Launched in 2003, Ben Watt's Buzzin' Fly Records is an electronic music label. Sister imprint, Strange Feeling specialising in alt-indie was launched in 2006.

Mgmt & Inquiries: management@djshadow.com

Around the time the 1990’s seminal Ibiza documentary, A Short Film About Chilling was first being broadcast, a 13 year old Clara Da Costa was vowing to herself that one day she too would DJ on the island she’d been visiting since she was 11. Two years later, the girl who was to become what was possibly Ibiza’s most precocious ever DJ talent had run away from home and secured herself a gig in Es Paradis. 

Miss Bisto, as she was then known, soon earned the respect of Ibiza’s movers and shakers as she was entrusted with the residency (Ibiza´s first female DJ) of the Ibiza superclub. By the age of 17 she was Es Paradis’s Creative Director. This was no token or gimmicky appointment: Clara was the principle catalyst in encouraging promoters  These pioneers were responsible for kicking off the British promoters’ invasion upon which Ibiza clubs now depend - the young Clara’s drive and creativity had far more influence than even she could have imagined at the time. The slight confusion and mild amusement some experienced when they first realised such a young girl held such an influential position soon changed when they met her and witnessed her professionalism. More importantly though, it changed when they heard and saw her behind the decks.

In her decade at the club she played with many of the world’s leading DJs, gaining their respect and friendship. This was her springboard to playing all of Ibiza’s clubs and saw her DJing around the world for a number of years. Quite simply, few DJs can boast the Ibiza pedigree of Clara Da Costa... As the new millennium arrived, Clara had her own respected labels, Green Turtle and Dopamine and was producing more and more of her own tracks, which were being championed by the likes of Pete Tong and a host of other DJs, many of whom were grateful for Clara’s help with their own early careers.


2010 saw Clara Da Costa taking up a new residency with the award winning Ibiza Sonica Radio  (best international radio station) where she did over 650 radio shows over 8 years. 
2018 
Her Jack's House imprint has gone from strength to strength with each vinyl release hitting the top 5 best sellers on Juno releasing artists such as Two Diggers, Alex Arnout, 2VILAS, James Dexter, Terry Francis and more. Plus the label showcases at The Zoo Project in Ibiza have proved to be a huge success with more programmed for 2018. The brand can now boast, a radio show, record label, events and publishing plus a new weekly residency with Pure Ibiza Radio on Fridays prime time from 9 till 10pm CET 8 till 9pm GMT 
www.soundcloud.com/claradacosta
www.mixcloud.com/tag/clara-da-costa
www.facebook.com/groups/jackshouse 
www.facebook.com/clara.dacosta1 
www.twitter.com/claradacosta
www.pureibizaradio.com

NEW ALBUM "UP IN THE AIR", OUT NOVEMBER 2020! 
UK electronica duo Bent (AKA Simon Mills and Neil Tolliday) rose to prominence with their critically acclaimed album Programmed to Love in 2000, and since then, they've been name dropped by the likes of Sir Michael Caine, Nicole Kidman and Gerard Butler.

Hailing from Nottingham, the duo were initially noted for their ability to create their own picturesque and mischievous style of recordings by sampling their private record collections (which they have themselves referred to as "dodgy").

For each of their releases, they’ve tried something slightly different, and their diversity was celebrated in 2009 with the release of their Best of Bent compilation, to mark their tenth anniversary.

Management - nickhanson@mac.com

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

🎧 A curated archive of music, DJ mixes, rare bootlegs, revamps & remixes spanning decades. 

For new music and current projects, head to my website, Instagram, Spotify, YouTube or Bandcamp (links below) for more information.

BOOKINGS: tim@onitbookings.com
https://onitbookings.com/


For over two decades, Sophie Lloyd has earned her stripes on the global dance music scene by producing tracks and performing DJ sets that appeal to both music industry tastemakers and dance music fans alike.

A proud member of the Defected family, Sophie has graced stages at their renowned festivals in Ibiza, Croatia, Malta, and London, and as a Glitterbox resident, Sophie has become synonymous with the glamorous and hedonistic spirit of the iconic brand.

In 2018, she signed to Classic Music Company, a standout moment came with the release of "Calling Out," a collaboration with Detroit trio Dames Brown. The single, with its soulful gospel groove, garnered over 10 million streams on Spotify, solidifying Sophie's status as a force to be reckoned with. Notably, she has claimed two Tracksource No.1 spots. Remixes by the likes of Floorplan, Danny Krivit, Luke Solomon, Riva Starr, and David Penn have further elevated her standing in the music world. Legends in the industry, including Carl Craig, Laurent Garnier, and Louie Vega have regularly chosen Sophie's tracks as closing anthems in their sets.

Continuing her journey, Sophie has collaborated with renowned vocalists such as Faithless’ Pauline Taylor on Angels By My Side,  Amy Douglas with Sweet Love and latest release with Fi McClusky. Her discography includes remixes for artists ranging from Shapeshifters to Donna Allen to Midnight Magic, showcasing her versatility and creative depth. A forthcoming collaboration with Phenomenal Handclap Band from NYC is sure to add new dimensions to her already illustrious career.

In the realm of radio, Sophie is a commanding presence with shows on Defected Broadcasting House and 1BTN, proving herself as a discerning selector with an ear for the finest tunes. From closing Glastonbury's Greenpeace stage, playing Tomorrowland, Hii Ibiza, Snowbombing, and the Brixton Disco Festival, Sophie has left an indelible mark on stages across the UK and Europe.

As she looks to the future, Sophie remains at the forefront of the music scene, with upcoming shows across Europe this summer and forthcoming releases this Spring on Glitterbox, Love Attack, Partyfine and Revival Records.

BREAKING BEATS SINCE 1988. I refuse to compromise or follow trends when it comes to my sound. My music is purely for entertainment.
Booking: booking@allisrhythm.com 
http://www.guycalledgerald.com

In nine albums and over fifty releases that span a 30-year career, A Guy Called Gerald has built a genre busting body of work that stands out for consistent innovation, excellence and refusal to compromise.

Simon Kettle is following