Solis is a Musician From San Francisco CA.. Bands: PoorboyRichkid and Jonah Sun

A Healthy Future On Earth out now on Kitty Records and Flesh & Bone Records (US)

Records and cassettes available:
https://minersau.bandcamp.com/album/a-healthy-future-on-earth

Miners are:
Blake (guitar/vocals)
Nicholas (bass)
Wilson (drums)

Singing For Humans are a band brought together by a love of Back to the Future, Grunge, Anxiety, Air Jordans and China cymbals. Their songs are conceived on a couch in a flat in West Footscray, with nothing more than an acoustic guitar, some words scrawled on a notepad and a mind full of childhood memories of watching ABC’s ‘Recovery’.

The result is diverse yet cohesive; hook laden honesty in the form of 3 and a half minute songs that they describe as Sonic-Pop.

After a short series of recordings at Hothouse Studios with Craig Harnath, the band sent the resulting works to Jonathan Burnside (Melvins, Faith No More, The Sleepy Jackson) for mixing and additional production. These recordings were released as a 4 track self titled debut EP on 10'' vinyl. 

In the past 12 months the band has had the pleasure of sharing stages with friends including Them Swoops, Baptism Of Uzi, All The Colours, Dancing Heals and The Exploders.


Contact to license music:
bstruif@gmail.com
BMI Artist

Glass Animals are a Grammy and BRIT-nominated British band whose genre-blending sound and cult-like fandom have made them one of the most exciting acts in global pop. Their third album Dreamland became a cultural multi-platinum selling phenomenon and spawned Heat Waves, the record-breaking single that topped charts worldwide and made history as the first UK band to reach #1 on the Billboard Hot 100 in nearly 30 years. Last year, the band released their fourth critically acclaimed album I Love You So F**ing Much, a sci-fi-infused odyssey about love, connection, and what it means to feel real in a surreal world. It arrived alongside a 44-date world tour that included headlining The O2 Arena in London and Madison Square Gardens in New York. Frontman Dave Bayley — also one of pop’s most in-demand producers — writes and produces every song, often with an experimental DIY edge that blurs the lines between music, tech and visual art. This experimental production is particularly evident in the band’s Fresh Fruit series. Bayley uses these standalone singles to bring in guests and collaborators, giving himself space to play with new sounds. Their live shows are euphoric and surreal, driven by a deep connection with fans built through open-source creativity and unexpected digital drops.

'Saskia has a bit of a rebellious streak and her songs are reminiscent of Nick Cave but perhaps the best comparison is Bonnie Prince Billy in his I See A Darkness Mode' CMJ radio New York Spotlight Artist Of The Month 

"Saskias music shines in her simple way of composing and singing, now and then remembering the dream pop of immersive Hope Sandoval and her newly risen from the ashes Mazzy Star, or The sadness of lo-fi Cat Power"

"Elegance is a rare quality in a time of such immediacy, elegance in rock and roll even more so. But one listen to her music and one swift and wide eyed glimpse at Saskia on stage, and it's hard to ignore the fact that elegance has as much relevance in this Modern Age, as it ever has in times past. Ethereal, powerful, intimate yet lonely, her music punches and kisses, breaks up and makes up, turns heads and o worldpens hearts. It's infused with a pa  ssion that drives, never burns, and a breathy sadness which has the power to bring tears of joy. Having recently finished recording her debut LP with legendary drummer Jim White (Dirty Three, Smog, etc…), Kay draws comparisons to Catpower, Mazzy Star and PJ Harvey, yet her haunted and fragile delivery is a sound all her own" Inpress 

"It's hard to imagine anything more sparse or more romantic" Band Camp

"With it’s alternately delicate and thunderous soundscape of percussion by Jim White, The Silver Ship is the glorious centrepiece of the EP that shares it’s title, a collection of songs of eerie beauty (the moody Rosemary is a particularly captivating dirge.) I recall crossing paths with Saskia back in the good old bad old days of Melbourne’s rock evolution, and thinking she could mop the floor with most of those pretenders. That it took five years or so from then for The Silver Ship to materialize is a testament to her dedication to her work, and her work – these intelligent, romantic sketches, propelled by her womanly voice – was well worth the wait" Single Of The Week, Inpress 

"Perhaps the best comparison might be to Bonnie Prince Billy in his I See A Darkness Mode" CMJ NEW YORK Spotlight Artist Of The Monthly 

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