

[Verse 1]
They handed us a clipboard, said be careful what you say
Ink-black rules in fine print, white walls turning gray
A classroom full of silence, little shoes in a row
They said help them, then said don’t name them, like we’re supposed to know 

[Pre-Chorus]
Erase the word, not the wound
Hide the truth, not the bruise
If language is a crime
Then what do you call the proof? 

[Chorus]
You can’t fund a lie and call it care
You can’t mute a child and say it’s fair
If they exist, say their name out loud
We are not invisible
We are not allowed? 

[Verse 2]
They said serve everyone, just don’t describe
Who everyone is, or how they survive
Cut the tongue from the mission, leave the law on the shelf
Do the work in the shadows, don’t reflect who you help 

[Pre-Chorus]
You can change the font
You can shred the page
But the truth keeps breathing
Under every stage 

[Chorus]
You can’t fund a lie and call it care
You can’t mute a child and say it’s fair
If they exist, say their name out loud
We are not invisible
We are not allowed? 

[Bridge]
Cross out woman
Cross out Black
Cross out access, belong, back to back
But the silence screams
And the silence knows
Every word you fear
Is a truth you owe 

[Chorus]
You can’t fund a lie and call it care
You can’t mute a child and say it’s fair
If they exist, say their name out loud
We are not invisible
We are not allowed? 

[Verse 3]
So we took it to the courts, we took it to the light
Because children aren’t footnotes in a political fight
You don’t get to starve hope, then wash your hands clean
We are more than your redactions
We were always seen 

[Outro]
Say the words.
Say them now.
If they live…
They’re not optional.

Redacted Children

Si Debanks is an independent artist based near Oxford in the UK. He is a singer, guitarist and keyboardist who previously performed in local bands but now produces solo material. 

Simon’s primary influences are drawn from the indie music scene of the 90s and the first decade of the new millennium, but you will also find plenty of contemporary flavours. 

Simon’s music has been played on local radio, notably BBC Introducing in Oxfordshire & Berkshire and Windrush Radio in West Oxfordshire, UK. 

Si can be found on social media. Start a conversation on Threads or Bluesky with user “sidebanks”. 

Human-made music! 

#Indie #IndieRock #IndieArtist #Alternative

Little Things

SideBanks

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