A migrating flock of Bean Goose and Greater White-fronted Goose (and Whooper Swans) resting on the fields of Preiviiki in Wester Finland. The flock of maybe one to two thousand birds is leaving the field for getting out to the sea ice for night and gets active.

From an over night recording with microphones hidden in the woods by the field.

(AT4022 ab60cm, MixPre3 32>24, +2dB, no processing, Flac)

A few Geese - 26/3/2021 - Preiviiki Fields

Participation in the "Disquiet Junto" project led by Marc Weidenbaum:
Seamless Bridge. The Assignment: Create a 20-second piece of music to connect two preexisting 20-second pieces of music.
https://disquiet.com/0448/

A bridge between Sevenism - 777minus1 - 06 Fake choir hidden
https://20x20project.bandcamp.com/track/fake-choir-hidden
and haLF unusuaL - semI autO biO graphicaL - 04 Semi 4
https://20x20project.bandcamp.com/track/semi-4

The material of the bridge comes entirely from the 2 original sources.
Editing with Audacity.

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Participation au projet "Disquiet Junto" de Marc Weidenbaum.
Créez une musique de 20 secondes reliant deux musiques préexistantes de 20 secondes.
https://disquiet.com/0448/

Le matériau provient entièrement des 2 sources originales:
 - Sevenism - 777minus1 - 06 Fake choir hidden
https://20x20project.bandcamp.com/track/fake-choir-hidden
 - haLF unusuaL - semI autO biO graphicaL - 04 Semi 4
https://20x20project.bandcamp.com/track/semi-4

Montage avec Audacity.

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Major thanks to 20×20’s Neil Stringfellow for proposing this project. More on 20×20 at:
https://20x20project.bandcamp.com/

More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0448-seamless-bridge/

ABridge - Disquiet0448

Short excerpts from a recording of fruit bats feeding on the flowers of suburban River Gums, with pitch dropped down one octave and time expanded 200 per cent. No post-processing on the original excerpts, nor after time and pitch shift. Recorded around 01:00, just after rain, in Autumn. (Best listened to with good quality headphones with a flat frequency response.)

(Original recording here: https://soundcloud.com/hearingbeings/20200419-fruit-bats-feeding-on-flowering-suburban-gum-trees-autumn-night-excerpt.)

2020.04.19 Fruit Bats Feeding on Flowering Suburban Gum Trees: Time and Pitch Shifted.

Sound of the rain recorded at Loch Achilty, Highland.  3 October, 2020.

Two MKH8040 mics in ORTF were positioned under a rain shield, facing an arm of the loch and some broad-leafed trees.

Loch Achilty Rain

This has been a stormy fall, and in Finland has been already 40 days with stormy wind speeds as the average is 27 a year.  A small, but intense low pressure passed over creating wind speeds up to 31,3 m/s in the gusts and 27 m/s as average. 

I couldn’t resist recording this storm just in our backyard as it was evident when I opened the front door in the morning that this wind is going to make damage. (The picture)

Recording storms creates mostly undefined white noise that’s not very pleasant to listen. But it seems, that when the wind gets hard enough, there occurs (more or less) strange noise patterns with regular shapes that can make it sound interesting. 

In situ I could hear cars passing and chainsaws running.  I hope there’s a bit of this weird noise left in this recording, at least when listening with headphones.

And yes, when the gusts were as strongest, two trees come down. One pine on the roof of our neighbors sauna building 6.50 and an other one with the tree trunk breaking 8.28 

(MKH8020 ab80cm, SD702, nothing done in edit, 24/48 flac)

Jan Eerala Finland

Storm in my Backyard - 19/11/2020 - Makholma Finland

Disquiet Junto Project 0469: [Missing in Caption]. The Assignment: Make music that pushes the constraints of descriptive television captions.

In one scene of this old war movie, the man is saying goodbye to go to another well-founded, short and successful war, and his wife is deeply worried.

The bells call to battle, the wife struggles to find parting words, and even the worn-out VHS tape is deeply moved.

Whispering provided by these two CC0 samples:
https://freesound.org/people/geoneo0/sounds/193818/
https://freesound.org/people/LadyImperatrix/sounds/503270/ <- the heartbreaking words!

Image based on David Monies: The Farewell
https://commons.wikimedia.org/wiki/File:Monies-Farewell.jpg

More on this 469th weekly Disquiet Junto project:
https://disquiet.com/0469/
Project discussion:
https://llllllll.co/t/disquiet-junto-project-0469-missing-in-caption/

CC BY-NC-ND 3.0
https://creativecommons.org/licenses/by-nc-nd/3.0/

[overly heartbreaking farewell music] ____ [disquiet0469]

Night time crickets accompany slowing flowing water as it nourishes the “River Of Grass” in Everglades National Park, Florida. The miles wide shallow sheet of water flows about 200 miles from it’s source in central Florida to it’s exit into the sea. January 2021. Two cross faded clips were recorded in AB Stereo with matched pair of Ursi Pro omnidirectional microphones placed about six feet apart and six feet in the air, recorded into SoundDevices MixPre 3 with -40 Hz low cut and 50 Db of gain.

River Of Crickets

A small swell pressing water and air between the ground ice and a bigger floe. Free water still, though the weather become colder. Recorded on a beautiful day with no wind and still open sea by Loukkeennokka shore in 

http://www.rupuranta.net/weblog/filet/210128/

(Sennheiser KE4 ab50cm, MixPre 32>24, no processing, 24/48 flac)

Snoring Sea Ice - 28/1/2021 - Loukkeennokka Shore

Impulsive Habitat, 2014.

The material of this work is based on a static recording: I installed a microphone under the roof of my father's house in a small village in Alsace (France) for one year. Each day, I recorded one minute of sound on the hour at four different intervals: midnight, morning, noon and evening. I subsequently selected one recording per week for each of the intervals.
These (untreated) recordings were then sewn together in four different tracks, one for each time of day, spanning the course of a year. This results in a cyclical movement consisting of four different time-lapse sequences that trace the entirety of a year in one place.

A Year's Hours Behind my Father's House (Excerpt: Midnight, from May to September)

180515 19:03 Cuckoo

This is a compilation from an over night recording in Kirpakka woods with 15 small cracks in chronological order and as last a bigger bang from one long recording earlier in february.

I had the microphones out in Kirpakka small preservation area over night (from sunset to midday) during the coldest days when temp went down to -20C.  There was practically no sign of life except some road noise and machines from a nearby farm.  Daytime there were a few Crows and two Ravens, one Great Spotted Woodpecker and in early night the distant call of a Tengman's Owl.  

One recording of 18 hours earlier didn't result in any sound of life except a very weak Crow at 11 am. and the big crack in the end of this recording.

There seems to be a great loss of tits and crossbills in Finnish forests today.

But the trees were keeping a good amount of cracks and pops, specially in the early night when the temperature change was as fastest. 

http://www.rupuranta.net/weblog/filet/210215/

(MKH8020ab80cm, MixPre 32>24/48, no processing, +3dB, flac)

180515 19:03 Cuckoo

silent spot

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