Making Beats & Rhymes since 1995
C2C ・ Hocus Pocus・On And On
・・・・・・
Management :
yann@onandon-records.com

Label :
http://www.onandon-records.com

Hocus Pocus’ guitarist and singer, Ledeunff jumpstarted his solo career in 2013 with his first bold and original EP. 

His blended style truly came together on this eponymous record produced by 20syl. Inspired by his love for blues and world music Ledeunff did not hesitate utilizing Hip Hop and electronic genres to enhance his sound. 

Ledeunff crushed expectations with this record, unveiling his versatile musical universe and still finding a way to features guests such as major French Nigerian act Asa and U.K. rapper Phoenix Troy. 

A stage enthusiast, Ledeunff traveled all over France for the past 15 years, opening up for major acts he shares a musical connection with, such as Keziah Jones or Raoul Midon.

Thanks to his singular voice, his generous on stage presence, and his authentic personality, Ledeunff has comfortably established his musical niche into the French scene. 

Management :
yann@onandon-records.com
lucile.gautier@onandon-records.com

Booking :
FR : contact@pypoproduction.com (Solène Gautret)
CH : david@insomniacs.ch

-Other Enquiries-
dadoomusic@gmail.com

“There’s this great duality to our band,” reflects Greensky Bluegrass mandolinist, vocalist, and songwriter Paul Hoffman. “We’re existing in a few different places at once: we’re a bluegrass band and a rock band, we’re song-driven and interested in extended improvisation.”

“We play acoustic instruments,” adds dobro player Anders Beck, “but we put on a rock’n’roll show. We play in bigger clubs and theaters, there’s a killer light show, and we’re as loud as your favorite rock band. It’s not easy to make five acoustic instruments sound like this – it’s something we’ve spent years working on.”

From these seemingly irreconcilable elements, the five members of Greensky Bluegrass have forged a defiant, powerful sound that, while rooted in classic stringband Americana, extends outwards with a fearless, exploratory zeal. The tension and release between these components – tradition and innovation, prearranged songs and improvisation, acoustic tones and electric volume – is what makes them so thrillingly dynamic, in concert and on record. “In theory,” Hoffman explains, “greensky is the complete opposite of bluegrass. So, by definition, we are contrasting everything that isn’t bluegrass with everything that is.”

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