Name: Soyuz by Sleep Orchestra in Stuff I Like. End Of.
Duration: 5 min 32 s
Description: Soyuz is a Single, written in conjunction with new material written between March '14 & July '14 from Sleep Orchestra.

This is etherially beautiful.  Brilliant work.

Stuff I Like.  End Of.

Otto A Totland - Seveen

A Picture Of You

The almost title track from Gulp's debut album, 'Season Sun', released in the UK and Europe via Sonic Cathedral on July 14, 2014.

https://soundcloud.com/e-l-k-1 


Gulp 'Seasoned Sun'

BURNT OFFERING is out now! 

iTunes: geni.us/burntofferingitunes
Amazon: http://geni.us/3Nv6
Daptone Shop: bit.ly/1Bh8BSU
Spotify: spoti.fi/1t3UX1n

www.thebudos.com
#budosmayhem

The Budos Band - The Sticks

Ryan Lee West reinforces his unique style of minimal electronic arrangements with a new 6-track EP – 'Sonne' will be released on 12" Vinyl and Download via Erased Tapes on September 15th, 2014

ORDER 'Sonne' on 12"/DL: http://www.erasedtapes.com/store/index/ERATP059
ORDER 'Odyssey / Sonne' on CD: http://www.erasedtapes.com/store/index/ERATP069
ORDER via iTunes:
http://snip.ftpromo.net/sonne
GET TICKETS:
http://www.erasedtapes.com/artists/events/5/Rival+Consoles

Continuing on from his Odyssey EP released in 2013, Ryan Lee West aka Rival Consoles creates atmosphere and space whilst exploring waves of sound and rhythm, and the power of colour. With Sonne Ryan creates music to structure itself around a pulse, rather than the pulse being the defining point. 

The title track begins with “a very subtle set of melodies that repeat almost without confidence, and then gradually give way to a huge collage of colour and power”, as Ryan describes it. Not relying on a conventional beat, it’s a prime example of how an analogue synthesiser can create the power and momentum of a rhythm section. From the distorted waves in 3 Chords, growing and shrinking, to the rhythmic waves of constant speeding up and then slowing down in Recovery, it’s the Moog Voyager, Prophet and tape delay that make up the core sound of the EP. Whilst tracks like Helios, Haunt and Think Tank see West play live drums and acoustic guitar.

“I’m often looking at art in exhibitions and I always think to myself ‘why the hell don’t I have this much colour in my work?’ The answer in part I think is down to synthesis. It is very difficult to create colour without it sounding plastic. Colour in music is both the note combinations and the actual timbre of the sounds. There are lots of instances of very colourful ambient sounds, which I took great care to create for each song, using various methods – from passing analogue synths through chains of effects to chopping up random sequences of recordings and forming tiny collages." – Ryan Lee West 

ABOUT THE ARTWORK:  

Resembling the colour and vibrancy in his music, the cover art was created by South London artist Supermundane, who was also responsible for the artwork of the Odyssey EP.

TRACK LISTING:  	

A1. Sonne  A2. 3 Chords  A3. Helios  B1. Haunt  B2. Think Tank  B3. Recovery 

PRESS FOR ODYSSEY EP:

'Glorious...unabashedly epic...’ – Dummy
'Atmospheric synths swell victoriously' – XLR8R
‘Rival Consoles, is the likes of Nils Frahm and Olafur Arnalds' glitchy, electronic cousin’  8/10 – The 405


ABOUT THE ARTIST:

Some might be surprised that London based electronic producer Ryan Lee West, the man behind Rival Consoles, shares a home with contemporary classical composers such as Nils Frahm, Ólafur Arnalds and Peter Broderick. And yet they have a lot more in common than expected. Fascinated by sound from an early age, Ryan chose to dedicate his time to studying, experimenting with and producing sound graduating from De Montfort University in Leicester. One consistent element in his musical journey has been his desire to create a more organic, humanised sound. Ryan often drafts early ideas on piano, violin and guitar, although the end result is much more electronic-laden. As an accomplished sound designer he has repeatedly performed at the Tate, and recently created a bespoke audio-visual performance for Boiler Room at the V&A. Ryan is currently composing music for a soon to be announced BBC production.

LIVE:	
	
After supporting Luke Abbott on his recent UK tour and I Break Horses on their North American tour in spring, Ryan will debut his new live set with a special release show in London, followed by a string of West Coast U.S. dates culminating in Decibel Festival in late September – more details to be announced soon. 

OFFICIAL WEBSITES: www.facebook.com/rivalconsoles · www.erasedtapes.com

Sonne

3 Chords

Buy 12"/DL

Rival Consoles - 3 Chords

Zero 7 are back in action with a new 12" that delves deeper than the duo have ever been before. 

More exclusive music

Premiere: Zero 7 'Red, Blue And Green'

Soyuz is a Single, written in conjunction with new material written between March '14 & July '14 from Sleep Orchestra.

Soyuz

Test on resonances

Welcome to the 12th chapter of the Ambient Sessions presented by Deep Electronics. A short but intense Live Set created by Sleep Orchestra based upon his first ever live set he did for Sound of Static on the 8th of August 2015.

About Sleep Orchestra:

 "Sleep Orchestra, is the Experimental Dark Ambient Drone musical pseudonym for English born sound artist, Christopher Pegg. The music is inspired by his love of sci-fi and field recordings.

No Tracklist because everything is created live!

Links:

http://sleeporchestra.bandcamp.com

http://witheringtrees.bandcamp.com/album/dark-skies 

https://www.facebook.com/sleeporchestra?fref=ts

www.sleeporchestra.com 

https://soundcloud.com/sleep_orchestra/

Photography and Design: Jeroen Smulders

Circuit Jellyfish Design: NLz

Ambient Sessions # 12 - Sleep Orchestra

FIRST PHYSICAL EP release on Manyfeetunder/Concrete 

” X(i)NEON ” [MFU/EP 001] OUT January 27 

“Deconstruct: To discompose a structure in the elements that compose it, typically in order to reorganize it meets the new requirements” 

X(i)NEON: 
Francesco Galatro [Doublebass] 
Anacleto AV-K Vitolo [Live electronics / Laptop] 

www.manyfeetunder.eu
credits
releases January 27, 2016 

VIDEO TEASER by Kanaka Project: youtu.be/syFoXZC5BwY

X(i)neon -Album Teaser [MFU/EP 001]

from 'Landscapes of the Unfinished' [CD|LP|DIGITAL]
Denovali Records · den251
available on all formats at [http://denovali.com/pianointerrupted]

Recorded partly in Senegal with local musicians playing traditional instruments, "Landscapes Of The Unfinished" is Piano Interrupted's 3rd album for German experimental label Denovali.

This album sees pianist Tom Hodge and “electronician” Franz Kirmann explore a more introspective approach to their sound. The sonorities and recordings the pair brought back from West Africa are deconstructed, mangled and texturised, turned into a pointillist landscape until only a faint and distant souvenir remains.

These beds of pulsating soundscapes and earthy textures serve as base for Hodge’s delicate piano phrases and intricate compositions, interlaced with long-time collaborator Tim Fairhall's fluid double bass playing.

Harsher territories are also visited during the 9 tracks that compose the LP; fuzzy Senegalese radio voices and the distant memory of African percussion collide with distorted bass and buzzing drones or screaming textures battle with screeching double bass sounds and tortured piano strings.

The overall tone of the album reflects the duo’s desire to musically translate the experience of the Dakar trip (where Franz Kirmann grew up), but also to break away from the first two albums' intricate programming and editing and instead go towards a writing and recording experience directly inspired by their live experience. Hodge’s clarinet, an important facet of the Piano Interrupted live show, is captured on record for the first time. 

This surge towards documenting a moment, leaving a trace or examining something concrete is further reflected in the choice of titles (all named after the musicians who took part in the recordings) and also the design, which is for the first time a photograph. Taken by filmmaker Cath Elliott, who travelled with the pair to Dakar to document the process, the album artwork captures one of the numerous half-built structures, infinite and abandoned, surrounding the studio in the suburbs of Dakar, and provides both an unfinished urban landscape and yet when viewed as a single moment in time, one of many compellingly complete landscapes of the unfinished.

Landscapes of the Unfinished

Piano Interrupted - Vieux

Taken from my latest album Silent Path, released 22.1.2016 on Kunststoff recordings.

Spotify

Inner City Horizon

Trow EP out now. 
Get it here: http://carloscipa.occupanther.de

Trow

Buy via Bandcamp

Carlos Cipa & Occupanther - Trow

from 'Landscapes of the Unfinished' [CD|LP|DIGITAL]
Denovali Records · den251
available on all formats at [http://denovali.com/pianointerrupted]

Recorded partly in Senegal with local musicians playing traditional instruments, "Landscapes Of The Unfinished" is Piano Interrupted's 3rd album for German experimental label Denovali.

This album sees pianist Tom Hodge and “electronician” Franz Kirmann explore a more introspective approach to their sound. The sonorities and recordings the pair brought back from West Africa are deconstructed, mangled and texturised, turned into a pointillist landscape until only a faint and distant souvenir remains.

These beds of pulsating soundscapes and earthy textures serve as base for Hodge’s delicate piano phrases and intricate compositions, interlaced with long-time collaborator Tim Fairhall's fluid double bass playing.

Harsher territories are also visited during the 9 tracks that compose the LP; fuzzy Senegalese radio voices and the distant memory of African percussion collide with distorted bass and buzzing drones or screaming textures battle with screeching double bass sounds and tortured piano strings.

The overall tone of the album reflects the duo’s desire to musically translate the experience of the Dakar trip (where Franz Kirmann grew up), but also to break away from the first two albums' intricate programming and editing and instead go towards a writing and recording experience directly inspired by their live experience. Hodge’s clarinet, an important facet of the Piano Interrupted live show, is captured on record for the first time. 

This surge towards documenting a moment, leaving a trace or examining something concrete is further reflected in the choice of titles (all named after the musicians who took part in the recordings) and also the design, which is for the first time a photograph. Taken by filmmaker Cath Elliott, who travelled with the pair to Dakar to document the process, the album artwork captures one of the numerous half-built structures, infinite and abandoned, surrounding the studio in the suburbs of Dakar, and provides both an unfinished urban landscape and yet when viewed as a single moment in time, one of many compellingly complete landscapes of the unfinished.

Piano Interrupted - Abdou Kadre

Source material recorded at the EMP in Seattle using our mobile phones. We improvised for 10 minutes with these two really terrible digital keyboards and recorded everything using the phone's voice memo function. With a little bit of processing in the studio afterward, I constructed this piece, adding some field recordings I captured during the Substrata Festival field trip.

scanner\irisarri: emp

Minimalist, Experimental, Ambient, Drone, Neo-classical. UK. #DestinationZero.label/artist

Soyuz

Sleep Orchestra

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