Circus Recordings / Circus Events 







What more can be said about Yousef…

A leading figurehead in dance music. A man who has lived and breathed house music since he was a teenager, with over 20 years of dedication to the global electronic music scene, his contribution can’t be over exaggerated. Yousef, constantly pushing his own creative and artistic boundaries, while he is considered one of the best, most skilful and most respected UK DJs of all time. 

Yousef has now completed his 5th artist album, the truly accomplished “I Operate in Purple”.
The project has invited a series of world class musicians and singers to help Yousef realise his ambition to release a 14-track legacy project that leans upon his two decades in at the forefront of house music and plans to stand up next to the great dance music albums of our time. IOP eloquently manoeuvrers through original vocals, radio ready crossover and the emotive underground. Each track comes with its own individual and original 3D video that reveals the narrative Yousef has created. This is easily Yousef most unforgettable work he has ever created. 

Yousef’s powerhouse record label Circus Recordings has released music from many of the world’s most significant names, from Carl Cox to Kerri Chandler to Green Velvet to Jamie Jones, all while breaking completely new artists from all over the world directly to give them a much-needed platform. The record label runs parallel his equally globally respected Circus Events, where Yousef holds one of the longest and most important DJ residencies in the history of UK club culture. 

Circus at Blackstone Warehouse is the UK’s most cutting-edge warehouse venue. In term of sound, lights and staging there is nothing like it in the UK. Circus has invited names from Peggy Gou to Pawsa, Bicep to Ewan McVicker, Chris Stussy to Micheal Bibi and literally every major name in electronic music to join Yousef at his two decades long party… 

Yousef’s prolific music output consistently sees his music in the boxes of every major DJ from Joseph Capriati, Marco Carola, Carl Cox, Fisher, The Blessed Madonna, Seth Troxler, Honey Dijon and everyone. 
in-between 

Yousef has released more music on the world’s best record labels than almost any other artist in his field. Seminal releases on Crosstown Rebels, Desolat, Cocoon, Moon Harbour, Knee Deep in Sound, Defected, Hard Times, Renaissance and of course his own legendary Circus Recordings.

Yousef’s trusted voice led him to be requested to represent electronic music community for a private meeting with ‘HRH Prince William’ the future King of England, and later with many leading MP’s, to relay the difficulties dance music is facing through before and since covid. These efforts helped pave the way for Yousef’s Circus event to be asked to take on the colossal task to organise ‘The First Dance’, the world’s first sanctioned music test event since covid struck… The monumental event captured the attention of the entire world and its major media, with 7 billion online and news engagements, and is now cited as ‘one of the most significant moments in electronic music history”’. Yousef & Circus were given the BBC “Impact Award” on Radio One for all the work done to help the music industry in 2021

Bookings - 
Simon Morell | Worldwide
simon@thefinaagency.com

Miguel has been galvanised by the house music scene since the early 90's and has also been a DJ since that time. Miguel began producing his own music as one 'half' of the underground duo HCB.

In 2006 he founded his own label Outcross Records, which became a home for his music. Teaming up with fellow Leeds resident Matt Hughes to form MAM, a duo that has remixed the likes of the Imany, Deadmau5 and Flight Facilities, as well as putting out releases via Wolf+Lamb, Future Classic and Outcross itself.

​In 2010 he became the newest addition to the Hot Creations team and went on to pick up international recognition, capturing the imaginations of party people the world over.

Miguel's forward march continues as he refuses to relent, working on more music, including recent remixes for Basement Jaxx & RÜFÜS and continuing to travel to foreign shores, spreading his unique brand of funk around the world.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

"Mixes are time capsules of sound.  Each capturing a moment in time that will not be repeated the same way.  Each mix is meant to transport the listener in their own time machine to their own destination.  These are soundtracks for daily living..."

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