PLEASE DO NOT SEND DEMOS HERE. EMAIL STREAMING LINKS ONLY TO demos@huddtraxx.com thanks

House Music Record Label launched by Slum Science (Eddie Leader, Danny White & Rucky) in 2005. Now run by Eddie Leader.

The label has received worldwide support from DJ's like Luciano, Loco Dice, Derrick Carter, Mark Farina, Josh Wink & more. Hudd Traxx music has been licensed to various compilations including Ministry Of Sound, Fabric & OM.

Hudd Traxx Artists Roster:

Slum Science
Non Believers
Eddie Leader
Agnes
Moodymanc
Sascha Dive
Matthew Herbert
Rolando
Iron Curtis
Rick Wade
Chris Carrier
Mr G
Luna City Express
DJ Sneak
Hector Moralez
JT Donaldson
Iz & Diz
Tomson & Benedict
Sek
Andrade
Javi Bora & Le Vinyl
Phil Weeks
Mike Steele
Stacy Kidd
Mike Dixon
Rhythm Plate
Astral T
Mihai Popoviciu, Jay Bliss & ToyGUN
The Underground Culture Tourist
No Assembly Firm (Justin Long & Dan X)
Jason Hodges
Miles Maeda
Lil' Mark
Poussez
Karl Almaria
Scott Pace
Brett Johnson
Kelvin K
Alexander East 
Dario LC

Steve Bird AKA Mr Bird is a musician, producer & DJ, based in Lisbon, Portugal, for 15 years now. Mr Bird has released 4 albums and many other digital releases, including the album 'Low-Fi Classics' which was released by BBE Music in July 2014. A collaboration with singer Greg Blackman, it received strong support from radio and DJs worldwide, including Craig Charles on his Funk and Soul Show, and tracks from the album have recently been remixed by Tom Moulton and Ashley Beedle and released on vinyl with the Ramrock Blue label.


In 2013, he released the 3rd Mr Bird LP, imaginatively titled "Bird Bird Bird" on the Vital Force label. He also released two 7" singles on Resense Records and Lisboa Records with Portuguese producer Dedy Dread, as well as 5 vinyl releases on the Heavy Duty Booty label and several digital releases on his own 'Fat Bird Sounds' label.


in 2001 & 2007 Mr Bird released 2 instrumental hip-hop albums on the Brighton based labels 'Hertz Recordings' and 'Frequent Soundz.'

Back in 2001 he was invited to record a session for DJ John Peel at the BBC Maida Vale Studios, which was broadcast twice in 2002.
Mr Bird is currently in demand as a re-mixer, having remixed over 100 artists & bands including Daytoner, Karthala 72, Lee Fields, Dalindeo, Renegades of Jazz, Captain Planet, Savages, Odyssey and many more. He is currently working on several new musical projects, singers & collaborators world-wide. 

For more info, DJ Bookings, licensing or Remixes please contact: 

mrbirdproductions@hotmail.com 

What the press have said about Mr Bird: 

"inescapably funky, this comes highly recommended." 5/5 (dmcworld.net)

"Modern breakbeat Soul" 
(Monkeyboxing.com)

"Essential eclecticism" 
(Knowledge Magazine) 

"Warm Jazz riffs and funky sensations" 
(Qool DJ Marv)

"Super-fly funky breakbeat instrumental, with growling P-funk bass mantled by hazy, hypnotic samplescapes" 
(DJ Mag)

"Blends live drums with squelchy bass and supplies ‘nuff jazz attitude in the process."
(The Crack Magazine)

"Well crafted mix of eclectic hip-hop jazziness" 
(Wax Magazine)

Widely considered to be one of the chief innovators in the genre of electronic dance music known as deep house, Kerri Chandler has carved out a unique musical vision brought to life in marathon sets known to go on for 6 hours or more, he infuses elements of soul, jazz, funk, and practically any other dance rhythms to create the vivid sound tapestry unique to him. That has earned this world-class DJ, producer the affectionate nickname the Stevie Wonder of House music.

As a skilled multi-instrumentalist and Dolby Atmos certified recording engineer with a propensity for tinkering under the hood, Chandler strives to understand every aspect of sound recording and amplification. Kerri is constantly pushing the boundaries of recording technology and live-performance sound systems. When this talented DJ, and producer is behind the decks at notable venues as diverse as Printworks in London and Sub Club in Glasgow, you are guaranteed to be awash in quality music that reflects his experience as a global performer. You can never anticipate what you’re going to experience. Seamlessly transitioning from live DJing to live jam session complete with keyboards, live vocals, and loops or perhaps merging mid- 20th century studio grade reel to reels as a mixing source combined with state-of-the-art custom projection mapping design, newly developed by Panasonic to create immersive 3D environments, complete with tracks Chandler blends together while simultaneously interacting with holograms of legendary vocalists that Kerri has collaborated with though out his career.

With a discography spanning three decades, Kerri's first release Super Lover/ Get It Off on Atlantic Records in 1991 set the stage for what was to become a signature sound. His creations launched a wave of admirers and imitators of his deep lush chords and soulful grooves that stir emotions and movement. In his continuous search to inspire and nurture new talent, he forged MadTech Records and the eclectic Kaoz Theory imprints soon followed becoming the flashpoint for such artists as the Martinez Brothers, Seth Troxler, and Tony Lionni.

Kerri having just released his latest album the 24-track homage to international nightlife “Spaces and Places”, jumps headlong into the world of spatial audio with Dolby Atmos This new immersive sound format allows sounds to travel through a space not merely backward and forwards but circles in all directions. With the international support of club owners and engineers, a total of 24 iconic night spots were transformed into recording studios infusing each track with the full sound characteristics of the rooms they were recorded in. Spaces diverse as London's Ministry of Sound, Paris Rex, Berlin’s Watergate, Barcelona’s Razzmatazz, or New York's Knockdown Center creating a whole new layer of complexity and accuracy. “If I wasn’t working doing the stuff I love doing, I’d probably work at Dolby,” Chandler says. “My job became my hobby, and my hobby became my job.”

Kerri's latest series of dates brings all of this time and attention full circle combining the meticulous attention to sound, atmosphere, and craft that ensures that you will be taken on a musical adventure second to none.

Management - Donal@purplewall.com 

Bookings Worldwide (excluding territories listed below): 
dave@arcade-talent.com

Italy / Portugal / Spain: 
maurizioclemente@mac.com

Press: info@streetmeatrecords.com
Booking: booking@streetmeatrecords.com

The Classic Music Company by Luke Solomon & Derrick Carter continues to play the game under their own conditions. As a label it never died it just retreated for a while in order to come back stronger. All hail the king because the king is back. Long live Classic!

Since their first big break in 2012 the Adana Twins have established a sterling reputation, refining their sound constantly, pushing the boundaries of their musical ambition and evolving organically with the passage of time. Driven by a deep-seated desire to transmit emotion through electronic music, the German duo have been working together since long, merging Benjamin's love of hip-hop and Friso's passion for club music to produce a series of highly-regarded releases that form the foundation of their global success. Their early triumphs led to bookings all over the world, delivering their unique musical vision to dance floors on every continent, with support from a wide range of dance music luminaries including Radio 1 legend Pete Tong, Solomun, Dixon, Tale Of Us and many more. Now firmly established within the underground electronic music scene, the Adana Twins are universally respected as label owners, A&Rs, producers, and inspiring DJs who love to play long marathon-sets.

Pampa Records is a independent record label dedicated to releasing music that's seriously danceable without recourse to the tried and tested ingredients. A home for tunes that will conquer hearts and take root there forever, music that's brave and not afraid to break with convention. The record label is owned by DJ Koze.

Pampa is happy to receive demos at demo(at)pamparecords.com. If we like your music we'll be in touch. But if you don’t hear from us, it doesn't mean that the music isn't good, it just means that it doesn't suit to us and our plans. Thanks for sharing!

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