If you like it, thanks to support my music at www.lhbsounds.bandcamp.com

LHB began music in the late 2000s by trying to turntablism for some years. 
His musical tastes of the time limited to U.S. and French rap years 1980-1990, evolved into electronics in the early 2000s largely due to renowned labels such as ninja tune, warp, mo'wax. Drum'n'bass also attracted his attention during those years. 
In 2008, LHB began producing a few pieces but not satisfied, he waited several years before producing seriously and creates his first album "late heavy bombardment" self-production in early July 2014. 
Then follows a collaboration with Roots-Stop (netlabel) for an EP "Legend". 
Today, a project is underway with fake plastic heads.
My website www.lhbsounds.com

For album downloads visit:

http://mariogroennert.bandcamp.com/

Albumreviews:

on textura:
http://www.textura.org/reviews/gronnert_mondfish.htm

on DeepGround:
http://www.deepground.de/music-review/mario-groennert-mondfish-in-two-seas-split/

on Heathen Harvest:
http://heathenharvest.org/2015/09/12/mario-gronnert-mondfish-in-two-seas/

on SIDE-LINE Music Magazine:
http://www.side-line.com/mario-gronnert-mondfish-in-two-seas-digital-album-mario-gronnert-mondfish/

on DARKLIFE:
http://www.darksite.ch/darklife/onlinemagazine/journal/reviews/Entries/2014/3/9_Mario_Gronnert_-_Waters_Drown_in_Stone.html

on empulsiv-webzine: http://www.empulsiv.de/cdreviews/339-mario-groennert-waters-drown-in-stone

on Hypnos Webzine: http://hypnoswebzine.altervista.org/mario-gronnert-waters-drown-in-stone/

on alien-e-zine:
http://www.aliens.sk/showfulldoc.php?category=Reviews&id=306103036884&lang=EN

on LesAutresMondes: http://www.lesautresmondes.info/chronique/article/767

on Hypnagogue: http://hypnagogue.net/2012/12/03/mario-gronnert-from-land-to-light/

on TransparentVelvet:
http://www.youtube.com/watch?v=jqnxXkQiFfU

Label: 

Audiokult
http://www.audiokult.at/

CongaRecords
http://congarecords.wix.com/electronicmusic

Genre: Ambient

Influences: Brian Eno, Michael Stearns, Akira Yamaoka, Clint Mansell, Ólafur Arnalds, Carter Burwell, Aphex Twin, Vangelis, Caroline K, Rhys Chatham, John Cage, Eduard Artemjew, Gustavo Santaolalla, Popol Vuh, Tangerine Dream

Bio: I am a musician focussing on the genres ambient and drone by combining various keyboard- piano- and synthesizersounds with fieldrecordings. I´m located in Quedlinburg, a small town pretty much in the center of Germany where I began to exercise and create music about eight years ago in an experimental/ progressive rock project namend AERA. This is why I started by playing guitar initially and later I took on the bass. After some years with AERA I slightly started to develop ambitions for an “one man” music project and after a longer time of experimenting with different genres and genremixtures I found my new home in ambient music in late 2010. Around that time I started the writing process of my first album “From Land To Light” which was released in September 2012 by the aspiring Italian label CongaRecords based in Bologna. In early 2013 I finished the production of my second album named “Waters Drown In Stone” also released by CongaRecords in May 2013. A split album with Japanese ambient/ drone band Mondfish named "In two seas" was self-released in May 2015.

#TEAMdopeAF
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My name is Adrian Channels, 19 years old, 
I've been djing and producing since 2017 and got into music since I was 6 years old by getting a piano keyboard.
I started producing some EDM tracks, and few Deep DOPE, then I kept experimenting different genres like , Electro House, and few more.
Now my music is based in genres like Bounce/Big Room/Jungle Terror with an unique and energetic style.

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►Labels:
-MOON Records (MX)
-Complex Drop Records (Latin America)

►Contact/Requests/Demos:
Adrian.Ferreck1995@Gmail.com

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Boards of Canada is a Scottish electronic music duo comprised of brothers Mike Sandison (b. 1 June 1970) and Marcus Eoin (b. 21 July 1971). 

They have released a number of works, most notably Music Has the Right to Children and Geogaddi, with little advertising and few interviews. Their sound has frequently made reference to sounds of the 1970s and the 1980s. It recalls, amongst other things, the warm, scratchy, artificial sounds of 1970s television, and indeed, band members Michael and Marcus admit to being inspired by the documentary films of the National Film Board of Canada, from which the group's name comes.

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