Litt for langt og monotont selv med et kult sound. 

Ready, Set, Go!

The first track off Devendra Banhart's Nonesuch Records debut album, MALA, remixed by Hauschka. Order the original at http://www.nonesuch.com/albums/mala.

Devendra Banhart: Golden Girls (Hauschka Remix)

Hailu Mergia Remixes digital EP (ATFA007) OUT THIS WEEK on Awesome Tapes From Africa, featuring Prins Thomas, El Guincho and Protect-U.

iTunes: http://bit.ly/16LdQej
Boomkat: http://bit.ly/17m0AMF
Bleep: http://bit.ly/18KWzC1
Juno: http://bit.ly/1hitiQ8

Prins Thomas Diskomiks — Hailu Mergia Remixes (ATFA007)

Download: http://www.xlr8r.com/mp3/2013/09/creole

Download

Velvet Tux - Creole

Bjørn Torske - Kok EP
(C)+(P) 2013 Smalltown Supersound
www.smalltownsupersound.com

Bjørn Torske - Setter

Welsh artist Kelly Lee Owens has a special grasp on techno. She can make it sound wild and naturalistic, like wind blowing through a dense forest, or make it feel cold and sleek, like a gleaming slab of chrome. Either way, though, it's always full of emotion, thanks to the intricate textures and distinctive tones of her voice. You might even say she takes a singer-songwriter approach to techno, but that doesn't mean her music isn't suited for the dance floor.

Her most recent album, <a href=/reviews/34853 target="_blank"><i>LP.8</i></a>, marks a step away from the dance floor, however, and into a place a little more dark, more unpredictable. It's also some of her most gorgeous work, centering around "Anadlu," an eight-minute cut that feels perfectly pitched between ambient and techno, with heavy, lumbering drums but an otherwise lightweight, almost wispy feel.
 Owens' RA Podcast occupies this zone almost perfectly. Beginning with 11th century music from Hildegard von Bingen, it ties all sorts of traditions together, from Pan Sonic to Throbbing Gristle to Marco Shuttle to Oneohtrix Point Never & Rosalía. It floats, it accelerates, it loops and doubles back in on itself, an hour of gripping electronics from one of techno's most distinctive voices.

Read more at https://ra.co/podcast/841

RA podcast

RA.841 Kelly Lee Owens

Another Barker masterclass.

Sam Barker asks more from techno. The artist known simply as Barker is one of electronic music's most consistently conscientious and curious producers, challenging listeners to question the norms we accept about our shared culture—whether it's the music that fills the room, the process behind it, or the purpose of the space itself.

British-born yet based in Berlin since 2007, Barker forged a connection to many of the city's leading institutions, including Ostgut Ton, and over the course of a long and fruitful relationship, he carved out one of the more singular paths on the club and label's roster.

Not one for orthodoxy, Barker challenged four-to-the-floor techno framework in favor of melodic experimentation. By decentering or completely stripping away the typical trappings of kick drums and claps, his productions are both light and immersive, buoyant in low-end presence and shimmering in weightless space.

Six years after Utility, his sophomore album Stochastic Drift arrives this month. Shaped by pandemic-driven reinvention, it burrows deeper into harmonic twists and freeform drift. "At some point I became conscious of the process," he wrote of his latest album. "The only thing you can do is embrace the uncertainty and see every change as a potential positive.”

Consider his RA Podcast another sequel. Like his much-beloved 2019 mix for FACT, it's a collage of live recordings and a fitting expression of the artist's own internal spring. RA.982 radiates wide-eyed optimism: percussion cloaked in foggy, swirling pads and trance-like chords, neatly synched in synthetic glimmers. 

All in all, it's an hour of music crafted for contemplation, collective euphoria, or heads-down epiphany—or for that matter, any moment, really, its emotive depth seemingly endless.

@voltek

Find the tracklist and Q&A at ra.co/podcast/982

RA.982 Barker

Taken from #Explorer3
More about Deena Abdelwahed  : http://deenaabdelwahed.com/
Listen : https://soundcloud.com/deenaabdelwahed

Deena Abdelwahed now on Tour

02/09/16 | Masãfãt 2016 - Londres, UK

17/09/16 | ZDB - Lisbon, Portugal

18/09/16 | Global Street Sounds - Ancienne Belgique - Brussels, Belgium

24/09/16 | RBMA Festival - Badaboum - Paris, France

01/10/16 | Pantropical x Aarb Camera - Roodkapje - Rotterdam, Netherlands

02/10/16 | Islemunda - Rotterdam, Netherlands

09/10/16 | ORF musikprotokoll - Graz, Austria

04/11/2016 | Institut du Monde Arabe - Paris, France

12/11/16 | Sound of Stockholm - Stockholm, Sweden

03/12/16 | Trans Musicales - Rennes, France

#Explorer 3

Deena Abdelwahed - Space​+​Kadhab  فضاء​+​كذّاب  (Tunisia / France)

Rinse FM Podcast

rRoxymore - 19th June 2018

Taken from the upcoming album Both Lines Will Be Blue, out July 12th on Smalltown Supersound. Produced by Carmen Villain. Flute performed by Johanna Scheie Orellana. Mastered by Matt Colton.

Observable Future

Taken off the forthcoming album 'Both Lines Will Be Blue' out July 12th on Smalltown Supersound. Produced and mixed by Carmen Villain. Flute performed by Johanna Scheie Orellana. Mastered by Matt Colton.

Type

Taken off an upcoming remix 12". The album 'Both Lines Will Be Blue' is out now on Smalltown Supersound. Mastered by Matt Karmil.

I Trust You (Dj Python Remix)

TRACKLISTING / INFO:
self-titledmag.com/carmen-villain-feature-needle-exchange-mix/

NE292: Carmen Villain

'Both Lines Will Be Blue - Remixed' is out February 28th via Smalltown Supersoud.

Observable Future (Parris Remix)

I found this unreleased version of Plumbicon on a backup drive. Enjoy !

Plumbicon V.271205 01

Ryan Hemsworth - Proto

Purchase: bit.ly/35jLaxx
Catalog #: GN63
October 1, 2020
2xCASS+DIGI

The midnight hour crept unto thee with hasty caution, revealing 'A Little Night Music: Aural Apparitions from the Geographic North', our third putrid prowl into Halloween-inspired sounds to torment and tantalize throughout the season. For this bout of distinguished dementia, we culled 31 brand new tracks of haunted hysteria conjured by some of the most alluring ambientists and outer auteurs from around the world. 

Spanning over two hours across two cassettes, 'A Little Night Music…’ unfurls itself in a literary horror structure, appearing and disappearing through a stirring Prologue and Epilogue by London-based cellist Oliver Coates, with each side of the cassettes introducing its Chapter with a chilling dirge courtesy of the inscrutable Geographic North House Band.  

What fills the ensuing pages is a mirthful tale concocted by an assembly exploring a realm all at once mournful and fatalist at its core. Entries from Clarice Jensen, Malibu, and the collaboration of Like a Villain and Christina Vantzou bring about endless glacial landscapes accented by pitch-grey skies. Conversely, transmissions from Michael Valentine West, M. Sage, Gregg Kowalsky, and Austrian ambient stalwart Fennesz explore richly textured mines of foreboding glee. 

Suspicion is the word when considering Zelienople’s eerie horse-carriage clip-clop, Nick Malkin’s neon-lit noir-jazz, or Carmen Villain’s gripping dub excursion. Elsewhere Ki Oni, Takagi Masakatsu, and Mary Lattimore (joined here by Paul Sukeena) provide glimmers of warmth amidst a tortured chill. 

Notable is the resurrection of Lotus Plaza and his solemnly hopeful piano composition, while barren hallucinations courtesy of Alex Zhang Hungtai, Ilyas Ahmed, and Danny Paul Grody set the stage for a third act confrontation from Atlantans Fit of Body and Algiers, providing a one-two serving of sensual unrest and cautionary homily.  

With hope and resolve shimmering through the final moments of our journey, know that all proceeds from the digital and cassette editions go directly toward Feminist Women's Health Center, an Atlanta-based nonprofit providing safe, accessible, and compassionate abortion and gynecological care to all those who need it without judgement.

feministcenter.org

Bjørn Torske - Setter

Smalltown Supersound

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