Introducing Cyber Domain VA001, showcasing sounds from all of the electro spectrum, including tracks from 18 different artists from London to Miami and from Melbourne to Amsterdam

Releasing April 2nd only on Bandcamp on limited run cassette and digital formats. 

Available at: cyberdomain.bandcamp.com

Artist - @isolatedmaterial
Label - @cyber-domain


Compiled by The Droid & Hardenberg
Mastered by Hardenberg
Artwork by Ruth Enyedi (https://www.instagram.com/ruthenyedi)

PRE ORDER / BUY

[PREMIERE] Isolated Material - Locked Phase [Cyber Domain]

Alex Celler - Pacificon (2015) (TR027)

TL Premiere #1643 (2024.05.31) : Kamyar Ring - Black Palace [Jade]

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For this 173rd Premiere of 2024, we have a track by the DJ/Producer from Tehran "Kamyar Ring" titled ‘Black Palace’ from his forthcoming EP "Enchanting Nightmare" on the French independent label : Jade.

▶︎ The EP will be available from June 10, 2024 in digital on Bandcamp : https://jadelabel.bandcamp.com/album/enchanting-nightmare-jad019

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Release Info :

Kamyar Ring - Enchanting Nightmare [JAD019]

Let yourself go to "Enchanting nightmare", the latest EP from Iranian artist Kamyar Ring.
A release featuring 4 subtle tracks influenced by dub and break underground techno, sub-genres mastered to perfection by Kamyar.

Tracklist :
01. Kamyar Ring - Black Palace
02. Kamyar Ring - Enchanting Nightmare
03. Kamyar Ring - Dub City
04. Kamyar Ring - Black clover

releases June 10, 2024

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Follow Kamyar Ring :
Bandcamp : www.kamyar.bandcamp.com
Facebook : www.facebook.com/kamyar.ring
Instagram : www.instagram.com/kamyar.ring
Soundcloud : @ringsss

Follow Jade : 
Bandcamp : www.jadelabel.bandcamp.com
Instagram : www.instagram.com/jade.lab_
SoundCloud : www.soundcloud.com/jadelabel
YouTube : www.youtube.com/c/jadelabel

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▶︎ If you enjoy Tracklistings and feel comfortable donating to keep it going please donate via https://paypal.me/tracklistings

Enchanting Nightmare

Black Palace

TL PREMIERE : Kamyar Ring - Black Palace [Jade]

@rekab - On the move
Label - @analogconcept

All Sinchi premieres available on 
Soundcloud: https://soundcloud.com/sinchicollective 
Spotify- https://open.spotify.com/playlist/7sd3nFrzl9itGooHqItGFG

♫ Info + Buy ♫

PREMIERE - ReKaB - On The Move (Analog Concept)

Order here:
https://www.juno.co.uk/products/dj-1985-we-trippin-vinyl/1038665-01/

Especial welcomes new artist DJ 1985 to the label. As so often, the idea of pushing new music has been the raison d'etre of the past decade. An EP of a love for Acid, from the breaks anthem of the title We Trippin’ to exploring the ethereal and even mind-melting Ambient House and Balearic of how the Roland TB-303 has become a fundamental element in the history of electronic music.

Soviet born; Belgrade exile Stanislav is DJ 1985. A man of many monikers, came to House later, originally progressing from Breaks, Hardcore and onto Drum and Bass as DJ Saint Man, a Mixmaster in the truest sense, switching it up to include Ghetto House and Booty, DJing led to producing, finally seeing DJ 1985 emerged to encompass Acid, Bleep, Breakbeat, Chicago and beyond.

A DJ supreme from the old school – check his Boiler Room mix for live vinyl dexterity – his productions nod to Aphex Twin and the Rephlex / UK lineage, the Techno. Electro of masters Underground Resistance and Drexciya and on to Italo, Italian House and early 90s New Jersey and New York’s golden period and of course the masters Kraftwerk, all influence the sounds of this debut EP.

Starting as 808 and 909 Electro and Techno jams, all the tracks are recorded live, MPC, synth and drum machines, no computers involved. We Trippin’ is built around the “Think” break, with trippy 303 line, some 808, synths and off we go “we trippin”.

Dolphin and Sirens was inspired by the Boka Bay dolphins of Montenegro, near where the recording was made. A flotation bath of warm dreamy acid beats and aquatic found sound, fast, shifting breaks, the Adriatic Sea of Croatia and beyond beckoning.

Catland’s title is a nod to Stanislav’s love of all the feline, but the breaks’n’303 cut is an endlessly uplifting spark, celestial, a cosmic evolutionary odyssey.

DJ 1985 completes his debut EP with the aptly titled The Last One. Spherular, mysterious, this rise of spatial breaks is a reawakening of symbolic music that is touched by both East and West. Stanislav’s music intersects, trans-national, almost spiritual and psychedelic. Live jamming, more hearted, the snap electro percussion, dream-laden pads are twinned with an ethereal otherness via the endless possibilities of the TB-303.

A2. DJ 1985 - Dolphins & Sirens

All Mutant Disco Radio Show premieres available on :

Youtube : https://www.youtube.com/channel/UCLypdVb_SuSmL_C21MgXo2Q
Spotify : https://open.spotify.com/playlist/31NT4Oq48gcKdmttAFbx23
Facebook group : https://www.facebook.com/groups/170732496230
Facebook page : https://www.facebook.com/MutantDiscoRadioShow
Twitter : https://twitter.com/LeriAhel
Soundcloud : https://soundcloud.com/mutant-disco

Taken from "Dylan Thomas - We Don't Own, We Create LP (Futurepast)". Out May 09th 2025. Buy here : https://futurepast.bandcamp.com/album/dylan-thomas-we-dont-own-we-create

Dylan Hayes' album debut (LP), We Don’t Own, We Create, released on Futurepast, is a sonic trip balancing club functionality with experimentation. The two-discs project is a bold statement of artistic intent—where minimalism, industrial textures, and introspective loopy moods collide.
As the result of 8 years of research and experimentation, We Don’t Own, We Create is an electronic sci-fi odyssey, unfolding across eight tracks balancing structure with unpredictability. Co-produced and mixed by Davy Vandegaer, this album is also the story of a friendship rooted in a shared vision—crafting a signature ‘futurepast’ sound where old-school techno aesthetics meet fresh, yet edgy, sonic treatments.
The first disc unfolds like a waking dream. My Ikigai sets the tone with pulsating, introspective club energy, blending loopy synths and a growling bass. Plastic World plunges into eerie depths, weaving spectral vocals and fragmented rhythms. Silent Reverie in To Memory drifts through textured atmospheres and layered percussive echoes. Remind Me Ridley twists hypnotic techno into a dense, mantra-like piece—its reverbs and delays build an intensity conjuring into a foggy, shifting auditive illusion.
The second disc marks the awakening, shaking off the haze with Beautiful Struggle, where abrasive loops, industrial bass surges, and dissonant synth layers build tension. Echoes of Fate condenses the album's ethos, unleashing pulsating stabs and humming rhythms that slice through the mix with razor-sharp precision. The eponymous We Don’t Own, We Create is an electronic ode to the creative process, where haunting vocal loops weave through deep, trippy synth lines, blurring the boundaries between organic and synthetic. Closing on Mizze, the journey dissolves into pure introspection, fading into the ether.

Artist social media :

https://soundcloud.com/dylan-thomas-hayes
https://www.instagram.com/dylan.thomas.hayes

Label social media :

https://soundcloud.com/futurepastnosenseoftime
https://www.facebook.com/Futurepastnosenseoftime
https://www.instagram.com/futurepast____

PREMIERE : Dylan Thomas - We Don't Own, We Create (Futurepast)

BOM’s Àṣẹ, unveiled via dancefloor oracle Paper Recordings in vinyl and digital formats, is a nine-track invocation of sonic Àṣẹ – the Yorùbá force that turns sound into spellwork. Àṣẹ is a dazzling, shapeshifting beast: gqom’s metallic stutter locks horns with shangaan electro’s lightning-footed chaos, while afrotech’s interstellar throb melts into Balearic honey and dub’s smoke-ringed depths. House music’s soul meets breakbeat’s clandestine rebellion, all wrapped in a psychedelic Yorùbá futurism that crackles like sacred voltage. This isn’t just an album – it’s a possession ritual, demanding hips twist, shoulders shimmy, and spirits answer.

And then – “Funk, Jive And Break” lives up to its name. A riotous three-act play in one track, it slingshots from funk’s sweat-slicked basslines to jive’s cocky, swinging swagger before detonating into breakbeat’s guerrilla warfare. The rhythm section operates like a possessed clockwork – all precision and wild abandon – while synth stabs and vocal chops spiral like a Masquerade dancer mid-possession. It’s the album’s sly, shapeshifting heart: proof that BOM’s magic lies in turning chaos into ceremony, and ceremony into a command to move.

You can find (and buy) this and other music pearls on the Bandcamp page of the label: https://paperecordings.bandcamp.com/

Follow @paperecordings, peeps!

PREMIERE770 // BOM - Funk, Jive And Break

Teal - Original Watercolour  LP (Forthcoming May 2, 2025)
Pre-Order on Bandcamp (Vinyl/Digital): https://tinyurl.com/365kctfw
Label: Spiritual World [SW 010]

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SSServices: http://www.soundstationstrategy.com
Follow us on YouTube: https://www.youtube.com/c/soundstationstrategy
Follow us on Facebook:  https://www.facebook.com/soundstationstrategy 
Follow us on Instagram: https://www.instagram.com/soundstationstrategy

Pre-Order

Teal - Can't Shake The Feeling

Groovy, dubby hip-hop. High energy horn sections. Lively messages worth listening to. Degs: ‘Colour souls, colour hearts, colour everything, colour all the shades of gray people have tried burying, celebrate our differences, don't separate on melanin. Try breathing life into your skeleton!’ It’s okay to have regrets. Love one another like sisters and brothers and ‘just put that pedal to the metal and celebrate life’.

BUY on BANDCAMP

PREMIERE : Myriad. - Have No Regrets

Man Bro brings together two familiar Rotterdam voices: Charlton Ravenberg and Khalil Ryahi. What began as a run of late night hardware jams in a shared lockdown studio eventually shaped All Time High, an eight track album that drifts between coordinated chaos and stripped down rhythm. Techno, electro, acid and skeletal 808 drum patterns surface and fade, driven by hands on experimentation and intuition. Everything was built on analog machines and developed over the past few years.

Charlton’s background in rugged, left-of-centre techno shapes the heavier edge but also brings in the off-kilter chords and warped melodies that run through the record. Khalil, drawing on his Triphouse roots and years of steering the sound of Infinite Pleasure, handles much of the drum programming and detailed editing, giving the tracks their swing, structure and forward pull. Together they form a language that feels natural and direct, two working methods meeting in the middle.

All Time High arrives on December 19th as a super limited double LP edition of 25 copies, each featuring custom artwork by Steef Offerhaus, making every record its own piece. The release captures the pace of their city, years of friendship, and the unpolished energy of the sessions that shaped it documenting a project built on trust, improvisation, and the feel of machines in motion.

Man Bro (@charlton-ravenberg & @khalilryahi) - All Time High (INPL010)
A1 Man Bro - Psychedelic Forest Of Light
A2 Man Bro - KK Virus
B1 Man Bro - Sanikry
B2 Man Bro - Luister Man Bro
C1 Man Bro - Manbient
C2 Man Bro - Genesis
D1 Man Bro - Zuig
D2 Man Bro - Vieze Slow Jam

A1 - Man Bro - Psychedelic Forest of Light

quiet high

Sinchi Collective is a multifaceted music platform. Including a label, event promoter, mix/edit series and blog (which showcases our favourite soon to be released music). 

The label launched in January 2019 and has featured a combination of singles and compilation releases with artists such as Sascha Funke, Curses, TAPAN, Damon Jee, Biesmans, Khidja, Italo Brutalo, Shubostar, Anatolian Weapons, and Tolouse Low Trax, to name a few and its objective is to promote positive social change and raise funds for our Sinchi Foundation, which supports Indigenous forest guardians in the Brazilian Amazon. You can read about our foundation here: https://sinchi-foundation.com/
 
Stichting Sinchi is a non-profit organization (ANBI Status and CBF accredited) . In 2023, we also launched Treesistance to showcase the impact of our work in the Amazon. You can read more about all our activities at www.treesistance.com

To submit a promo for premiere, demo to the label or our edit series and enquire about events, bookings
contact: hary@sinchi-collective.com

***We do not accept mix submissions and do not reply to any messages on Soundcloud***