Sorry! We Did Something Wrong (NE 001)

New & hot: Pop

Leisure...

Middle eastern / world

Entrés

Rounded With A Sleep

Octopus feat. Группа Ветерок/Veterok

I Must Not Fear feat. C.A.R. and Lord Fascinator

Che Che

End Of Days

Out Of Body Experience

LS-ESCAPE-THROUGH-MUSIC-002 

This week we're bringing you a dubstep tune from up and coming producer and DJ Xascal https://soundcloud.com/pascal-quah
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Instagram : https://www.instagram.com/xascal.mp3/

Free Download

LS-XASCAL-CONVEYOR BELT (FREE DL)

monster

Bez Tebja

Nobody - mistki speed

Domestic Na Kanojo OP

Stream ‘Faux Départ’ now : https://noire-blanche.fanlink.to/faux-depart

https://soundcloud.com/djpsychiatre
https://soundcloud.com/noireblanche

PREMIERE: Dj Psychiatre - Faux Depart [Noire&Blanche]

my remix / interpretation of Autotune - Revolution
- released July 13, 2015


Autotune - Revolution (Ryan Mathiesen Interpretation)

Pacifica - Memory Man (Kalabrese remix)
out now:::::on drumpoet community 61
buy here::  
http://www.deejay.de/DPC061-1_-_Pacifica_-_Memory_Man_-_12inch__225253
digitalrelease::: end of may


Memory Man Pacifica (Kalabrese Remix) Drumpoet Community61 44 24

B2. Best Ice Cream In Guwahati (Marvin & Guy Afterhour Mix)

Dedicada a la sagrada planta y a una religion que venera esta planta.

<a href='https://theartistunion.com/tracks/ff2110'>Download for free on The Artist Union</a>

Diguital Trip - Rastafar Plant

Trio Ternura (Compacto 1973)

Last Tango In Paris

Buy: https://fanlink.to/larenep

Bas Dobbelaer and Vand - Laren EP (SoHaSo 023)

A1 Bas Dobbelaer and Vand - Transit
A2 Bas Dobbelaer and Vand - Gateway To Gaia
B1 Bas Dobbelaer and Vand  - Void (Pulse Mix)
 B2 Bas Dobbelaer and Vand  - Body-Electric

Artist: Bas Dobbelaer and Vand 
Title: Laren
Label: Something Happening Somewhere
12“ Vinyl / Digital (limited to 200 copies) (05-04-2019)
Cat.no: SoHaSo 023
Artwork by Bas Dobbelaer 
Worldwide distribution: Kompakt

Listening to music while travelling is one of the best things to do in life. Bas Dobbelaer and Vand both know this. The Dutch producers label their delicate compositions with titles like ‘Transit’ and ‘Gateway to Gaia’ and travelled to Laren (a small town in beautiful nature) to isolate themselves from the hustle and bustle of hometown Amsterdam. 

They came back with four beautiful tracks which combine floating melodies with soft percussion pads and lukewarm basslines. Just listen to Void (Pulse Mix) and imagine the sun setting behind lined trees while being on a public bus to the one you love. Laren leaves you with a sense of melancholia and longing, which in this case is a wonderful thing.

Buy / Listen

Bas Dobbelaer & Vand - Transit

Celebrating its 25th anniversary, Far Out Recordings proudly presents two albums of previously unheard Azymuth demo recordings from 1973-75

Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock ‘n’ roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature ‘Samba Doido’ (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, psychedelic, samba jazz-funk hybrid.
But before they became Azymuth, Jose Roberto Bertrami (keyboards), Ivan ‘Mamão’ Conti (drums), Alex Malheiros (bass) and Ariovaldo Contesini (percussion) played backing band to just about every major artist in Brazil.

Bertrami was also contracted as an arranger and songwriter at some the biggest labels of the era: Polydor, Philips, Som Livre, and EMI being just a few. Azymuth’s name can be found on record sleeves by the likes of Jorge Ben, Elis Regina, Marcos Valle, Ana Mazzotti and countless others. But at the dawn of the seventies, fascinated by developments in improvisational music - from jazz in the US, to progressive rock in the UK and of course samba, bossa and tropicália on home turf - the energetic young group were inspired and ready to move forward.Any spare moment in which they weren’t in sessions and writing music for other artists, they would be carving out their own sound.

These previously unheard recordings took place between 1973-75 at Bertrami’s home studio in the Laranjeiras district of Rio de Janeiro. At the time of recording, there was nothing in Brazil, less the world that sounded anything like them, so perhaps it’s unsurprising that when Bertrami presented his demos to the record companies he had been working for, he was turned away, and told in effect that the music was ‘wrong’.

One of the demos ‘Manhã’ would be picked up by Som Livre and Azymuth released their seminal debut album in 1975. Throughout the late seventies and eighties, the group released a series of now classic albums for Milestone Records, before taking an indefinite hiatus to pursue their individual careers.
When English producers Joe Davis and Roc Hunter arrived in Brazil in 1994 to record the first Azymuth album in over a decade, Bertrami dug out the demos which had sat virtually untouched for over twenty years. Joe recalls how he was “blown away by the freedom and intensity of the music, as well as the genius of the ideas musically.” Beginning a long and fruitful relationship, ‘Prefacio’ would be the first track Azymuth recorded for Far Out Recordings and was released on the Carnival album (1996).

Along with ‘Manhã’ and ‘Prefacio’, only a handful of these demos were ever professionally recorded and released, making this the first opportunity to hear many of these early Azymuth compositions in their raw, original form.

On every track the frenetic energy in the studio is palpable, giving the recordings a beautifully personal feel and a sense of the phenomenally creative vision Bertrami, Malheiros and Conti were realising at the time. Fifty years on, Azymuth’s earliest recorded music retains an ineffable, futuristic quality, standing amongst their most captivating and moving work.

Vinyl / CD / Digi

Azymuth - Manha

Azymuth - Morning (Manha)

Natural Wonders Of The World

Great Barrier Reef

Issam Hajali might be most known for being the singer and main composer of the Lebanese band Ferkat Al Ard. While they recorded 3 albums only their classic „Oghneya“ release saw a vinyl release and is probably the most in demand record in the Lebanese record collector scene (A copy changed hands in Beirut this year for 5000$). Before the band came together Issam recorded a debut album under his own name called "Mouasalat Ila Jacad El Ard" in 1977 in exile in Paris. It was originally released in a run of less than 100 copies.

Issam Hajali - Ana Damir El Motakallim

Eat Clintswood

Years of sweating in garage bands evidently prepared the Lipsky brothers to break boundaries in commercial club culture with a sound that somehow evokes the essence of psych-rock while never sounding out of place alongside certified technoid bangers.

Their musical breadth as producers speaks to their talent as DJs, with a deep passion for record digging that again conveys very specific sensibilities – a love for the exotic, the yearning for transcendence, as well as the rough rebellious energy of punk. They produce dance music from the margins, full of with narrative, melody, and drama. It’s intense, in a good way.* 

Their affiliations to broad-spectrum labels like Multi Culti, Disco Halal and Correspondant might paint some picture of their range, and their stellar remixes for artists like Nicola Cruz, Adam Port, Autarkic and Polo & Pan may have earned them lots of plays,  but their debut LP ‘Sorry, We Did Something Wrong’ is undoubtedly their most ambitious and elaborate statement to date. Drenched in their influences, rich in collabs with a range of artists like Sepultura’s Igor Cavalera and C.A.R., the record is at once ambitious and, as the title suggests, apologetic. Their capacity for embracing these polarities, a radical boldness tempered by self-consciousness, it may divide the audience, but it shows unmistakable personality.

Simple Symmetry returnes to Multi Culti with an epic, mournful EP called “Problem,” featuring a huge remix by long-time compatriots Red Axes. Another huge edit for CULTED is on deck, as well as a peak-time rework of Drugface, following up on their massive mix of ‘In the Clouds.’

*If you had to prompt an AI to get the picture you’d cite ‘dancefloor banger inspired by The Beatles, remixed by Weatherall with a bit of extra Ravi Shankar in the mix, recorded after hanging out with punk kids on their first E at a rave in 1993 headlined by Aphex Twin, CJ Bolland and the Prodigy’. 

BOOKING

ssymmetrymgmt@gmail.com
cedric.personagrataagency@gmail.com

If you'd like to send us promos or you need a remix please send an email to ssymmetry@gmail.com

Rounded With A Sleep

SIMPLE SYMMETRY