The profound emotional impact of the September 8, 2023 earthquake in Morocco inspired this composition as a tribute to the victims and a celebration of the nation’s rich musical heritage. Initially conceived as a sextet, the piece was premiered on June 9th by the American Modern Ensemble under the baton of Eric Bodnar. It subsequently underwent a transformative journey when my friend and fellow composer, Ian Weise, proposed an adaptation for Pierrot ensemble during the Mostly Modern Festival in Saratoga Springs, June 2024. His vision of a 2025 concert featuring this arrangement ignited a new creative path.

This piece stands as the inaugural movement of a larger suite exploring the multifaceted layers of Moroccan musical tradition, with a particular focus on the evocative melodies of the High Atlas. By reinterpreting these melodies through the unique lens of the Pierrot ensemble—flute, clarinet, violin, cello, and piano—I seek to create a contemporary musical dialogue that honors the past while forging a new path forward.

Through this composition, I hope to offer a poignant and evocative musical experience that resonates with listeners on both an emotional and intellectual level.

Moroccan Dances - I Hight Atlas The Majestic (Pierrot Ensemble Pre-Release Version)

MC Slimm Slappy started his improvisational career taking classes under Del Close in Chicago, and has since moved on to performing his own brand of improvisation in venues across the United States. Free DC

https://brianhiggins.bandcamp.com/fan-club 

A&R Reps and scammers will be blocked and reported.

Kickstarter album launch campaign coming soon!


Many of the tracks reposted here are from my followers, so if you are discovering anyone here, please let them know I sent you! And thank you for listening and all your kind and  constructive comments

Born in Virginia, raised in Maryland; survivor of an alcoholic  family; graduated High School and Union Carpenters Apprenticeship; a student of Algebra, a student of Life, a  brown belt Samurai Chess Player; gave up clarinet in 2nd grade because he was too young to understand;  gave up French class 5 years later because he could not speak the language; turned down Ms. Maria Blautzig for the Sadie Hawkins Dance because she had turned  down his request earlier in the school year; walked out of typing class on day one, hell HOUR one, because he could not handle the stress of it;  walked out of Oklahoma State University because he really needed help at that point and did not know how to ask for it, so ‘tear it all down and blow it up’ seemed to be the only way to find any; experienced the deepest loneliness of his entire life to date out on that highway, with no direction anywhere.  He has worked as a ditch digger, a grass cutter, a TV Guide door to door salesman; he has been a farm worker, carpenters’ helper, apprentice, a Journeyman carpenter in Local 132, a Home Improvement contractor and a Facilities Maintenance Engineer.  He has passed up more opportunities than cars on a freight train; he has hitchhiked, hobo’ed and walked across tens of thousands of miles of America's roadways, and a few in Canada, for good measure.

By virtue of  a chance encounter one snowy January night in 1993, when he met and eventually married the revolutionary communist, aspiring novelist, multi instrumentalist soprano and as yet unheralded expert at fitting leftovers into the refrigerator, the  beguiling, and sumptuous Ms. Juliana; this union subsequently created the talented, smart, bubbly, and eye-catching Ms. Sophia, she of the musical pipes.
Mr Higgins first picked up the guitar at age 23, the harmonica at 57, and wrote his first book at age 5, or 6. It shall remain forever unpublished, as the only handwritten master of it is lost to the dustbin of history.


Numerous of the photos here are by my friend Charles Steck, who recently unexpectedly passed away. Thank you so much Charles, we are missing you .Thank you for listening to my music.  Voting link for Distrokid/Spotify playlisting
https://distrokid.com/spotlight/brianhiggins/vote/

How it works

Anyone (not just DistroKid members) can listen & vote on their favorites. Songs with the most votes will be added to a big DistroKid Spotify playlist. Playlists are updated each week, and votes are reset to zero.

I put Ave Maria up for voting on this week. 
Thank you for your support!
Brian

Ad hoc Blues band, tucked away in the mountains of Greece.

Singer / Songwriter / Producer
Saint Malo - France
Zantedeskia is involved in:

VOo DOo LOve Kult:
ViNtAge ElektrO prOjekt stArtEd iN 2O22
Fred Offret - Brieuc Bohu

Enchantress Cadaverous: 
Heavy Metal collab started in 2023
Valentin Loisy - Fred Offret

Just another old one man band unsigned musician who sings and plays a little guitar, bass & drums and fools around on the piano; expert in writing songs that usually disappear with the wind, and in composing musical flops.  Folks say that I´m a composer, but I think they´re wrong: I just download the music I hear and feel in the atmosphere and give it back to the people. I don´t do a living from music; I ´m an attorney and horse breeder who gets noisy when I download the music I hear and feel.Thanks for checking out my page and listening the noise I´ve been doing for the past 50 and so years when I get musical.  I´m based in Bogotá, Colombia, and always open to do collabs.

There was a time when boldness was the main characteristic of youth. Young people wanted to be different, and one of the most prominent ways to be different in my day was to listen to different styles of music. It was very striking among Generation Xers, even those who belonged to more radical urban tribes. I remember well, for example, the late Jeff Hanneman, the brilliant guitarist from Slayer, saying in an interview that he loved classical music. This kind of boldness is deeply rooted in most of the guys who lived through that era. And it's a very noticeable characteristic in most artists who came from those years. The late David Bowie, for instance, embraced electronic rhythms like jungle and drum ‘n’ bass on his incredible album Earthling. Iggy Pop said in a video that he loved the then-new branch of electronic music, a genre called industrial. And the world-famous cellist Yo-Yo Ma played a version of Metallica's “Nothing Else Matters”. The examples are numerous.

Unfortunately, I have witnessed the death of this kind of boldness in the younger generations. Young people enslave themselves to a few musical styles and refuse to listen to the universe of music that exists out there.

Overdrive is a musical project that seeks to explore different musical genres — rap, classical music, techno, punk, death metal, rock ‘n’ roll, new wave, new age, a cappella, you name it. The idea is to introduce new generations to the concepts of musical freedom, musical anarchy, musical curiosity, and bold listening (to new and old styles).

It's a one-man project with the help of countless talented collaborators. So don't be surprised to see tracks of completely different styles with equally diverse collaborators — people like a brilliant English glam singer in shiny pants singing about punks on a post-punk song; or a skilled German guitarist who plays rock riffs on a drum'n bass background; a Russian female singer with an incredibly powerful voice singing a 70s rock song; a young British rapper genius who loves electro; a Danish female singer and harpist who enjoys singing pop music on a Bach background; a French reggae singer who sings disco brilliantly; and many others.

Musical eclecticism is an expression of freedom. I love Sepultura and I love Frank Sinatra. And there isn't a single day that goes by when I don't listen to music by J. S. Bach and the German thrash metal band Destruction. I truly believe that different styles talk to each other when I make music and would love to pass on some of that thinking to my fellow young musicians.

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CONTACT
e-mail: muzik.overdrive[at]gmail[dot]com 
Or DM in Soundcloud/Instagram

Simon Alami is a Canadian composer with a passion for blending different musical styles and traditions. He draws inspiration from master composers. Simon's compositional style is characterized by a fusion of diverse elements and a willingness to experiment with new forms of expression. He currently lives in Montreal, Canada and is a proud member of the Canadian League of Composers (CLC), Canadian Music Center CMC and SOCAN.

Moroccan Dances - I Hight Atlas The Majestic (Pierrot Ensemble Pre-Release Version)

Simon Alami Composer