I hope everyone is well and staying positive in these difficult and unsure times!  I hope this brings a little bit of joy to your day.

You Don’t Want Me To Stay 

I took the long way to get here
I traveled up the coast
You have a strange way to sense fear
My face is like a ghost
My eyes are gazing past you
To where the wind might hark
The sun is crashing into
The enigmatic dark

It’s what I’ve seen Its what I know
I parked my car along the road
I raced to spy, I hurried so
Around the site a crowd had grown
I saw her eyes, a woman died
Her scattered things lay at her side
When I get home and end my day
I pour a drink, you turn away
You don’t want me to stay

I heard a sad, soft whisper
Quiver in the wind
The rains filled up the cisterns
As I confessed my sins
My life has faded into
A version of myself
I saw the changes in you
And where the blame had fell

It’ s what I’ve seen Its what I’ve heard
I took a walk, it took a turn
I met a man I’m sure I owe
He chased me down a cobble road
I lost my way, the sky got black
I feel regret as I look back
I touch your arms and kiss your neck
You pull away, my heart is vexed
You don’t me to stay

You Don't Want Me To Stay

A fictional character producing real music. And loves BIG BEAT


The Double Morphis, a music creator who, as a child, didn't fancy traditional piano lessons, preferring to make up his tunes. He later fell in love with crafting music on the computer, steering clear of playing instruments.
 His music combines big beat, experimental, and elements of 90's techno, acid, breakbeat, and the occasional rap fusion. He is struggling with feeling and daemons in his head and the tracks are result of the war or a way to run from life and the feelings.
With a commitment to anonymity, The Double Morphis keeps their full details hidden, letting the beats take the spotlight.

NO MESSAGES ABOUT PROMOTIONS PLEASE!!!

Independent artist, writer, producer


I started playing gigs in 1968,  I believe I was in the eight grade. It was only junior high school dances but at the time, it was electrifying. In 1964, I remember watching "The Ed Sullivan Show" and seeing the Beatles perform live and they pretty much jump started my interest in music, Long hair, guitars and Beatle boots, very cool, still cool. I have always enjoyed good harmony parts and George's slide work has always inspired me. Over the years like so many others, I’ve played concerts, night clubs, special events, coffee houses, bars and such. Also toured the U.S. in 76. Now it's all about writing, recording, having some fun and being a part of the Sound Cloud community. Yeah man! 
Debut Album called “ Seafoam” released 2018 at Bandcamp, iTunes, Amazon and CD Baby.


Some of my fav producers would be Gary Katz, Jeff Lynne, Sir George Martin, Eddie Kramer and Mark Hudson. As far as guitar players, great hooks from Keith Richards, best tone Eric Clapton, best feel SRV! Best slide guitar George Harrison, Sonny Landreth, Derek Trucks and Ry Cooder. Most creative exploration Eric Johnson. The most original and always inspiring the GOAT Mr. Jeff Beck, he is amazing. Walter Becker had the cool factor and the Mu chords as well as wrote such interesting lyrics.

Early Influences__________________
Beatles, Cream, Jeff Beck, Jimmi Hendrix, Steve Windwood, Roy Orbison,Tom Petty Todd Rundgren, The Yardbirds, Lacerne Dixon, John Mayall & the Bluesbreakers, Spencer Davis Group, The Who, Rolling Stones, SRV, Wings, Sparks, T-Rex, The Doors, Led Zeppelin, ELO, Steely Dan, Boyce & Hart, The Who, Rory Gallagher, Taste, Grinn, The Nazz CSN&Y. Many more to add here.

Gear___________________________________
Logic pro 10, Native instruments software, focusrite scarlett 2i4,  Yamaha HS8" studio monitors and Krk Rokit 5 , Blue Mic, Blue Baby Bottle, Neumann TML 102, MXL mic, Sure 57, Assorted guitars mainly Fender Stratocasters, telecaster, Gibson SG Jr., Parker PM20G, Rickenbacker, Godin Session custom, Violin bass, Fender Precision fretless bass, Native instruments Komplete Kontrol S-61 Keys. Glass Slide, Neural DSP: Tone King Imperial MKII,  Mesa Boogie, Soldano, Positive Grid: BiasAmp 2, AmpliTude5: Fender, iZotope Ozone 11, plectrums Galore and a black cup of coffee.

Please stop back by I'll be adding more tunes, I greatly appreciate all the comments, support and reposts. 

 Thanks again all. Peace Greg

Also please check out some of my fav talent below!

https://soundcloud.com/ruby-larue
https://soundcloud.com/jeff_roberts
https://soundcloud.com/mike_kavanaugh
https://soundcloud.com/user-425535373
https://soundcloud.com/ghostlybeard
https://soundcloud.com/tom-roxx
https://soundcloud.com/bobbinkley
http://soundcloud.com/the-musical-crucible
https://soundcloud.com/derek-cornett
https://soundcloud.com/orbiting-freakshow-orch
https://soundcloud.com/richard-orange-7946449
https://soundcloud.com/danarchx
https://soundcloud.com/lee-lucas
http://soundcloud.com/marycigarettes
https://soundcloud.com/esemanolain-ruizzo
https://soundcloud.com/the-fisherman
http://soundcloud.com/jungle-dog
http://soundcloud.com/sun-tower
https://soundcloud.com/finn-slide-guitarist
https://soundcloud.com/william-j-lepetomane
https://soundcloud.com/gus-goad
http://soundcloud.com/klutzee
https://soundcloud.com/sagoba
https://soundcloud.com/markjbennett
http://soundcloud.com/dave-mckeown

Songwriter based in Chicago, Illinois.  Contact via email simplecircuitsmusic@yahoo.com or PM.  Thanks for your kind feedback!


An old fart making old music.

Everything is made in Reason, https://www.reasonstudios.com
I love it since it let me use patch cables the way I'm used to.

Arturia V-collection, https://www.arturia.com, let me play with synths I couldn't afford back in the days.

Full Bucket, https://www.fullbucket.de, make some fantastic VST soft-synths that I love. He has an impressive setup of Korg clones that I recommend. Try FB-3300, the best synth Korg has ever made.

Cherry Audio, https://cherryaudio.com, is another source of old synth clones that sound fantastic. Good price and wonderful sound.

M'Z, is a solo project shaped by a wide variety of music :
Canterbury, Progressive, Rock in opposition, Metal, Electronica, Space rock, Noise, Jazz, free-rock, Ambient, Psyche, Heavy, Punk, Drum'n bass...

My name is Mathieu Torres and I am also a guitarist and composer in various artistic projects:
La théorie des cordes / Zhorhann / The diogenes / Matziz / Dirt in the wind / Urban BallShit / Inland Motel / Collectif La Barraque / Aux arts etc / Dirt and Cpu / no Skeletons / composer of music for the image...

The driving idea of ​​this particular project is to create parallels between poetic or philosophical concepts and music, without setting aesthetic barriers.

Born from the vital need to create, at the end of 2017, M'Z has since performed around fifty dates (Streets/Markets/Café-concerts (Cave a rock - L'usine à musique - Le Maquis - Red turtle café...)/Festivals (Résistance/Semaine jaune...)Off /Marciac - Bourges / Various support concerts...)
and released 4 albums, 1 EP and 2 singles which received very good press
(Diego Pinheiro Review - ProfilProg - Athos di MAT2020 - Autopoeitican - COREandCO webzine - AM: Plified - areARock - Mazik - Plus PROG de Vous - Eternal Terror - L'oreille à l'envers - Exposé . org - DPRP . net - The Elite Extremophile - Litzic...)

"Prisme" the first album, made the link between Colors, feelings and Music,

"L'autopsie du dogme" the second, attacked the music industry while working to analyze dogma in general and psychoanalyzing the members of M'Z in this quagmire in passing,

"Cool is watching you" (EP) was interested in demolishing, in music and lyrics, the idea of ​​the "Cool" posture that seems to be a norm in the era of social networks and the "start-upized" world

"La Nef" (single) as for it, tried to extract a source, more or less healthy, of the need for human spirituality, when it is freed from religious doctrines
"Hympécita" (single) paid tribute to an animal friend.

"La Civilisation de la Graine" the third was a musical reflection on the essence of our patriarchal organizations and our tendency to organize ourselves into civilizations, certainly elegant but undeniably unjust, ephemeral, violent and rickety. 8 pieces to try to analyze these phenomena.

And finally 'Emancipés du Vides ?'(emancipated from the void?) The fourth album, is a melancholic reflection on our emotional abysses, on the difficulty of extricating ourselves from our various attractions for nothingness, our inability to look at the mental waste that we produce without going through the guilt box, a critique of normalization, of the conformism of the hollow positivism praised by our overly marketed minds in search of the fastest path to "A Meaning". Finally, it symbolizes the vital necessity of finding our lost naivety.

Zhorhann groupe de musique fusion in opposition de Toulouse
Jazz Rock, Metal, World, Cartoon, Noise, Prog, Expérimental

C'est un projet musical instrumental, un peu Zappaïen, avec des touches de Gong, Mr Bungle, Secret Chief 3, John Zorn, Naked City, Nirvana, Pantera, Steve Coleman, Ceramic Dogs, Tigran Hamasyan…

Faisant suite à "La Théorie des cordes", Zhorhann est un conteur musical, cherchant le sens dans la note, il motive le sensible use d'Arts pour déjouer les normes, puisque les mots, si bien ordonnés soient-ils, ont conduit l'ensemble du vivant à l’aube de son extinction

My focus is on songs, on composition, not on style or genre. The songs  usually have lots of space for improvisation. 

I use a simple little application called "Guitar Pro", not really fit for producing, but a dream come true for rough little sketches like these...

Hope you like what you hear!
Cheers!
Rob

Our "THREATENED TO SPILL" EP -- Another merger of two projects, Arcachata and XITX, available for your checking out today!!
---------------------------
The new album In Deference To (Indifference To?) the Seminal Works now on Spotify!!
https://open.spotify.com/album/5KvBqfQXbgQdz6uibwwuY0?si=Jg3GeuFCSbCEVS2gLF1y-Q
---------------------------

Arcachata:
Main alcohol:  Trumpet, Piano, Acoustic and electric guitars, Monotonal and polytonal vocalisations, Bongo, Drum kit, Bass guitar, Trombone, Synthesizers, Sequencers, Percussion.

Ingredients: 1 oz rock, 1 oz trance, 1 oz avant garde, 1/2 oz instrumental hip hop, 1/2 oz metal, 1/2 oz world, 1/2 oz prog, and a splash of traditional Panamanian folk.

Preparation: Add all ingredients into sonic mindspace filled with 70’s, 80’s, 90’s and 00’s nostalgia.  Mix vigorously.  Strain electronically.  Stir gently.  Garnish with beats from the future.  Serve with some 20’s ghost whistling.

Drinkware: Store the lyrics away for the future generation.

ARCACHATA
Serving isthmian goth hop since November 2018.
Thanks for listening.
All music written and produced by Adolfo Ernesto Samudio Stec.

Independent Singer / Songwriter from Japan.

[1st album] "いつから 僕らは / Itsu Kara Bokura Wa" now available at:
Spotify（Download）
https://open.spotify.com/intl-ja/album/2qy82Om825NfpV1Zj2DPy4?si=-TlSJjx2QoGlUFahlgYB3A
AppleMusic（Download） 
https://itun.es/jp/ahH10
Amazon (Download):
http://www.amazon.co.jp/gp/product/B00KTPN5JO
BigUp! Shop（CD+8p Booklet） 
http://shop.mu-mo.net/a/item1/?jsiteid=BGUP&merc_no=AMMZ-00537
246 records （CD+8p Booklet） 
https://246records.wixsite.com/home/yoroley

Composer, Sound designer, Recording Artist
Electronic / Ambient / Soundscape
MUSIC FOR FILMS & TELEVISION
Original music from real synths.
© All rights reserved

PLEASE NO PROMOTERS . I DO MY OWN !

"Fear produces money while the absence of fear creates culture"
Vangelis Papathanassiou

AI music and voice production infects human creativity and inspiration.

As a kid starting play keyboards for fun. Then I played live piano in piano bars and restaurants. During 90s also compose and recording my first audio tracks. After a 20 years break I came back with more love for music creation especialy for electronic sound.

You Don't Want Me To Stay

Simple Circuits