Since 2007, Berlin native Mike Dehnert has run raw Techno label Fachwerk Records, MD2 and a more house oriented subdivision calling Colomabge. The imprints' mission is simple: to release their own take on raw, floor techno. And so they have done, on 37 different occasions, earning both the label and the artists behind it the respect of in-the-know, serious techno fans the world over. Dehnert’s own productions (often informed by his grubby, dub infused and textured live techno sets at institutions like Berghain and Tresor) have also been unleashed on the world via other respected imprints including Clone Records, Echochord Colour, Deeply Rooted House and Delsin.

https://www.residentadvisor.net/dj/mikedehnert
https://soundcloud.com/mike-dehnert
https://www.discogs.com/artist/827608-Mike-Dehnert
https://www.facebook.com/MIKE-DEHNERT-234385576606590/

twitter.com/slamdjs
facebook.com/Slam.soma

Slam Radio Playlist on Spotify: bit.ly/SlamRadioSpotify 
slam-djs.com 
iTunes: itunes.apple.com/gb/podcast/slam-radio/id584845850

Slam Radio is produced at glowcast.co.uk 
For syndication or radio queries, email conor@somarecords.com and contact@syndicast.co.uk

Mike Dehnert

#SlamRadio - 256 - Mike Dehnert

Wie Kurzinfo??? 

Hier is ma gar nichts Kurz!!!

LEBE WAS DU BIST

UND LEBE WAS DU LIEBST

TECHNO IHR FOTZEN


/DRIVING/\TECHNO\

/130/BPM\165\



Musik: 

KunstTöneInBestimmter
Geschichtlich
BedingterGesetzmäßigkeit
HinsichtlichRhythmus
Melodie
HarmonieZuEiner
GruppeVonKlängenUndZuEiner
StilistischEigenständigenKomposition
ZuOrdnen:Tonkunst:


Kind der alten Schule in jeglicher 
Hinsicht an Werte die heutzutage
nur noch ganz selten und sehr rar zu finden sind und oft nicht geschätzt werden...langer Rede kurzer Sinn Kind der alten Schule sagt eigentlich alles zwar nicht zu 100% aber ich kann zum Glück sagen und mit stolzer Brust  mich nach vorne beugen das mit zarten 13 Anfang 14 sprich 1998 der sogenannte KleinerBlauerSPATZGezwischertHat und mir den Weg zur Pforte zum TECHNO gezeigt und geöffnet hat und seitdem mich fest bis heute und bis die Lichter irgendwann nicht an gehen sondern an meines Lebens Ende aus gehen mit Liebe und die einzige Liebe die mir bis heute immer und ewig Treu bleiben wird...Amen...

BPM im EinKlang 
mit mir
aber (bitte) immer im Takt...

😍❤️♥️😎♥️❤️😍

KindDerDDR
KindDesOsten
UndMegaStolz
DraufNichtUm
SonstGehtDie
SonneImOstenAuf

PS UND EIN FETTES MEGA HATE AN DIE GANZE EDM HARDCORE DRECKS GOA TRANCE KIRMES VEREINSSOUND
Lächerlich lässt grüßen mehr fällt mir zu euren Kirmes nicht ein lasst es doch einfach sein gerade dieses ätzende EDM ist in den letzten 10 Jahren verantwortlich das der TECHNO mit EDM auf einer Stufe gestellt wird und dadurch immer mehr auf Dauer kaputt gemacht wird und das FUCKT einen waren Freund der was von BPM versteht ends ab

BOOKINGS DJ & Live sets: chris@elitemm.co.uk
Slam (aka Stuart McMillan and Orde Meikle) are a tour de force on the global techno circuit. Their unique, six deck, back-to-back DJ performances have seen the duo play leading clubs and festivals across the world. They are renowned for both their experience and their powerful, contemporary sound. 

They are co-owners of Glasgow's Riverside Festival, and also host the legendary Maximum Pressure warehouse parties, which showcase the best emerging local talent alongside some of the most established names in international techno.

Their iconic Soma Records label boasts in excess of 600 releases, hosting Mcmillan and Meikle's own productions and many of today's most cutting-edge techno artists.

The last few years have seen some of the duo's most prolific studio output as they continue to innovate and keep things moving forward, most recently with the release of their experimental full length record Athenæum 101. In addition, Slam have also remixed tracks from the likes of Planetary Assault Systems, Clouds, Dax J, Damon Wild, Richie Hawtin, and Truncate, to name just a few. 

Slam also host one of Techno's most respected weekly podcasts, Slam Radio, which has now surpassed over 400 episodes. The show allows the duo to demonstrate their conviction to creating and promoting music and vibes that provide an antidote to the mainstream by inviting fellow artists from the vibrant Techno scene, from obscure names to current trailblazers.

"Wie würden sie sich denn selbst beschreiben?"   "Am liebsten mit Worten ,ich habe aber auch einen Tanz vorbereitet ." 😃👽🐣

Narx (also known as Le'Strange, Rejected Orchestra, Oppenheimer & Nemesis and Smilez) is a multi-genre Music Producer from Pretoria, South Africa. Born Linda Nick Ndaba (1994-December-23), Le’Strange began his musical career an underground rapper and Hip-Hop producer. Shortly afterwards, he fell into DJying while gate crashing parties in High School and even earlier, listening to Soul Candi albums prior to the year 2010. 

Le’Strange only began producing in the year 2009 as a bedroom hobbyist before founding and becoming the head producer of The Rejected Orchestra music collective from Pretoria, South Africa, alongside his close friend and fellow rapper Asi-Muthal (Sifiso Moloi-Siga). The idea was modelled by the concept created by Damon Albarn’s Gorillaz.

Leaning towards the dance scene, Le’Strange DJs mainly a psuedo-minimalistic style of music which resonates unobstructed levels of groove, which is battered eclecticly with techno DNA in its sound.

His most preferred styles of production include Minimal, Deep-Techno, Deep- House, Hip—Hop, Trip-Hop and Downtempo. His influences are from various genre’s; producers, artists and labels such as I’M Kay, Claire (Kenway), Shcaa, Weston and Engine, Hydro (ZA), Luis Mora, Dr Dre, Mac Miller, L’Orange, Kognitif, Theivery Corporation, Ours Samplus, FreshWaterBeatz (Khalil Masia), Musik Kollectiv, Loob Label, Niukid, Krad Records, The Gorillaz.

Labels:
@LameInsults
@Noisy-Nose-Record
@Real-Rhythm
@CuxtaRecordsMX
@NadaEspacial