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My first attempt using a third CDJ to overlay speech from the ground shattering trilogy, "the Matrix". 

Take the red pill. See how deep the rabbit hole goes.

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An Ode to The Matrix

Caspar David Friedrich’s Wanderer above the Sea of Fog (c. 1818) remains one of the most recognized images of German Romanticism. The painting shows a lone figure standing on a rocky peak, his back to the viewer, overlooking a fog-shrouded mountain landscape. The scene does not illustrate a specific myth or narrative. Instead, it presents a silent moment of reflection, rich with symbolic and psychological meaning.

The central figure dressed in dark attire and holding a walking stick appears calm and composed, yet his placement at the edge of the precipice suggests both authority and uncertainty. With his face turned away, the figure does not guide the viewer but instead becomes a proxy, inviting us to share his perspective.

Friedrich’s technique emphasizes contrast. The rocks in the foreground are rendered with sharp clarity, anchoring the viewer’s gaze. Behind, the fog obscures the terrain, blurring forms and creating an undefined depth. This visual tension between precision and ambiguity gives the painting its enduring impact.

The Rückenfigur motif a figure viewed from behind was one of Friedrich’s key compositional tools. It opens a contemplative space, encouraging viewers to look outward and inward simultaneously. Rather than offer narrative content, the painting functions as a metaphor for introspection and the limits of perception.

Created during a period of significant philosophical and cultural change in Europe, the work reflects contemporary concerns about the individual’s relationship with nature, knowledge, and the unknown. Unlike traditional landscapes that framed nature as a backdrop, Friedrich presented it as sublime, overwhelming, and ultimately unknowable. The fog here is not just meteorological it stands for mystery and the vastness of what lies beyond human understanding.

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On this episode of MuséeCast, Loux delivers a refined and introspective set that explores rhythmic minimalism and tonal layering. Prioritizing space and subtle development, the mix draws from deep house, minimal, and experimental electronic music, offering a sustained and cohesive listening experience.

The set opens with sparse percussive patterns and gradually builds complexity without abrupt shifts. Each track is allowed to evolve naturally, contributing to a flow marked by restraint and clarity. Rather than relying on overt peaks, Loux structures the episode through gradual shifts in rhythm and texture.

Transitions are seamless yet unobtrusive. The sound palette remains consistent, emphasizing immersion over contrast. There is minimal use of vocals, which allows the rhythmic and tonal elements to remain in focus. The overall experience favors atmosphere and long-form listening over dramatic structure.

This episode aligns with Le Musée Podcast’s curatorial aim of exploring sound as an emotional and spatial medium. Loux offers a set that bridges contemplative soundscapes and club sensibility—quietly structured, thoughtfully paced, and open to interpretation.

Follow the artist:
SoundCloud: @l-o-u-x
Telegram: https://t.me/+4AMT_6cDn_E5ZTQ8

Tracklist:
1. Chiller - I'm Mady
2. Nåmi Nåmi (Trippin Jaguar Remix) – Antaares
3. Alma Perdida – Erhan Yilmaz
4. Gond Song – Mahumen
5. Aum – ₦ł₭Ʉ
6. Chameleon – Cereus
7. Something Ancient – gingembre
8. Napauken Feat. Fruiterama – Shkoon
9. Alfred's Light – Sangeet
10. Escape Into REM Sleep – Jonas Fasching
11. Asado Western – Geplantes Nichtstun & Fai Baba
12. Simple Tasks – gingembre
13. Spring and Neap – Nyvs
14. Gardens Of Wonders – Xande
15. Here is Fine (Gingembre & K.C.M. Remix) – Lou Ismaēl
16. White Smoke – apaj

MuséeCast 022 by Loux

Samstag Nachmittag auf dem Wierihorn Duss im Schuss. 

📸 danke Yves!

Aufnahme & mastering Soundtech

Duss_im_Schuss_05-07-2025

Over the course of life we polish the mask of a separate self, mistaking identity for essence. Yet beneath the illusion, somewhere deep inside we remember: we are here to serve the whole — through the lens of our uniqueness, never truly apart, never other but a single note in the great song of Being.


The Art Of Downtempo | 022 | Maya

In the heart of Neukölln, where concrete met cosmos and the city never truly slept, Johann Bello rose with the dawn—not because he had to, but because sound waited for him.

By day, he moved like a shadow through the world—quiet, observant, often barefoot in his studio, where dust from last night's forest rave still clung to his sleeves. By night, he became a cartographer of feeling, etching emotional maps into waveforms with tempo as slow as memory and melodies that whispered like leaves in twilight.

They called it Schneckno—a genre born half-jokingly at a lakeside jam, now adopted seriously by dancers who preferred to sway rather than stomp. Johann didn’t invent the word, but he gave it rhythm, pulse, and purpose. His sets weren’t just music—they were invitations to breathe slower, feel deeper, and return to the human pace.


Connect: https://soundcloud.com/johann_bello

Slomosensual 92 by Johann Bello

Release: 15/07.2025
Artist: @kapchiz

We continue to explore doentempo in its various manifestations. Today on dtb! is a mix by the label's founder and producer Kapchiz. Slow funk, slow disco, dub disco and hot edits with an immersion in different musical eras from  New Orlean jazz and the era of flower children to the cold romance of new wave and  dub edits fused into one hour-long story.

PS Marusya, my beloved daughter! Happy Birthday! You are beautiful and amazing! Love!

Kapchiz  /  downtempo, baby / # 75

In Buste ailé en profil (Sphinx), created around 1898, Odilon Redon presents one of his most enigmatic and lyrical visions: a winged female bust depicted in profile, her gaze turned inward, suspended in a softly diffused, otherworldly space. Executed in pastel, the medium Redon came to favor in his mature years, the work reflects a masterful control of color, texture, and emotional resonance. The female figure is at once ethereal and monumental, a serene presence embodying both human grace and mythological mystery. Her wings are rendered with delicate transparency, evoking angelic or dreamlike qualities rather than physical force. The background, a luminous blend of warm and cool tones, enhances the sense of timelessness and detachment from earthly concerns.

This sphinx-like figure continues Redon’s deep engagement with the Symbolist ethos, which prioritized the inner, spiritual reality over literal or narrative depiction. The work invites contemplation rather than explanation. Instead of portraying a literal mythological sphinx, Redon abstracts the motif into an allegorical presence. The being hovers between states of animal and human, seen and imagined, ancient and eternal. The use of profile suggests classical portraiture or funerary sculpture, yet the soft rendering dissolves these references into reverie.

Created at a pivotal moment in Redon’s career, when he had moved beyond his earlier charcoal drawings and lithographs into the luminous world of color, Buste ailé en profil reveals his mature Symbolist vision. It reflects not only a shift in medium but also a transformation in mood and subject matter. Color becomes a spiritual force, gently illuminating the figure without fully defining it, allowing ambiguity and emotion to dominate.

The subject also reflects Redon’s enduring interest in mythology, mysticism, and the subconscious. By removing narrative cues and placing the figure in an undefined space, he encourages the viewer to engage in a quiet, introspective dialogue. The sphinx, traditionally a bearer of riddles and secrets, is reimagined here as a symbol of inward vision and poetic mystery.

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In this exclusive set for MuséeCast, Enmaniguada crafts a deeply transportive auditory journey that blends ritual, memory, and layered rhythm. Rooted in the spiritual while embracing experimental electronic textures, the set unfolds like a ceremonial offering—meditative, physical, and fiercely alive.

Enmaniguada constructs a sound world that resists linear time. Pulses rise and fall like breath, inviting listeners into a trance-like space where ancestral knowledge collides with speculative futures. There is a tactile quality to her mixing: textures crackle and shimmer, low frequencies stir like distant thunder, and melodic fragments emerge like fading dreams before dissolving into silence.

Follow the artist:
@enmaniguada
www.instagram.com/enmaniguada/

MuséeCast 023 by Enmaniguada

this upload featured tracks from daniel hokum, zuma dionys, adeil airaki, kolomin, laurent flaoh, lomandeep and many more

make love not war
peace

#30 drøm

chameleon #79 by soy offers a set that moves between smooth, minimal textures and sharp, unexpected transitions. There’s a sense of clarity running through the mix; a kind of pureness that ties the pieces together, even as the mood shifts. A quiet exploration of contrast, where simplicity meets surprise.

find more @thisisoy

Artwork designed by Omar Tara

chameleon #79 - soy

I'm excited to share this with those who were present and for those who weren't i hope i distilled some of the experience. It was an honour to play this set on the wonderful Gardens stage at Boom festival.

With much love <3

Boom Festival - The Gardens - 2025

this upload featured tracks from tolga maktay, nada, raggi luminosi, niju and many more

make love not war
peace

#31 indica

Brooding. Bloodthirsty. Minimal. Techno.

I like thunderous basslines ⚡️
I like provocative vocals 🎙
I like off-beat glitches 💥
The music is where the beat isn’t🎼

Why do I sound different?
My training as a classical pianist and my love of heavy metal.

 My major influences have been Victor Ruiz, Biomass, Techgnosis Records, AfrikaBurn, The SPIRIT Train and The Space Cowboys. 

Sometimes I play electroswing.

Setup:
Ableton
Korg Prologue 
Korg Drumlogue
Boss-RC505

Labels:
@la-fruta-records
@techgnosis-records

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An Ode to The Matrix

SLEDGE