Stunning work! Love from Sweden. :) http://www.gangstersaysrelax.com/blog/2012/9/21/neneh-cherry-the-thing-what-reason-could-i-give-kim-hiorthy.html

yendo y viendo

Welsh artist Kelly Lee Owens has a special grasp on techno. She can make it sound wild and naturalistic, like wind blowing through a dense forest, or make it feel cold and sleek, like a gleaming slab of chrome. Either way, though, it's always full of emotion, thanks to the intricate textures and distinctive tones of her voice. You might even say she takes a singer-songwriter approach to techno, but that doesn't mean her music isn't suited for the dance floor.

Her most recent album, <a href=/reviews/34853 target="_blank"><i>LP.8</i></a>, marks a step away from the dance floor, however, and into a place a little more dark, more unpredictable. It's also some of her most gorgeous work, centering around "Anadlu," an eight-minute cut that feels perfectly pitched between ambient and techno, with heavy, lumbering drums but an otherwise lightweight, almost wispy feel.
 Owens' RA Podcast occupies this zone almost perfectly. Beginning with 11th century music from Hildegard von Bingen, it ties all sorts of traditions together, from Pan Sonic to Throbbing Gristle to Marco Shuttle to Oneohtrix Point Never & Rosalía. It floats, it accelerates, it loops and doubles back in on itself, an hour of gripping electronics from one of techno's most distinctive voices.

Read more at https://ra.co/podcast/841

RA podcast

RA.841 Kelly Lee Owens

Another Barker masterclass.

Sam Barker asks more from techno. The artist known simply as Barker is one of electronic music's most consistently conscientious and curious producers, challenging listeners to question the norms we accept about our shared culture—whether it's the music that fills the room, the process behind it, or the purpose of the space itself.

British-born yet based in Berlin since 2007, Barker forged a connection to many of the city's leading institutions, including Ostgut Ton, and over the course of a long and fruitful relationship, he carved out one of the more singular paths on the club and label's roster.

Not one for orthodoxy, Barker challenged four-to-the-floor techno framework in favor of melodic experimentation. By decentering or completely stripping away the typical trappings of kick drums and claps, his productions are both light and immersive, buoyant in low-end presence and shimmering in weightless space.

Six years after Utility, his sophomore album Stochastic Drift arrives this month. Shaped by pandemic-driven reinvention, it burrows deeper into harmonic twists and freeform drift. "At some point I became conscious of the process," he wrote of his latest album. "The only thing you can do is embrace the uncertainty and see every change as a potential positive.”

Consider his RA Podcast another sequel. Like his much-beloved 2019 mix for FACT, it's a collage of live recordings and a fitting expression of the artist's own internal spring. RA.982 radiates wide-eyed optimism: percussion cloaked in foggy, swirling pads and trance-like chords, neatly synched in synthetic glimmers. 

All in all, it's an hour of music crafted for contemplation, collective euphoria, or heads-down epiphany—or for that matter, any moment, really, its emotive depth seemingly endless.

@voltek

Find the tracklist and Q&A at ra.co/podcast/982

RA.982 Barker

There are few names as widely loved in clubland as Bristol-based producer Omar McCutcheon, AKA Batu.

His label Timedance, currently celebrating its ten-year anniversary, has been instrumental in shaping a certain corner of contemporary electronic music. It champions a mutant, rhythmic, UK-flavoured sound that escapes any obvious genre touchstones, as well as spotlighting the careers of artists like Verraco, Ploy and Hodge who push musical and cultural boundaries.

In this Exchange, McCutcheon sat down with Resident Advisor's editor, Gabriel Szatan, in London to reflect on the label's Afrofuturist philosophy, its journey over the past decade and the sense of purpose and direction that have developed over time. He spoke about the impact that scenes beyond the UK—such as China, South Africa, Brazil and Mexico—have had on his productions and label curation, and how they offer fresh perspectives that contrast with Europe's sometimes overly nostalgic take on dance music. He also discussed finding positivity in a dark time, and music's enduring potential to inspire and connect.

EX.778 Batu

Taken from #Explorer3
More about Deena Abdelwahed  : http://deenaabdelwahed.com/
Listen : https://soundcloud.com/deenaabdelwahed

Deena Abdelwahed now on Tour

02/09/16 | Masãfãt 2016 - Londres, UK

17/09/16 | ZDB - Lisbon, Portugal

18/09/16 | Global Street Sounds - Ancienne Belgique - Brussels, Belgium

24/09/16 | RBMA Festival - Badaboum - Paris, France

01/10/16 | Pantropical x Aarb Camera - Roodkapje - Rotterdam, Netherlands

02/10/16 | Islemunda - Rotterdam, Netherlands

09/10/16 | ORF musikprotokoll - Graz, Austria

04/11/2016 | Institut du Monde Arabe - Paris, France

12/11/16 | Sound of Stockholm - Stockholm, Sweden

03/12/16 | Trans Musicales - Rennes, France

#Explorer 3

Deena Abdelwahed - Space​+​Kadhab  فضاء​+​كذّاب  (Tunisia / France)

"In a Beautiful Place Out in the Country" by Boards Of Canada. Remix by Aime. "In a Beautiful Place Out in the Country" is a track from an EP titled "In a Beautiful Place Out in the Country". It was released on 27 November 2000 by Warp Records. Segments from Mira Calix's version of "In a Beautiful Place Out in the Country" featured in the 2009 compilation "Warp20 (Recreated)" were also used to create this remix.

Boards Of Canada "In a Beautiful Place Out In the Country" (Aime Autumn In The Valley Of Fólkvangr Remix)

Neneh Cherry & The Thing - What Reason Could I Give (Kim Hiorthoy remix)

Taken from the upcoming album Both Lines Will Be Blue, out July 12th on Smalltown Supersound. Produced by Carmen Villain. Flute performed by Johanna Scheie Orellana. Mastered by Matt Colton.

Observable Future

Taken off the forthcoming album 'Both Lines Will Be Blue' out July 12th on Smalltown Supersound. Produced and mixed by Carmen Villain. Flute performed by Johanna Scheie Orellana. Mastered by Matt Colton.

Type

Taken off an upcoming remix 12". The album 'Both Lines Will Be Blue' is out now on Smalltown Supersound. Mastered by Matt Karmil.

I Trust You (Dj Python Remix)

TRACKLISTING / INFO:
self-titledmag.com/carmen-villain-feature-needle-exchange-mix/

NE292: Carmen Villain

'Both Lines Will Be Blue - Remixed' is out February 28th via Smalltown Supersoud.

Observable Future (Parris Remix)

Betaband - breezeblock 06-08-02

Purchase: bit.ly/35jLaxx
Catalog #: GN63
October 1, 2020
2xCASS+DIGI

The midnight hour crept unto thee with hasty caution, revealing 'A Little Night Music: Aural Apparitions from the Geographic North', our third putrid prowl into Halloween-inspired sounds to torment and tantalize throughout the season. For this bout of distinguished dementia, we culled 31 brand new tracks of haunted hysteria conjured by some of the most alluring ambientists and outer auteurs from around the world. 

Spanning over two hours across two cassettes, 'A Little Night Music…’ unfurls itself in a literary horror structure, appearing and disappearing through a stirring Prologue and Epilogue by London-based cellist Oliver Coates, with each side of the cassettes introducing its Chapter with a chilling dirge courtesy of the inscrutable Geographic North House Band.  

What fills the ensuing pages is a mirthful tale concocted by an assembly exploring a realm all at once mournful and fatalist at its core. Entries from Clarice Jensen, Malibu, and the collaboration of Like a Villain and Christina Vantzou bring about endless glacial landscapes accented by pitch-grey skies. Conversely, transmissions from Michael Valentine West, M. Sage, Gregg Kowalsky, and Austrian ambient stalwart Fennesz explore richly textured mines of foreboding glee. 

Suspicion is the word when considering Zelienople’s eerie horse-carriage clip-clop, Nick Malkin’s neon-lit noir-jazz, or Carmen Villain’s gripping dub excursion. Elsewhere Ki Oni, Takagi Masakatsu, and Mary Lattimore (joined here by Paul Sukeena) provide glimmers of warmth amidst a tortured chill. 

Notable is the resurrection of Lotus Plaza and his solemnly hopeful piano composition, while barren hallucinations courtesy of Alex Zhang Hungtai, Ilyas Ahmed, and Danny Paul Grody set the stage for a third act confrontation from Atlantans Fit of Body and Algiers, providing a one-two serving of sensual unrest and cautionary homily.  

With hope and resolve shimmering through the final moments of our journey, know that all proceeds from the digital and cassette editions go directly toward Feminist Women's Health Center, an Atlanta-based nonprofit providing safe, accessible, and compassionate abortion and gynecological care to all those who need it without judgement.

feministcenter.org

Carmen Villain - "Dissolving Edges"

'Plaintive synth tribute to composer Peter Broderick by the German pianist is given an elegant electronic overhaul' – The Times

After releasing Nils Frahm’s two-track solo synthesiser EP ‘Juno’ in a highly sought after 7” edition, Erased Tapes now re-release the original Juno tracks with guest reworks by Border Community's modular synth wizard Luke Abbott and Warp veteran Clark. Both known for their like-minded use of analogue synthesisers in their music, it makes them the perfect artists to rework the originals. Similar to Frahm’s online project ‘Screws Reworked’, where he invited fans to download his solo piano songs to reinterpret them with their own medium of choice, it’s far from being the typical remix EP. Aptly titled ‘Juno Reworked’, it will be released worldwide in the form of a limited 12" Vinyl and Download.

ORDER HERE: www.erasedtapes.com/store/index/ERATP049

LIVE DATES:

10.07. LEEDS (UK) – Opera North Howard Assembly Room
11.07. LONDON (UK) – St. John at Hackney 
25.08. AMSTERDAM (NL) - Grachtenfestival
26.09. SEATTLE (US) – Decibel Festival 
06.10. ESSEN (DE) – Swingfest – Weststadthalle
13.11. BORGERHOUT (BE) – De Roma 
14.11. LEUVEN (BE) – 30CC – Schouwburg
15.11. HASSELT (BE) – Cultuurcentrum
16.11. ROESELARE (BE) – De Spil tickets

OFFICIAL WEBSITES:

nilsfrahm.com · lukeabbottmusic.com · facebook.com/throttleclark · erasedtapes.com

Neneh Cherry & The Thing - What Reason Could I Give (Kim Hiorthoy remix)

Smalltown Supersound

Recent comments

Known Space

Mareck von Štajerska

WRANGELKIEZ.ORG

MissSingSong

Related tracks