Lazy Friday

mar(vocal,lyrics ,compose,programming)
msq(compose,programming)
https://botanicalai.bandcamp.com/
https://www.youtube.com/channel/UCKiu6Zr_bwdfOlW7fXDY6bw
https://youtu.be/9WP1phpuKII
https://twitter.com/botanicalmar

Latest album ("Wandering Mind") was released on the record label WORMHOLE WORLD on digital and CD formats. You can also listen to it on your favourite digital streaming platform.

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EXPERIMENTAL | ELECTRONIC | AMBIENT MUSIC

Thank you for visiting my page and for listening to my sounds. My influences range from classical music to experimental electronics. Too many composers and musicians along the way…

I’m dealing with ambient, experimental and electronic music and I like to write melodic ambient sounds. Well, I try… I like long notes, echos and reverbs on my songs. One simple request: please listen to my songs with a good set of headphones and feel free to “like”, repost and to comment… Please note that here you can only find a small selection of my songs. You can find all the others on my official bandcamp page and on all major digital music platforms; please follow the links below.

Thank you so much for all your continued support,
Cheers,
LF.S 

On SoundCloud since February 2017

© All rights reserved

The Oxford Ambient Collective (OAC) is the solo musical alter-ego of David Smith, an artist who began his compositional journey in his early thirties using software such as Buzz, FL Studio and Reason. He has a  focus on a aesthetic of crafting immersive "ambient drones and ethereal soundscapes." Intentionally grounding his work in the history of the genre, Smith’s creative output reveals a clear artistic lineage, with albums like Berlin Vol. III acknowledging the "subtle German EM influences" and paying thematic homage to the pioneering Berlin School of electronic music. While deeply reverent to this historical lineage, Smith's methodology is aggressively contemporary, positioning him at the vanguard of mobile sound design by relying on a sophisticated suite of iOS applications to perform complex sonic morphing and generate his signature textures; his advanced workflow employs Soundscaper as an "experimental sound mini lab" for textural manipulation, with all audio professionally routed through the AUM mixer and hosting application. This innovative approach powered his self-proclaimed "proudest achievement"—a 90-minute live performance at Oxford's prestigious Ashmolean Museum, an opportunity secured through his affiliation with Oxford Brookes University as part of its 150th Anniversary celebrations. To solve the inherent challenge of engaging an audience with long-form ambient music, Smith transformed the event into an immersive audio-visual installation, pairing his soundscapes with curated visuals from sources like The Internet Archive to command "active listening." The project's visibility expanded significantly beyond this institutional context through a pivotal relationship with the independent Focussed Silence label, which was instrumental in securing national airplay on BBC 6 Music. This success highlights a versatile appeal, with OAC's work finding a home on highly experimental programs like A Duck in a Tree on Resonance FM—hosted by the influential group :zoviet * france:—as well as on sophisticated global platforms where his work was programmed alongside compositions by genre progenitors like Brian Eno and Vangelis. While OAC remains a solo endeavor at its core, Smith actively engages in digital collaboration with a network of sound artists like Encym via platforms such as SoundCloud, effectively transforming the solo project into a decentralized creative hub, thereby giving true meaning to the "Collective" in his moniker.

Hailing from the back drop of Melbourne city and an upbringing immersed in music and the wilderness; Skwid is fusing many different elements of sound to bring a fresh taste of psychedelic electronica to the dance ground.

With many years experience and exploration of organic and synthesised sounds, Skwid walks a line between deep, diverse soundscapes and full power rhythm heavy energies.


Other projects:
Modal. [Techno/House] http://www.soundcloud.com/modaltechno
Octofreak [148+] - http://www.soundcloud.com/octofreak
DenseOne [D&B/BASS] - https://soundcloud.com/denseone

I like to play with sound in my spare time. Modular soundscapes, techno beats, electronic journeys, and sometimes housey tunes are what seems to be seeping from my creative pores. Happy listening and have fun peeps.

Genoa-based Massimo Pegoraro invites you to a ride on the carousel of Modus, a voyage of
cinematic and sacral music, flavored with surreal atmospheres.
His past releases for Marmo Music and Wo_land – such as The Adderf Arreug EP featuring a
remix by Hierogliephic Being – show sophisticated arrangements and an extraordinary genre
versatility. Wether he treats electronica, down-tempo or techno, he uses electronic devices
and acoustic instruments to lead you to a parallel world, a polychrome musical universe.
His highly immaginative and narrative compositions draw inspiration from Nino Rota,
Moondog, Magister Perotinus, Fabrizio De Andrè as well the adventurous scales of early
progressive rock.

Thanks for visiting.
I hope you enjoy these sounds.
Feel free to request of remix!
My BGM works in another pages.
https://soundcloud.com/senji-nibans-bgms/sets/robot-club-0-ampere
https://soundcloud.com/senji-nibans-bgms/sets/elekitel-guitar
Cheers!!

Lazy Friday

slinky cee (Chris Rule)