Spooky horror movie type sounds in there cool stuff 🔥

beautiful, really love the use of woodwinds here!

The colours and atmosphere are very nice!

Absolutely stunning track that will be a delight to anybody

Incredible - amazing orchestration. I know BBC SO is good but this is almost impossible to tell it’s not the real deal!

Soft sound texture contasting with intnce parts thats so cool!

Unexpected, amazingly original, soundtrack of an old Disney cartoon but the bad guy is Jack Nicholson

Good Classical I Found 7

My contribution to Strezov Sampling Competition. I have used at least 5 samples of the download pack and this time it was a challenge to learn the Sample Track function of Cubase. Thanks for these competitions, they teaches me new techniques and gives me the opportunity the learn.

Night Travel

The main theme is another one from my distant teenage years, written on a small keyboard as a flute tune. 
My friend like it, so we fooled around with it and even recorded a song called ''Field of Dew'', as a satine of folkish/radio friendly love songs popular in Dalmatia, that alone probably influenced me to use the theme for a romance-like composition.
Sentiment and content wise, it is very personal, filled with melodies reminiscing all of turmoil one can experience in love, from happy moments like the first glance in the shared with one another in a crowd during a Metallica cover band concert, strolling through the sun bathed forest of Gorski Kotar, and many more, both happy and unhappy. 
This piece is dedicated to Vanja Kalemba, the mother of my son and also the author of many paintings I use as a art cover of my compositions.

Romance For Piano, B-flat Lydian

While I was composing my F-sharp minor Fantasy, I found myself stuck on a particular middle section, struggling to find the right variation to complete the piece. Eventually, I succeeded, but before that happened, I wrote numerous segments that didn’t quite fit into the piece.

Fortunately, some of these discarded variations began to resonate with each other, leading to the creation of smaller pieces that I grew very fond of. The first of these became my Prelude in F-sharp Minor, and the second, the Moment Musicaux in A Major.

These two compositions share some motivic figures down to the note, yet in feeling and meaning, they couldn’t be more different. Despite the brief scope of the Moment Musicaux in question, I believe there is much to discover within it, with every new small section providing something unique and unexpected.

Moment Musicaux for Piano, A Major

Not all things fade by nature. Some are made to disappear.

Evanescent Frequency mirrors a world where decay is no longer organic but imposed, where lifespans—of objects, ideas, and even sound—are carefully engineered to be short-lived. In nature, resonance lingers, and silence comes gradually. But in an age of programmed obsolescence, disappearance is manufactured, ensuring that what was once essential is discarded before its time.

The music unfolds in this same manufactured cycle. It begins with fragments—small pulses of energy, scattered textures that gradually coalesce, gaining complexity and momentum. Harmonies expand, orchestration thickens, and layers accumulate, reflecting the illusion of permanence and progress.

At its peak, the structure begins to dissolve. But this is not destruction—it is an unraveling, an enforced stillness that overtakes what was once vibrant. The density of sound fades into weightlessness, harmonies drift apart, and resonance becomes ghostly, as if the music itself is slipping away into the unreachable. The frequencies do not end abruptly but instead dissolve into an ethereal quiet, mirroring the way things vanish from use yet never fully disappear.

Evanescent Frequency is a meditation on impermanence, on the forces that decide what is allowed to endure and what is designed to be forgotten. It asks us to listen—to what fades, to what remains, and to the silence left behind.

Evanescent Frequency for Orchestra (BBC Symphony Orchestra Virtual Library_Pre-Release)

Mothership

The power of twenty five

A heartfelt song of heartbreak and lost love. Performed live at The Oxford Poetry Circle on 30.10.24, the song explores what happens when two people in love grow apart and change as individuals - sometimes irreversibly

Forever And A Day (Live) - John Goldrust

All I Have

Safety Net

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"Glowing Glass Forest" is an 80's-inspired pop song with a modern touch, set at a lively 118 BPM. Featuring a captivating female vocal, the track paints a dreamlike landscape where past and present merge into a radiant, ever-changing mosaic. The lyrics evoke imagery of light, transformation, and the beauty found in shattered moments, ultimately forming a glowing world of reflection and hope. Let the shimmering melodies and heartfelt words guide you through this enchanting glass forest.

Glowing Glass Forest

Berry for Bears - Glowing Glass Forest

Klangmoebel - Soundtracks, Vol. 3: Misophonia - Hatred of Sounds

Transformer

Lyrics:
Baptised in the ocean
Over what little's left

I thought it was a traitor
God said it so it must be true
I thought that every doubt I ever had
Was intrusive but you heard it too
Born and raised into conspiracy
Bohemian Grove, blood on my hands
Father told me to bow to my newborn brother
My dedication knew no bounds

Combat myth, heaven lost
Combat myth, heaven lost
Paradise sacrificed for faith too strong
Combat myth, heaven lost
Combat myth, heaven lost
Paradise sacrificed for faith too strong

Open door to the combat myth
Back in the stomping ground
So day (ahh) in the river
Somehow (ahh) set free

The world drowned
But you stood in its ashes
Ankled soaked,
While our heads underwater
I pulled every single on up
And the praised me
I told them to thank god
They said "but you did it"
I fought the moon to bring it back into orbit
I spoke to the spirits of the races that passed
They told me they evolved to survive this torture
God wouldn't choose me so I forced him to

Combat myth, heaven lost
Combat myth, heaven lost
Paradise sacrificed for faith too strong
Combat myth, heaven lost
Combat myth, heaven lost
Paradise sacrificed for faith too strong

Open door to the combat myth
Back in the stomping ground
So day (ahh) in the river
Somehow (ahh) set free

Baptised in the ocean
Over what little's left
I've seen a vision
Of a cataclysm
A destruction
Of the end
Baptised in the ocean
Over what little's left
In the city
I was a sinner
But I swear
I won't deliver

Open door to the combat myth
Back in the stomping ground
So day (ahh) in the river
Somehow (ahh) set free

Open door to the combat myth
Back in the stomping ground
So day (ahh) in the river
Somehow (ahh) set free

GRUNDY

Composed , Produced, Written and Arranged by Jah-Femi Telewa

Angel’s Song is a hauntingly beautiful fusion of hip-hop and orchestral soul, opening with angelic choir harmonies and poetic reflections on love, peace, and divine presence. With ethereal ahhhs and vivid imagery, it captures the serenity of nightfall as angels sing and bells ring softly in the background. A meditative journey through sound and spirit.

Lyrics 
Ahhhh
Ahhhhhh
Ahhhh
Ahhh
Ahhh

Let the angels sing,
Let the light true lovers bring.
When the rain falls down,
The flowers would shed petals as they drown.

When night falls dim and the angels start to sing,
That’s when the joy it brings
Settles on the night to bring it calm.

Angels sing,
Calm it brings.

Watch the nighttime,
They’re singing—
The angels
Keep singing.
The bells ring,
Keep ringing,
At the nighttime
While you’re sleeping.

Watch the nighttime,
They’re singing—
The angels
Keep singing.
The bells ring,
Keep ringing,
At the nighttime
While you’re sleeping.

Ahhhhhhhh
Ahhhhhh
Ahhhhhh
Ahhhhh
Ahhhhh
Ahhhhh

Angel’s Song:

Written, produced, composed and vocally arranged by Jah-Femi Telewa…

Singer & background vocals arrangement by Phoebe Street

Pianist: Marco Santos
Whistler: Haritha Sanjaya

Dark Valley

In the valley where the children do not play,
The sun will withhold its shine, shedding not a ray.

In that place where sunlight’s shy,
Children will not play—
’Tis just the way it does occur today.

If you should walk across this valley in the day,
You bet I’ll be by your side, showing you the way.
Even when you’re in fear of dark,
I will be your light
To guide you through this treacherous dark display.

Chorus
Light through partway has never been seen,
Not even in the mornings when
The songbirds love to sing.
My guide through this partway will conjure a display
To guide you to the place you have to be.

Say, my light through partway has never been seen,
Not even in the mornings when
The songbirds love to sing—
Say, the birds love to sing in the morning.

Dark Valley feat . Phoebe Street: Real Singer, Real instruments

A gentle classical composition that soothes the soul and invites deep rest. Blending soft orchestral textures with a lullaby-like cadence, this piece is perfect for winding down, meditation, or peaceful reflection. Let the music carry you into restful sleep.

Rest

Restful sleep,
Sleep,
Sleep.

Restful sleep,
Sleep,
Sleep.

Restful sleep,
Sleep,
Sleep.

Restful sleep, my child.

Rest for day, till night comes again.
Pati-en-tly pace your breath as you lay.

Restful sleep,
Sleep,
Sleep.

Restful sleep,
Sleep,
Sleep.

Restful sle-ep,
Still deep.

Restful sle-ep,
Soft, sweet.

Restful sle-ep,
Still deep.

Restful sleep, my child.

Times would be tough
When you come of age.
Mind all troubles—
Things would be rough.

Restful sleep,
Soft, sweet.

Restful sleep,
Still deep.

Rest

This work was composed specifically for The Viola Commissioning Circle (VCC) Composer Prize based in London.

***
🎵 Title: Lingering Light in Winter’s Embrace
🎼 Composer: Michael Herter

🕒 Duration: 05:07
🐢 Tempo: Slow
🎻 Genre: Classical / Neoclassical / Soundtrack
🎧 Mood: Romantic, Emotional, Poetic
🎬 Video: https://youtu.be/2qpfngZPqsU

📝 Description
"Lingering Light in Winter’s Embrace" is a chamber composition for eight instruments, deeply rooted in the expressive tradition of the Russian musical school, profoundly inspired by the legacies of Pyotr Ilyich Tchaikovsky and Georgy Sviridov. The piece seeks to capture the ephemeral beauty of memory, weaving an atmosphere of tender melancholy and quiet contemplation, as if illuminated by the delicate glow of a winter landscape.

At its heart lies the theme of nostalgia — a longing for moments lost, expressed through a lyrical dialogue between the strings (first and second violins, viola, cello, and double bass) and the poignant timbre of the winds (flute, oboe, and clarinet). The strings evoke heartfelt emotions, whispering tales of cherished recollections, while the winds add a breath of airy lightness and a subtle shimmer of hope. The double bass provides a resonant foundation, grounding the composition in the timeless embrace of the natural world.

This work transcends a specific narrative, instead inviting listeners on an emotional journey — a meditation on the fleeting nature of time, the enduring power of the human spirit, and the universal search for harmony. "Lingering Light in Winter’s Embrace" is a sonic painting, a tapestry of sound designed to stir the soul and awaken the imagination. It’s a testament to the beauty found within stillness, and a celebration of the delicate balance between joy and sorrow.

🎼 Key: A-Dur | Time Signature: 3/4 | Tempo: Varies bpm

► Support my music: https://bnd.link/sibviolin
—
Your support means the world to me and helps me continue creating music. Every like, share, and subscription is deeply appreciated.

🙏 Thank you for listening!

CLASSICAL and NEOCLASSICAL

Lingering Light in Winter’s Embrace

In the Information Age data is an object that can be used to create multiple realities, each vying for dominance.  Some data points are ignored and some amplified, and in this way narratives are developed and reinforced.  Today’s #MusicalMinute alludes to a lot of these ideas but the results can sound confusing.  What do you think?

17 Aug 25 Clattering Chatter

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

Simon Alami is a Canadian composer with a passion for blending different musical styles and traditions. He draws inspiration from master composers. Simon's compositional style is characterized by a fusion of diverse elements and a willingness to experiment with new forms of expression. He currently lives in Montreal, Canada and is a proud member of the Canadian League of Composers (CLC), Canadian Music Center CMC and SOCAN.

Evanescent Frequency for Orchestra (BBC Symphony Orchestra Virtual Library_Pre-Release)

Simon Alami Composer

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