Local sorcerer's and Rambadu's IVE project releases "Nueoiwo EP" on Rambadu's self-titled label. Monument premieres Forest On Stasys' Groovy Mix of track "Oiwo" from the release, that will be out on November 19th.

@rambadu

MNMT Premiere: IVE – OIWO(Forest On Stasys Groovy Mix)

Consists of a short ambient warm up before @donato-dozzy's performance at Lux Frágil on Friday the 10th of December 2021 merged with the set played after to close the night

Twofold w/ Donato Dozzy @ Lux Frágil (10.12.21)

While in these very hours the horrendous aggression of Ukraine operated by Russia (or should we simply say maybe by Putin at this stage?) is happening in full effect and innocent civilians are loosing their lives under the shelling of the Russian tanks, I feel it's everyone's duty to to raise their voice and support the Ukrainian people who are standing against this heinous invasion defending not only their independence and their freedom but the very core values of our civilisation. 
I think we, as human beings, have a priceless debt towards the Ukrainian people and for us djs, producers, clubbers, ravers etc this debt is even bigger. 
Everybody who was lucky enough to go playing or clubbing to Ukraine knows very well what a special experience that was, personally i can easily say that it has been my favourite place in Europe to play in the last years and i feel extremely grateful to this land and its people for the happiness they gave me...this is the right time time to pay some of that happiness back. 
Now much more than our fulfilment and enjoyment as artists/ravers is at stake, but at the same time music is what we do and music is our "weapon" in this war... i believe it's a very powerful one when it comes to bringing people together for peace so i decided to put together an ep of unreleased music to raise some funds and hopefully contribute bringing some relief to those who are going through the horrific consequences of this mad tragedy. 
I would like to thank Neel and Enisslab Studio lab for helping me so generously by taking care of the mastering so quickly. 
All the income generated by 4UKRAINE will be entirely donated to Voices for Children (voices.org.ua/en/) a foundation that has been helping children affected by the war since 2015 providing psychological and psychosocial support. It helps them overcome the consequences of armed conflict and develop. Today, during the full-scale Russian invasion of Ukraine, they are providing non-stop assistance to affected children and families from all over the country, providing emergency psychological assistance, and assisting in the evacuation process. 
https://marcoshuttle.bandcamp.com/album/4ukraine


Marco Shutte - 4UKRAINE - Tracklist

1. Drift to the Center 
2. Pacific Vertigo 
3. Daydreaming at Night 
4. Misbehaving

4UKRAINE

Laima Adelaide - Between Nowhere (MTRL Remix) 
V.A - Voice 01 [PRDWN002VA / Predawn Records]

Produced by Laima Priedite aka Laima Adelaide
Additional Production by Lukas Weinlein aka MTRL
Mastered by Daniel Kyo
Artwork by Maris Prieditis
Released by Predawn Records from Stuttgart, Germany
Release Date : July 15th. 2022

MTRL (Munich, Germany)
https://soundcloud.com/mtrl_audio
https://www.facebook.com/MTRL.audiovisual
https://www.instagram.com/mtrl_io

Laima Adelaide (Stuttgart)
https://laimaadelaide.wordpress.com
https://soundcloud.com/amlia
https://www.facebook.com/laimaadelaide0
https://www.instagram.com/laimaadelaide

Oslated.
http://www.oslated.com
https://soundcloud.com/oslated
https://oslated.bandcamp.com
https://formaviva.com/oslated

V.A - Voice 01

Between Nowhere (MTRL Remix)

Support & Buy

Laima Adelaide - Between Nowhere (MTRL Remix) [Predawn Records]

Full stream of Dåggěr's "Discharge," taken from his EP Dawn Chorus on Qeone, out August 30.

Pre-order: https://qeone.bandcamp.com/releases
More: www.orbmag.com/music

@qeone
@dagger_1

Dawn Chorus

Listen more

Premiere: Dåggěr - Discharge

Platform Minimal presents @frequencymachine

The shifting orchestral landscape.

The orchestral landscape described in the journey reflects a more profound philosophical and artistic context. At its core, it is a celebration of the power of art and creativity to bring people together and connect them in ways beyond language and culture. By removing the constraints of words, the people of this world can experience a deeper, more authentic form of communication where the emotional impact of sound is paramount.
The idea of a constantly shifting orchestral landscape also speaks to constant change and growth in the arts. Just as the landscape shifts and evolves, so does the music, reflecting the changing emotions and desires of those who create it. This concept demonstrates that art is not a static entity but a living, breathing entity that is constantly changing and growing.
The absence of words in this world also touches on a more profound philosophical question about the limits of language and the ability of art to express what words cannot. By removing language constraints, the people of this world can connect on a deeper, more intuitive level, tapping into a universal language that transcends cultural and linguistic boundaries. This speaks to the idea that art has the power to bring people together in ways that words cannot and that it is a powerful tool for fostering understanding and connection in a world that is often divided by language and culture.
In conclusion, the orchestral landscape described in the story is a rich and complex reflection of the power of art, creativity, and the human spirit to connect people in meaningful and transformative ways. It invites us to imagine a world where the boundaries of language and culture are transcended through the beauty and power of sound and where the impossible becomes possible through the boundless possibilities of artistic expression.

Bio/
Frequency Machine is an artist originally from Colombia, belonging to the new wave of DJs & Producers with a great vision in terms of electronic music; daily, he focuses a lot on the search and exploration of sounds with which he can identify himself; he likes that his mix is intelligent, but always intense and hypnotic, without letting go of all the ambient, tribal, experimental and minimalist landscapes.

He has always had an apparent perception of music; music must be seen as a purely artistic and expressive value to finally make his receivers and other attendees understand how profound sound art can be.

His project as a producer will begin to emerge in 2023; he has been working a lot on his sound in 2022, looking for his guidelines and his true expression; in itself, he is very focused on musical diversity, wanting to imply that his music wants to get out of the Today's standards, he wants to express himself freely in all the multiple genres he wishes to delve into, especially knowing how to give musical culture to his entire environment.

He is the founder of Space Wave Records.

Socials/
SC: https://soundcloud.com/frequencymachine
FB: https://www.facebook.com/FrequencyMachine.music/
IG: https://www.instagram.com/frequency.machine/
SC: https://soundcloud.com/spacewaverec
FB: https://www.facebook.com/Spacewaverecords/
IG: https://www.instagram.com/space.waverecords/

https://linkr.bio/Frequency.Machine

Artwork & Copy: www.Inzajeano.com

Frequency Machine

GTG Premiere | Allan Pillai - Revolving Endlessly [TH20]

Klagelied - Remix

Technotronic - Pump Up The Jam (Raíz Remix) VS CamelPhat & Will Easton - Witching Hour - Julian Veralant RmX

Technotronic - Pump Up The Jam - JVR

Artist : Qindek
Title : Through Time EP
Label : Snejl Recordings Black
Written and produced by : Qindek
Mastering by : Salz Mastering, Cologne / Germany
Distribution : www.decks.de 
A1. Projection Of Detachement
A2. Drums Through Time
B1.   Ondergrondse Boventoon
Release date : 3rd of May 2016 exclusive vinyl

Romanias Snejl Black teams up with Qindek for its 4th release. What we get are 3 tracks, carefully sculpted, ultra-pure visions of techno. Each is thoroughly uncluttered, and given just enough color to be compelling. Simple kick drum, undulating sounds that provide something distantly related to melody, and very subtle backdrops that pair a soothing hiss and quiet drones. Nothing is superfluous, everything is essential.


Order Vinyl

SNBLCK004 - Qindek - Drums Through Time - snippet

For full track listing click here: https://bleep.com/features/bleep-mix-109--adiel

Danza Tribale boss Adiel is the latest to step up to the plate for Bleep’s mix series. Rather than going all-out from the off, the Rome-based DJ shows masterful restraint in the opening stages here. It’s not until a quarter of the way in that we get the first beat-driven track - Pinch and Peverelist’s Punch Drunk classic ‘Revival’, no less. Prior to this point, Adiel has focussed on weightless tracks with an air of potent, surreal psychedelia about them, interspersing these with evocative cuts from the likes of Carnatic musician Bombay S Jayashri in order to set the scene even better. Following ‘Revival’ the mix’s midsection continues to lean on classic dubstep sounds - Mala and Shackleton feature - before rounding out with some expertly-blended leftfield techno. Strap in for this one, it’s a real trip.

"This podcast is an emotional improvisation, for Bleep and for all the listeners of this particular moment we are all living. A selection of music for the most quiet hours, for the dreamy ones and for the hardest ones, where to understand records in terms of their effect on the mind, you need to hear music in terms of its energy and feeling. It includes some old and new records with my upcoming release on Stroboscopic Artefacts "ESRR"."

Bleep Mix #109 - Adiel

Snejl came out as a neccessity to express a different side of the music genres, the more weirder, intelligent and experimental one, so we're focused on more like unique, original and self-esteemed sounds ... coming from deep roots through techno, electronica, minimal and the ever-changing house.