261e into 292e. 292e to 297. 297 1 back into 261e (mod FM input). 297 2 into 285e. Modulated by 258. 285e out to speakers. 251e provides sequence. Pulse out to 281e gives envelope. Envelope mixed with 266e FRV A in 254v. Result modulates 292e. 266e FRV B controls 285e timbre.297 env follower routed back to itself modulating phase. Mod osc set to hi, modulating the amp and pitch, both FM input and index knobs set to max. 292e is in both mode.


258-261-2

Improv with my Fender Rhodes into  an Electro Harmonix HOG 2 and then into my modular. Details in YouTube video.

https://www.youtube.com/watch?v=nzyZ4JbxRLA

My Rhodes Hates My Modular

modular sketchbook 10- 22-16 Ornaments and Crime Harrington 1200

https://theixradivide.bandcamp.com/album/martinis-in-space

Martinis In Space

Lingo Les & His Beatsauce Arkestra Presents: Martinis In Space [Full Beat Tape]

Test of Piston Honda Mark III with bipolar LFOs. The slow LFO modulations are assigned to the X, Y, and Z waveform axes whilst a human hand rotates the preset attenuator knob. The test is presented in three frequency ranges. The preset CV input also responds to negative voltages.

Piston Honda Mk3 LFO test

Test of Piston Honda Mk3's "classic waveforms" bank with oscillator link/unison modes. CV sources are stillson hammer, joystick axis generator, and human hands. It sounds suspiciously close to my two favorite digital synthesizers, and the waveforms only play a small part of that.

Vectoring (Piston Honda mk3)

modular sketchbook 6-3-18 on the spot patch studio re-recording

042919

Demonstration of the new allpass and comb filter modes of Bionic Lester. The patch is simple. One Hertz Donut 3 is patched into both inputs of Lester(routed in parallel) and its fold/mod controls are sometimes turned. The Lester outputs are panned hard left and right. First, allpass phasing with added dry signal is demonstrated.  Then, positive comb feedback with varying delay line lengths, resting frequently to let the feedback develop. Last, negative comb feedback and more tweaking. No other effects (or Lester overdrive)were used. There is occasional LFO modulation of delay line length.

Bionic Lester mark III allpass/comb filters

Demonstration of Kermit Mark III's tempo synced modulators. 4 channels are patched into the other modules while tempo division, channel amplitude, and waveform are performed. Other modules are Industrial Music Electronics Voice (Hertz Donut, Piston Honda, Bionic Lester), some reverb, and a persistent 80bpm kick drum.

Kermit mk3 tempo sync (with other modules)

Piston Honda MKIII drone with extensive modulation from ochd, Zadar and Batumi to shift both oscillators through X, Y, and Z wavetables, and modulate the FM amount - the two VCOs are running left and right into QPAS to create a stereo image. QPAS cutoff is modulated by ochd, with saw pulses from Batumi driving the Radiate controls at different levels, clocked by Pamela at x1.3. Euclidean patterns are created by Intellijel Tetê/Tetrapad into envelopes from Zadar driving Frap CGM mixer VCAs. Eventide H9 Blackhole for ambience.

My Rhodes Hates My Modular

Sinamsis

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