Classical works #1

Reup A

Discoveries 2024 II

Classical

Repost Exchange link
repostexchange.com/users/doug-stoothoff

DistroKid Slaps forum page
slaps.com/dougstoothoff

itch.io profile page:
https://exedexes1.itch.io/


Douglas P Stoothoff main site:
https://exedexes1.com/
https://exedexes1.godaddysites.com/

Youtube subscribe:
https://www.youtube.com/channel/UC4WSgBZCySWQ-wAQ0GMtXag?sub_confirmation=1
https://www.youtube.com/channel/UCL0BaYj4gcMibSa0gVS8WeQ?sub_confirmation=1

itch.io profile link:
https://exedexes1.itch.io/

Feature.fm overall Artist Bio link:
https://ffm.bio/douglas-p-stoothoff

Master Track List on SC:
https://soundcloud.com/doug-stoothoff/tracks

Artist page on Spotify:
https://open.spotify.com/artist/7EuvIQRQESX9WFtwI6GqWB
https://open.spotify.com/artist/4aN8I7Zl7HuhQQC0txGPYC

Artist page on Apple:
https://music.apple.com/us/artist/doug-stoothoff/1687430940

Artist page on Amazon:
https://music.amazon.com/artists/B0C4YK678Y/douglas-p-stoothoff

Youtube Artist Topic Channel (autogenerated):
https://www.youtube.com/channel/UC4WSgBZCySWQ-wAQ0GMtXag

Artist page on Bandcamp:
https://dougstoothoff.bandcamp.com/

Artist page on Tidal:
https://tidal.com/browse/artist/39485859

Artist page on Beatport:
https://www.beatport.com/artist/douglas-p-stoothoff/1155579

Artist page on Boomplay:
https://www.boomplay.com/artists/70114948

Artist page on Pandora:
https://www.pandora.com/artist/douglas-p-stoothoff/ARjZ7nth7x9xvpg

Artist page on Qobuz:
https://www.qobuz.com/us-en/interpreter/douglas-p-stoothoff/18758728

Artist page on iHeart Radio:
https://www.iheart.com/artist/douglas-p-stoothoff-40424070/

Good Classical I Found 4

Hard tracks series no. 197

created on: 2024/08/29

- short tracks of dance music of the ruff/harsh persuasion
. (high energy levels, overflow)

- uploaded in 07/2024 and 08/2024, except for these older ones:
. . - (#_): 2 years,
. . - (#_): 1 year*,
. . - (#_): __ months.

* Soundcloud time: 1 year = 12 - 23 months.

The other series (short tracks) so far are:
- "Calm and Steady" (lower energy levels)
- "Superdance", f.k.a. MiddleLane (medium or uneven energy levels)
- "Funky-Dub-Trap"
- "Fantaisies" (for professional dancers only, no beat)
- "Minimal"
- "Dark"
- "BreakB-Jungle-DnB"

There is little overlap between them, mostly between: **
. . A) Superdance
and
. . B) all other series
** Increasingly there is some overlap between "Calm & Steady" and "Funky-Dub-Trap"... and now more so with "Minimal" and "Dark". I'm trying to keep it to a minimum.

hk_hard_tracks_197

Awesome Music # 19

[UNDER CONSTRUCTION]

Fantaisie track (courte) series no. 486

infinitely open ... except for the beat, no beat, or not enough to call it a beat, or too many of them either in succession or concurrent.

creation: 2024/09/25

These tracks were uploaded to SC in August and September 2024,
except for the following, older ones:
. . .

[TO BE COMPLETED]

Happy listening!

* Soundcloud time: 1 year = 12 - 23 months.

hk_fantaisies_tracks_486

[UNDER CONSTRUCTION]

Tradacoustic series no. 325

Music, mostly recent, a few days, a few months...

created on: 2024/09/27

hk_tradacoustic_325

Audio Music Library for Videos – FREE DOWNLOAD!

***
Track name: Merry Christmas and Happy New Year!
Music by Michael Herter
Free Download: https://bnd.link/sibviolin
Video:  

"Merry Christmas and Happy New Year!" is a fun magical piece of music for your Christmas and New Year projects.
Ideal for creating the mood of a miracle and a holiday!
D-Dur; 4/4; 115 bpm
► Support my Creativity: https://bnd.link/sibviolin

___
Stay tuned as more tracks will be released in the coming weeks and months.

Do not forget: Like, Share and Subscribe!

Thanks For Listening!

Merry Christmas and Happy New Year

Merry Christmas And Happy New Year!

Here's another collection of out and out jazz tunes, probably my last as I've done all I wanted to do in this genre now. Again, I had a LOT of fun putting these together, I hope you enjoy them too.

Smoke and Mirrors at the Dynamo Jazzbar

02a tiempo caliente

Chanson inspirée par les années de passion pour l'enseignement et l'interprétation de la musique de Marie-Noëlle. Et pour toutes et tous les passionnés de musique

Song inspired by the years of passion for music teaching and interpreting of Marie-Noëlle.  And for all the music addicted!

5 VOIX

Musique

"...to us, the sound conveyed by the ancients, seers of the past".
-ᴇꜱʜᴍᴜɴᴀᴢᴀʀ, ɢᴀᴅɪʀ 762 ᴀ.ᴄ.

OSTEOS

Lyrics:

You ever get those thoughts that 
Try to lead you 
To do something 
That seems crazy

And the consequences 
Could be pretty fucked up
But you still 
Want to go through with it

And if I painted the picture 
It’d look something like this

Stairs creaking
Mind freaking out
Feel the doubt
Heard a scream
Who's creeping now
Come on out

Careless thoughts always try to take over
You can run but you better take cover
Shooting I'm shooting it out
True self vs possibilities

Go
Ba Ba Ba
Go
Ba Ba Ba
Go
Ba Ba Ba
Go
Ba Ba Ba

Change certain
Nothing the same as before

Could it be something within me
Could take anyone but why come for me
Frequency

This could be my last breathe be my last breathe
Lay it on the line or you get possessed
Who knows what's next

Careless thoughts always try to take over
You can run but you better take cover
Shooting I'm shooting it out
True self vs possibilities

Go
Ba Ba Ba
Go
Ba Ba Ba
Go
Ba Ba Ba
Go
Ba Ba Ba

Woah
Woah
Woah

Possibilities

original...my daddy told me

Another track where I get to write melody and lyrics over Kris Bolin's music and expert production!  Check out his band The Bawl Slant - ( @bawl-slant)

Music and Production - Kris Bolin 
Lyrics and melody - Marc Freak

THE AFTERLIFE IS LIES
Every night I wake up in a sweat
Every night I feel the cold and wet
End of the night it seems like the best yet

CHORUS
Think that I'm crazy
Tell me that the afterlife is lies
When I feel the shaking of your thighs
Think I'm demented
Do I decry your thoughts and faith
Well I am straddled by a wraith

The spectre's touch will bring me to the end
The benefits are better then a friend
The spectre's touch that i will not defend against

CHORUS

The Afterlife Is Lies (with Kris Bolin)

The profound emotional impact of the September 8, 2023 earthquake in Morocco inspired this composition as a tribute to the victims and a celebration of the nation’s rich musical heritage. Initially conceived as a sextet, the piece was premiered on June 9th by the American Modern Ensemble under the baton of Eric Bodnar. It subsequently underwent a transformative journey when my friend and fellow composer, Ian Weise, proposed an adaptation for Pierrot ensemble during the Mostly Modern Festival in Saratoga Springs, June 2024. His vision of a 2025 concert featuring this arrangement ignited a new creative path.

This piece stands as the inaugural movement of a larger suite exploring the multifaceted layers of Moroccan musical tradition, with a particular focus on the evocative melodies of the High Atlas. By reinterpreting these melodies through the unique lens of the Pierrot ensemble—flute, clarinet, violin, cello, and piano—I seek to create a contemporary musical dialogue that honors the past while forging a new path forward.

Through this composition, I hope to offer a poignant and evocative musical experience that resonates with listeners on both an emotional and intellectual level.

Moroccan Dances - I Hight Atlas The Majestic (Pierrot Ensemble Pre-Release Version)

Eating Up What 'Eats' Me

Gobbling Up The Past

As Time Seems To Swing

Back & Forth

大罪人にも、絶景は平等に訪れる。
それは……

[GS2024]Dazzlingly Disaster

noxpox - Brunhild The Wild

A composition depicting perhaps the midst of snowy winter, where the encroaching cold is held at bay with a memory of a loved one. 
Harmonically I mostly stayed in D minor/major, with a brief excursion in G minor. I've attempeted to write a middle passage in F major, but the two themes I've managed to come up with simply didn't fit with the rest of the music, but hey, at least I have two new themes for next pieces. 
Completed in the March of 2025.

Intermezzo For Piano, D Minor

Alison Theme [ Orchestral ]

More emotional stuff from me, love feedback, collaboration and please check out my bio - just a guy that has a passion for Piano!

Searching for Happiness

There is a small dog barking in the background

Hillbilly

You can lease or purchase this beat here - https://bsta.rs/XZFye

Innocence Lost

"That which does not matter"

Music by Stu King (Performed Live)
Korg Monologue
Synth One
Korg Kaossilator
MXR Carbon Copy
Strymon Timeline
Strymon Big Sky
Hologram Microcosm
Koma Fieldkit

Anti Matter

Anti Matter (1 take session)

noxpox - Snackattack

Music by Simon Alami
Tasha Warren, clarinet
Yun Hao, piano

MOSTLY MODERN FESTIVAL
Skidmore College, Arthur Zankel Music Hall
Saratoga Springs, New York (USA)
6/18/2024

LINKS
Festival: https://www.mostlymodernfestival.org
Ensembles-In-Residence: https://mostlymodernfestival.org/ense...
Composer: www.simonalami.com
Recorded by Arts Laureate: https://www.artslaureate.com

Tea With Debussy And Pärt In Casablanca (Clarinet &  Piano World Premiere)

Moroccan Dances (World Premiere) 
Music by Simon Alami  I. High Atlas the Majestic  
AMERICAN MODERN ENSEMBLE 
Erin Bodnar, conductor 
Lindsey Goodman, flute 
Tasha Warren Yehuda, clarinet 
Matthew Ward, percussion 
Geoffrey Burleson, piano 
Katherine Cheng, violin 
Dave Eggar, cello  

MOSTLY MODERN FESTIVAL Skidmore College, Arthur Zankel Music Hall Saratoga Springs, New York (USA) 6/7/2024  LINKS Festival: https://www.mostlymodernfestival.org 
Ensembles-In-Residence: https://mostlymodernfestival.org/ensembles-in-residence
Composer: https://sites.google.com/view/simonalamicomposer/
Recorded by Arts Laureate: https://www.artslaureate.com

Moroccan Dances - I High Atlas the Majestic (World Premiere)

Elemental

Guitar, Bass, Vocals, Lyrics and Composition By Robert Grigg.
Drums By Jim Dooley
jimdooley.net

Video!
https://youtu.be/b4wiIVU-5_0

The Star

Welcome to the second in the musical series "Of Fire and Ice", where we explore the mysterious world of ancient Norse Myths! What did the Gods hear in their minds during their adventures? Listen to the distinct sounds of pagan frame drums and soaring targelharpa ‘fiddles’, flutes and the harp-like lyre. All this blends with orchestral instrumentation, sounds of nature, harmonies and the soaring sounds of the trumpet of James Hill.
Video: https://youtu.be/LUZZAIqfW1s?si=2UTzLkz6QgLLKLQJ

Episode #2:  “The Mead of Poetry”
After war between the Aesir and Vanir gods, a peace was sealed by creating a being named Kvasir from their combined saliva. However, two dwarves, Fjalar and Galar, killed Kvasir and mixed his blood with honey to create the ‘Mead of Poetry’, which granted anyone who drank it the ability to compose poetry and gain wisdom.
The dwarves later killed a giant named Gilling and his wife, attracting the wrath of Gilling's son, Suttung. To save themselves, the dwarves offered the mead to Suttung, who hid it in a cave guarded by his daughter, Gunnlod.
Odin, seeking the mead, embarked on a complex quest, using trickery and disguise. He worked for Baugi, Suttung's brother, and eventually convinced Baugi to help him reach the cave. Odin seduced Gunnlod, spending three nights with her in exchange for three sips of the mead. However, Odin drank all of it, transformed into an eagle, and escaped back to Asgard. Odin distributed the mead to the gods and the most talented poets, although a small portion was lost, thus becoming the source of poetic inspiration.

The Mead of Poetry - Music of Norse Mythology

ein bisschen keine hoffnung

dieser song ist vorbei
und dieser song ist vorbei
dieser song ist vorbei

ich steh am ende vom regenbogen,
hier ist kein topf mit honig 
das ende der fahnenstange ist 
genauso lang wie der anfang
ich lese in mir, ich finde keine worte dafür
dieses leben geht genauso vorbei
ob kurz oder lang jeder tag endet vor dem anfang 
unheilbar krank
dieser schmerz weiss mehr als ich 
und wir geben uns die hand jeden tag. 
ich kann hier auch nichts mehr erklären
ich kann hier auch nichts mehr erklären
und wir können es nicht aufhalten
dieses leben kann niemand aufhalten
dieses leben kann niemand aufhalten
versuche positives zu sehen, 
doch dafür scheint es keine brille zu geben
versuch nach draussen zu gehn was anderes zu sehen 
und trotzdem kommt immer diese frage:
wie geht es dir, how u doin comment ca va
kann es dir nicht sagen. 
kann selber nicht verstehn. 
und bevor wir vergehn. 
selbst meine  eigene hand scheint unendlich weit entfernt.
zu sein.
selbst meine eigene hand scheint unendlich weit entfernt 
zu sein.
dieser song ist vorbei
dieser song ist vorbei
und dieser song ist vorbei
dieser song ist vorbei
und dieser song ist vorbei



kolkhorst 2024

ein bisschen keine hoffnung

ein bisschen keine hoffnung (soziale romantik ll.)

Second Skin

New song by Swive from the album Stereophonic Stylings Vol. 1

Written by Indio Romero and featuring Sidney Merritt on guitar and backing vocals, Charles Brownell on drums, Mike Santos on bass, and Indio Romero on vocals and guitar. Available on Bandcamp, iTunes, Spotify and various streaming platforms.

swive-sandiego.bandcamp.com/album/stere…-volume-one

Cat vs Vacuum

Homemade record without edit. - ( WAV48/24 STEREO HIFI )

Composer : J. Arcas (1832-82)
Interpreter : I. M. Regazzo

Si consiglia l'utilizzo di cuffie o una buona amplificazione.
Per un ascolto ottimale si raccomanda l'utilizzo del pc e una buona amplificazione stereo.
Per un migliore ascolto dal cellulare su Soundcloud si consiglia di scaricare l'app.

The use of headphones or good amplification is recommended.
For optimal listening, the use of a pc and a stereo amplification is recommended.
For better listening from your mobile phone on Soundcloud we recommend downloading the app.

Bolero J. Arcas - I. M. Regazzo (2024) HD

Not all things fade by nature. Some are made to disappear.

Evanescent Frequency mirrors a world where decay is no longer organic but imposed, where lifespans—of objects, ideas, and even sound—are carefully engineered to be short-lived. In nature, resonance lingers, and silence comes gradually. But in an age of programmed obsolescence, disappearance is manufactured, ensuring that what was once essential is discarded before its time.

The music unfolds in this same manufactured cycle. It begins with fragments—small pulses of energy, scattered textures that gradually coalesce, gaining complexity and momentum. Harmonies expand, orchestration thickens, and layers accumulate, reflecting the illusion of permanence and progress.

At its peak, the structure begins to dissolve. But this is not destruction—it is an unraveling, an enforced stillness that overtakes what was once vibrant. The density of sound fades into weightlessness, harmonies drift apart, and resonance becomes ghostly, as if the music itself is slipping away into the unreachable. The frequencies do not end abruptly but instead dissolve into an ethereal quiet, mirroring the way things vanish from use yet never fully disappear.

Evanescent Frequency is a meditation on impermanence, on the forces that decide what is allowed to endure and what is designed to be forgotten. It asks us to listen—to what fades, to what remains, and to the silence left behind.

Evanescent Frequency for Orchestra (BBC Symphony Orchestra Virtual Library_Pre-Release)

Oxygen

Homemade record without edit. - ( WAV48/24 STEREO HIFI )

Composer : J. K. Mertz (1806-56)
Interpreter : I. M. Regazzo

Si consiglia l'utilizzo di cuffie o una buona amplificazione.
Per un ascolto ottimale si raccomanda l'utilizzo del pc e una buona amplificazione stereo.
Per un migliore ascolto dal cellulare su Soundcloud si consiglia di scaricare l'app.

The use of headphones or good amplification is recommended.
For optimal listening, the use of a pc and a stereo amplification is recommended.
For better listening from your mobile phone on Soundcloud we recommend downloading the app.

Andantino dal Notturno N° 2 Op. 4 J. K. Mertz - I. M. Regazzo (2024) HD

VICTORY song by Shannon Burchett performed by feature artist Jonathan Hartzendorf with orchestra. Arrangement and lyrics by Shannon Burchett.
Inspired by Nessun Dorma.
Performance: Jonathan Hartzendorf in Vienna, Austria
Producer: Will Carmack
Graphics artist: Dilshan Sulakkhana
Audio recording: Fifty50 Studios
© Copyright 2025, Nirvana Records.

Victory with piano accompaniment, video: youtu.be/71oAZE4Fm3I
Magazine article about the Victory song history: https://stereostickman.com/music/beatriz-villar-victory/
Magazine review of Victory song: dailymusicspin.com/shannon-burchett-victory/
Victory Finale mentioned in magazine article: https://ventsmagazine.com/2024/12/23/shannon-burchetts-victory-finale-a-modern-tribute-to-puccinis-timeless-masterpiece/

VICTORY!
On our way, on our way, through valleys and shadows,
But in the new day Jesus is our light. No darkness, no night.
With new hope, believe in Jesus Christ and know, eternal life will never die, no, no.
For the love God gives me, let it be, oh, let it be.
With the love of God that we share over death and despair,
From this moment in time, with joy we will go on and on.
For a brighter day, on our way, to Heaven’s glory,
Christ’s victory. Victory! Victory!!

Victory Songs

Victory

Victory by Shannon Burchett performed by Jonathan Hartzendorf

Something I decided to make just because I wanted to make an original phonk sample, so I decided to make a full song with my best knowledge of music theory. 

This has horror elements and themes inspired by some 80s and 90s horror flicks. The track is downloadable and if you see yourself doing something with it, by all means!

The Little Duckling

The Little Duckling (CLASSICAL(FREE DOWNLOAD))

When Noses Start to Bleed by Jeremias Langsämmer is a striking modern classical composition that merges the warmth of orchestration with a subtle electronic pulse. Anchored by a melodic synth line, the piece unfolds with layers of strings, cello, and piano, creating a moody, contemplative atmosphere. French horns lend a sense of gravitas, gradually intensifying the piece’s emotional pull. Midway, a playful interlude emerges with pizzicato violins, bringing a momentary lightness before the arrangement shifts back to its rich, layered soundscape, blending the acoustic and synthetic elements in a compelling and dramatic finish.

When Noses Start To Bleed by Jeremias Langsämmer [ Soundtrack | Classical]

Sheet Music

This is another free improvisation, a music piece that I have invented while playing it. I tried to express my current mood while sitting at my piano and looking outside into my garden park. I am trying my best to take all the time that my music needs to evolve and to sustain. I hope that you like it? Feel free to comment and to share.

Improvisation_260125_BlueLIght

Je M'En Fous

Something new to share with you, and it’s a bit of a shift from my usual sound.
With my wife’s pregnancy, I found myself drawn to making more peaceful, ambient music—something calming for her, for our baby, and soon, for you. Instead of beats and samples, I’ve been working with real instruments (with piano and organ recorded in Bøler kirke in Oslo), field recordings from the Norwegian wilderness (thanks to my brother-in-law), and subtle white noise textures.
It’s different, but it feels right. Beginning by previewing tracks on Soundcloud, with a wider release on all the usual streaming platforms and Bandcamp later in the year. I’d love for you to hear it.

Hair on Fire

Chacun de nous peut mettre un prénom, un visage, sur "Quelqu'un, quelque part".
Spécial remerciement à Discovery Playlists, et à Trending Music!
https://open.spotify.com/intl-fr/track/7fLaJ6YJssWVBBrR2Uhmgh
Paroles:
Tu t'souviens y' a longtemps, une route dans la nuit,
Elle courait sous la pluie pour trouver un abri.
Tu revois son visage comme un flash dans ta vie,
Une image lointaine, mais intacte aujourd'hui.
Cigarettes, et se lève le jour.
Dans ta tête, quand t'y penses, tu t'sens court.

Quelqu'un, quelque part, te ressemble un peu.
Courent dans ta mémoire, des routes de feu.
Que tu portes au plus haut, quand ta vie sonne faux,
Quand tu la sens qui tremble au fil de tous tes maux.
Quelqu'un, quelque part, connait tes matins,
Le bleu de son regard, a noyé tes chemins,
Et t'attends simplement qu'à l'horloge sans bruit,
Les aiguilles du temps tournent les heures de ta vie.
Quelqu'un, quelque part..

Temps qui passe qui s'éloigne, mais jamais ne s'efface,
Tu sais bien qu'au delà des années rien ne passe.
Vérité qui renait au détour d'un chemin,
Coeurs gravés dans l'écorce, d'un passé déjà loin.
cigarettes et que tombe la nuit.
Dans ta tête, quand t'y penses tu te dis.

Quelqu'un, quelque part, te ressemble un peu.
Courent dans ta mémoire, des routes de feu.
Que tu portes au plus haut, quand ta vie sonne faux,
Quand tu la sens qui tremble au fil de tous tes maux.
Quelqu'un, quelque part, connait tes matins,
Le bleu de son regard, a noyé tes chemins,
Et t'attends simplement qu'à l'horloge sans bruit,
Les aiguilles du temps tournent les heures de ta vie.

Quelqu'un, quelque part
Quelqu'un, quelque part
sur les routes là bas...
Quelqu'un, quelque part.

Christian PERUTI - auteur, compositeur, interprète

Each of us can put a name, a face, on "Someone, Somewhere".
Special thanks to Discovery Playlists, and Trending Music!
Lyrics:
You remember a long time ago, a road in the night,
She was running in the rain to find shelter.
You see her face again like a flash in your life,
A distant image, but intact today.
Cigarettes, and dawn.
In your head, when you think about it, you feel short.

Someone, somewhere, looks a little like you.
Roads of fire run through your memory.
That you carry to the highest, when your life rings false,
When you feel it trembling with all your troubles.
Someone, somewhere, knows your mornings,
The blue of his gaze, has drowned your paths,
And you simply wait for the clock to silently,
The hands of time turn the hours of your life.
Someone, somewhere..

Time that passes that moves away, but never fades,
You know well that beyond the years nothing passes.
Truth that is reborn at the bend of a path,
Hearts engraved in the bark, of a past already far away.
cigarettes and that night falls.
In your head, when you think about it you say to yourself.

Someone, somewhere, looks a little like you.
Running in your memory, roads of fire.
That you carry to the highest, when your life rings false,
When you feel it trembling with all your ills.
Someone, somewhere, knows your mornings,
The blue of his gaze, has drowned your paths,
And you simply wait for the clock without noise,
The hands of time turn the hours of your life.

Someone, somewhere
Someone, somewhere
on the roads over there...
Someone, somewhere.

Christian PERUTI - author, composer, performe

Revenir à l'essentiel

Quelqu'un, quelque part

Kismet Incantational

MUSIC FOR CONTENT CREATORS!

***
🎵 Title: Spring Awakening
🎼 Music by Michael Herter
🎻 Genre: Classical, Soundtrack, Cinematic
🎬 Video: 

Immerse yourself in the vibrant essence of spring with "Spring Awakening", a symphonic masterpiece that breathes life into the season's renewal. This orchestral journey harmoniously blends the rich timbres of strings, the expressive voices of woodwinds, the bold resonance of brass, and the subtle accents of percussion. Each movement paints a vivid soundscape, evoking blooming landscapes, gentle breezes, and the joyful awakening of nature. Let "Spring Awakening" rejuvenate your spirit and transport you to a world where music blossoms with the promise of new beginnings.

🎼 Key: Es-Dur | Time Signature: 3/4 | Tempo: 95 BPM

► Support my music: https://bnd.link/sibviolin
—
Your support means the world to me and helps me continue creating music. Every like, share, and subscription is deeply appreciated.

🙏 Thank you for listening!

Spring Awakening

🎵 Title: Lingering Light in Winter’s Embrace
🎼 Composer: Michael Herter

🕒 Duration: 05:07
🐢 Tempo: Slow
🎻 Genre: Classical / Neoclassical / Soundtrack
🎧 Mood: Romantic, Emotional, Poetic
🎬 Video: https://youtu.be/2qpfngZPqsU

📝 Description
"Lingering Light in Winter’s Embrace" is a chamber composition for eight instruments, deeply rooted in the expressive tradition of the Russian musical school, profoundly inspired by the legacies of Pyotr Ilyich Tchaikovsky and Georgy Sviridov. The piece seeks to capture the ephemeral beauty of memory, weaving an atmosphere of tender melancholy and quiet contemplation, as if illuminated by the delicate glow of a winter landscape.

At its heart lies the theme of nostalgia — a longing for moments lost, expressed through a lyrical dialogue between the strings (first and second violins, viola, cello, and double bass) and the poignant timbre of the winds (flute, oboe, and clarinet). The strings evoke heartfelt emotions, whispering tales of cherished recollections, while the winds add a breath of airy lightness and a subtle shimmer of hope. The double bass provides a resonant foundation, grounding the composition in the timeless embrace of the natural world.

This work transcends a specific narrative, instead inviting listeners on an emotional journey — a meditation on the fleeting nature of time, the enduring power of the human spirit, and the universal search for harmony. "Lingering Light in Winter’s Embrace" is a sonic painting, a tapestry of sound designed to stir the soul and awaken the imagination. It’s a testament to the beauty found within stillness, and a celebration of the delicate balance between joy and sorrow.

🎼 Key: A-Dur | Time Signature: 3/4 | Tempo: Varies bpm

► Support my music: https://bnd.link/sibviolin
—
Your support means the world to me and helps me continue creating music. Every like, share, and subscription is deeply appreciated.

🙏 Thank you for listening!

Lingering Light in Winter’s Embrace

Homemade record . - ( WAV48/24 STEREO HIFI )

Composer : J. K. Mertz (1806-56)
Interpreter : I. M. Regazzo

Si consiglia l'utilizzo di cuffie o una buona amplificazione.
Per un ascolto ottimale si raccomanda l'utilizzo del pc e una buona amplificazione stereo.
Per un migliore ascolto dal cellulare su Soundcloud si consiglia di scaricare l'app.

The use of headphones or good amplification is recommended.
For optimal listening, the use of a pc and a stereo amplification is recommended.
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Unruhe Op.13 J. K. Mertz - I. M. Regazzo (2025) HD

©Music composed and produced by Ulisses Nicolau Alberto Barros @uli_virtual_band
©Mixing and Mastering by Ulisses Nicolau Alberto Barros @uli_virtual_band
Lyrics by Dani Monteiro @daniimonteiro

Singers: Laura Sanna and Matteo Ruffini.
==== Introducing the Song ====

Prepare to be swept away by the romantic tones of "Aquarela – Um Encontro em Veneza", a tender and cinematic ballad that turns fleeting moments into everlasting emotions. In this musical collaboration between Uli and lyricist Dani, a dream journey through Venice unfolds into a story painted with the softest strokes of fate, longing, and rediscovery.

“Aquarela” isn’t just a song. It’s an emotional painting that reminds us: true love moves like art—unexpected, vivid, and unforgettable.

==== Lyrics in Brazilian Portuguese ====

(Verse 1)
A tão esperada viagem chegou
E um grande sonho então se realizou
Lugar encantado, Veneza, cidade do amor
Brilhos nos olhos, tudo aqui hipnotizou

(Verse 2)
Entre os passeios, tudo era ideal
Até que algo fugiu do normal
Um vento leve soprou devagar
E o meu chapéu começou a voar

(Chorus)
Te vi ali tão bela
Alegrou a minha aquarela
Riso solto, olhos de mar
E o mundo inteiro parou pra olhar

(Verse 3)
Dias incríveis a caminhar
Com vinho, gôndolas e noites ao luar
Mas por escolha do destino cruel
Nem seu contato eu consegui salvar

(Interlude) 
Num mundo feito de esquinas
E passos apressados
Dois corações tocados pelo acaso agora se perdem no vazio da imensidão
Mas o destino não grita
Ele vira a página com calmaria
Em algum silêncio escondido
Um doce encontro ainda espera florescer...

(Chorus 2)
São lembranças inegáveis de um encontro entre duas almas
Como uma flor crescendo ao sol que o destino arrancou
Mas no fim da jornada encantada
Quando a tristeza já me alcançava
Lá no aeroporto a mágica brilhou
Eu te vi de novo, o tempo parou...

(Outro)
Era o destino dizendo oi
Dando ao amor mais uma chance
A viagem foi bela e você coloriu minha vida com sua aquarela
Com sua aquarela
Sua aquarela revela o amor. 

                          ==== Lyrics in English ====

(Verse 1)
The long-awaited trip arrived
And a great dream came true
An enchanted place, Venice, city of love
Sparkle in the eyes, everything here hypnotized

(Verse 2)
Between the walks, everything was ideal
Until something went wrong
A light wind blew slowly
And my hat began to fly

(Chorus)
I saw you there, so beautiful
Overjoyed up my watercolor
Loose laughter, sea-like eyes
And the whole world stopped to watch

(Verse 3)
Incredible days to walk
With wine, gondolas, and moonlit nights
But by the choice of cruel fate
I couldn't even save your phone number

(Interlude)
In a world made of corners
Hurried steps
Two hearts touched by chance now get lost in the emptiness of immensity
But fate doesn't shout
It turns the page calmly
In some hidden silence
A sweet encounter still waits to blossom...

(Chorus) 2)
They are undeniable memories of a meeting between two souls
Like a flower growing in the sun that fate plucked
But at the end of the enchanted journey
When sadness had already reached me
There at the airport the magical glow
I saw you again, time stood still...

(Outro)
It was fate saying hello
Giving love another chance
The journey was beautiful and you colored my life with your watercolor
With your watercolor
Your watercolor reveals the love.

Uli - Aquarela - Um Encontro em Veneza (Collab with Dani) With English Translation (in description)

A reflective, mournful piece from Before I Forget by The Jeremias Langsämmer Ensemble, featuring lofi piano, cello, and subdued strings. This contemporary minimal classical track blends intimate piano melodies with gentle orchestral strings, perfect for focus, study, or contemplative listening. The restrained yet cinematic soundscape evokes quiet introspection while maintaining a modern, avant-garde sensibility.

For Fans Of:
Max Richter, Ólafur Arnalds, Nils Frahm, Balmorhea, A Winged Victory for the Sullen

The Jeremias Langsämmer Ensemble – What The World Can't See (I Don't Hide) | Lofi Piano & Strings

wednesday sketch 1

Test Of Submission

In Secrecy

big star

work in process

5.100 m/s
ORIGINAL IDEA. Joan Català
DIRECTOR. Joan Català, Iris Heitzinger
CAST. Cecilia Colacrai, Jose Luís Redondo, Joan Català, Nathalie Remadi, Natxo Montero, Sergio Gonzalez
SOUND SPACE. Miquel Vich, Ruben Martinez (Frames Percussion), Gerard Valverde
LIGHTING. Joana Serra y Guillem Gelabert
APPRECIATION. Jordi Casanovas, Elena Carmona, Pablo Carratalà i Tallers Juan Català
PHOTOGRAPHY AND AUDIOVISUALS. Tristán Pérez-Martín

COTORRAS_2

I've just discovered an old music CD that I created decades ago. I now have a selection of these tracks on SoundCloud.

I created this track around 25 years ago using a "Cubase Sequencer" running on an "Atari ST" computer. The "Sound Module" used was the "Yamaha TG100".

The track image shows my music equipment that I used around 1995 to create this track.

Can you "Name That Tune"?

I have a website that contains my complete collection of tunes with their titles revealed at:

www.harveytwyman.com

My Old Music CD - Track 10

Simon Alami is a Canadian composer with a passion for blending different musical styles and traditions. He draws inspiration from master composers. Simon's compositional style is characterized by a fusion of diverse elements and a willingness to experiment with new forms of expression. He currently lives in Montreal, Canada and is a proud member of the Canadian League of Composers (CLC), Canadian Music Center CMC and SOCAN.

Moroccan Dances - I Hight Atlas The Majestic (Pierrot Ensemble Pre-Release Version)

Simon Alami Composer