Telling tales through the cosmic soundwaves

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bookings/contact: hannahfoni@gmail.com

Bookings: andre@earth-agency.com 
Management: niko@starling.works

Despite his frosty surname, Wayne Snow encapsulates the word “warmth” in every dimension of his being, both personally and creatively. Taking early inspiration from legends such as Fela Kuti and King Sunny Ade, he has united a global audience from his new home in Berlin, developing a contemporary take on the sun kissed, soulful vibes of his homeland Nigeria. You can feel this warmth blooming in abundance through every song and performance.

Wayne began to experiment with instruments at a very young age after being given a synthesiser by his mother. His first musical breakthrough came in the form of the "Red Runner" EP, released on Tartelet Records in 2014. Working with the widely praised producer Max Graef, the pair wrote both “Under the Moon” and “Red Runner”, which put him firmly on the map of the emerging future soul / jazz scene at the time. Shortly after they dropped the stunning “Rosie” EP as well as the highlight of Max’s album “Running”. These influential first productions led up to the release of his his debut LP “Freedom TV" which was loudly applauded by the music press with glowing reviews from Clash, Mojo, The Fader, VICE,  Boiler Room, Vinyl Factory and championed heavily by influential tastemakers like Gilles Peterson.  

Wayne is also responsible for the “Nightbirds” project which he joined together with globetrotting superstar FKJ and regular collaborator Darius (with whom he wrote the stunning “Helios” and “Lost In A Moment” for France’s Roche Musique). You can find his sublime vocal performances on productions with artists like Folamour, Neue Graffik, Noah Slee and the Circle Of Live collective, or via imprints like Brownswood, Dekmantel, Rhythm Section. He was recently shortlisted by both Crack and Clash magazines as the next artist to breakthrough, something soon to be validated by a stellar, new album in the pipeline.

One person, one interview, one story. Join us as we explore the impact of AI on our world, one amazing person at a time -- from the wildlife biologist tracking endangered rhinos across the savannah here on Earth to astrophysicists analyzing 10 billion-year-old starlight in distant galaxies to the Walmart data scientist grappling with the hundreds of millions of parameters lurking in the retailer’s supply chain. Every two weeks, we’ll bring you another tale, another 25-minute interview, as we build a real-time oral history of AI that’s already garnered nearly 3.4 million listens and been acclaimed as one of the best AI and machine learning podcasts. Listen in and get inspired.

https://blogs.nvidia.com/ai-podcast/

BOOKINGS/INFORMATION: Claudia@brainsurgeryhq.com

I DON'T REMEMBER

nuisance.

booking/inquiry: nusncebeats@gmail.com

IG for more content: @nusnce

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends. 



@eltrainmusic
Monthly show on Soho Radio.
Bi-Monthly on Source Radio.
Host of the 'A Slice of Sound' Podast.
Head Honco @ShimmyRecordsUK

Send Music to: eltrainradio@gmail.com

Previous Guests
Suff Daddy - https://soundcloud.com/SUFF-DADDY
Complexion - https://soundcloud.com/complexion
Moods - https://soundcloud.com/moodsprod
Zilo - https://soundcloud.com/youngzilo
KALLITECHNIS - https://soundcloud.com/kallitechnis
Miki Rose - https://soundcloud.com/mikirosemusic
Chloe Martini - https://soundcloud.com/chloexmartini

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