Made an epic/cinematic/Netflix show type song today. This is probably the most developed of the Jamuary demos. It’s quite full and dramatic, one of those songs you expect to play during some triumphant beautiful scene with the sun setting over the ocean… Potential to be the closing track of an EP or album one day.(These are rough, unfinished, unpolished musical moments, some will eventually become full songs.) 🎧

#Jamuary2022

#Jamuary2022 Day 14

I'm a big fan of using Ableton's Echo device for reverb, modulation, slowly decaying delays, and just plain crushing things with distortion. This song showcases all of that.

At The End of The City and The Beginning of The Infinite

Chill vibes on… This jam was so refreshing to make. Gotta thank www.instagram.com/ryanoelifino for sending me this insane drum loop that fully inspired the idea. Catching a vibe is what takes the most effort for me, but once it’s on, I can just ride it for hours. And these drums allowed me to hop on and flow right away. Wish I’d done a bit more mixing but got so carried away composing and vibing...(These are rough, unfinished, unpolished musical moments, some will eventually become full songs.) 🎧

If you'd like to have a look at the Ableton Live project, it's posted on my instagram: http://bit.ly/OITUInsta

To stay updated on all upcoming releases, join me on my musical journey by connecting further on: 
Spotify: http://bit.ly/OITUspoty
Twitter: https://bit.ly/OITUtwitter

#Jamuary2022 Day 15

Jamuary is a challenge to make a new piece of music every day. 
I'll be using techniques from my 5-Minute Music Producer course to make songs each day.  

30 Minute Time Limit!

5-Minute Music Producer:  https://brianfunk.com/blog/5minute

Day 18

La mélodie dans l'espace yx

I wrote this song for the Kia creator contest using the Forest sound and Rush Bass. This song basically is about how polarized and volatile we are as a society through social media and political unrest etc etc. If we could just get back to simple nature and leave all that stuff behind who could we be?

Cicada

Song Week Of June 20 Final Ideas With Ref

Ghost of the Light

Here's a track made with my Telephone Voice Free Ableton Live Pack: https://brianfunk.com/blog/telephone-voice

They Will Never Know How You Feel

Nie złość się na darmo - spot radiowy
Pomysł i realizacja: Agata May (Agata Chęcińska) 
Współpraca: Remigiusz Zawadzki
Mix i mastering: Remigiusz Zawadzki
Lektor: Remigiusz Zawadzki 
Spot powstał na podstawie idei "Nie złość się na darmo" stworzonej i wypracowanej przez Tomka Jarosza, Jacka Pawlaka i Jane Stoykova. 
Wykorzystano i poddano modyfikacji fragmenty nagrań z następujących transmisji sejmowych:

23. posiedzenie Sejmu IX kadencji z dnia 15 XII 2020 r. http://www.sejm.gov.pl/sejm9.nsf/transmisja.xsp?documentId=C97773DCF9B2DA31C12585A6003658C1&symbol=STENOGRAM_TRANSMISJA
20. posiedzenie Sejmu IX kadencji z dnia 28 X 2020  r. http://www.sejm.gov.pl/sejm9.nsf/transmisja.xsp?documentId=1C959C5255790419C12585F9003E4B60&symbol=STENOGRAM_TRANSMISJA
 81. posiedzenie Sejmu VIII kadencji z 15 V 2019 r. https://www.sejm.gov.pl/sejm8.nsf/transmisja.xsp?documentId=321D3F98F8976E04C125834000366D7A&symbol=STENOGRAM_TRANSMISJA
71. posiedzenie Sejmu VIII kadencji z 8 XI 2018 r. https://www.sejm.gov.pl/sejm8.nsf/transmisja.xsp?documentId=A78A649400B8BE2BC125833D00611351&symbol=STENOGRAM_TRANSMISJA
63. posiedzenie Sejmu VIII kadencji z 6 VI 2018 r. https://www.sejm.gov.pl/sejm8.nsf/transmisja.xsp?documentId=0AED3C89CE959B97C12582A30027CD6B&symbol=STENOGRAM_TRANSMISJA
53. posiedzenie Sejmu VIII kadencji  z 6 XII 2017 r. https://www.sejm.gov.pl/sejm8.nsf/transmisja.xsp?documentId=388CEA3A3AB68448C12581EE002C4A2F&symbol=STENOGRAM_TRANSMISJA

Powyższe nagrania, jako materiał urzędowy, nie stanowią przedmiotu prawa autorskiego, więc nie są utworami  w rozumieniu art. 4 pkt 2 ustawy z dnia 4 lutego 1994 r. o prawie autorskim i prawach pokrewnych.

Nie złość się na darmo - spot radiowy 2021

"What if not Sinatra, but Sonic?"

A "16-bit era level theme" contrafact of My Funny Valentine (meaning that all of the chords are borrowed, and nothing else).

Written for a weekly challenge on the 8-Bit Music Theory Discord.

La mélodie dans l'espace yx

Sliding Filament Theory