DISASTER AREA is an open  project created for the purpose of experiment various interactions between acoustic and electronic instruments in a  context of improvised music. 
The founding members are Claudio Ferrari, Bruno Gussoni and Iao Aea.
Disaster Area is available for collaborating with other artists; we remember here our collaborations with musicians like Jane Rigler, Bernadette Zeilinger, Diego Mune,  Anja Kreysing, Ulrike Lentz, Anton Mobin, Roberto Lazzarino,  and others, and with the videomaker Jutta Pryor.

CLAUDIO FERRARI operates several electronic instruments, both analog and digital, to produce electronic music both composed and live improvised.
He also is a member of the experimental electronic group NOS
https://soundcloud.com/user-753101217
https://www.facebook.com/claudio.ferrari.37051
soundcloud.com/nos_it
https://www.facebook.com/Jagolab-289977391020911/

BRUNO GUSSONI flutist, non idiomatic improviser, instant composer, plays with some of the most representative free improviser musicians from all over the world, doing concerts all over Europe. 
soundcloud.com/bruno-gussoni
soundcloud.com/bruno-gussoni-flutech 
https://soundcloud.com/fluctuation
https://soundcloud.com/flutespace
https://www.youtube.com/channel/UCeoshYzgRFB1LPkmgU9T-UA?view_as=subscriber
https://www.facebook.com/bruno.gussoni.3
https://www.facebook.com/flutexplorations/
https://www.facebook.com/PryGus-189218734790689/

IAO AEA usually plays different electric basses and electronic devices; in the Disaster Area context he is specialized in playing only a customized fretless bass. He is also member of the experimental electronic group NOS
https://soundcloud.com/iaoaea
@nos_it
https://www.facebook.com/riccardo.canessa.10

Benjamin Ethan Tinker (New York, 1969) is a multidisciplinary artist and electronic musician who has lived in San Francisco since 1996. He chooses to work primarily with analog synthesizers with which he composes electroacoustic music, and performs regularly with the improv ensemble White Pee, and his own project That Hideous Strength. In addition, he curates and writes about experimental music. He has a BFA in Sculpture from SUNY Purchase and a MFA in Electronic Music from Mills College, between those degrees was a decade of commercial audio engineering.
http://thathid.tumblr.com/

Jam0clock is a revolving line up of experimental electronic musicians focused on Improvisation.
All jam0clock recordings are done in one take, there are no overdubs or edits.

https://malayeen.space/

Malayeen.Space is an exchange of memory through songs; constellations of lullabies, village lore, and battlecries shared through the diaspora. Through this interactive installation, you are invited to sing and share the origin story of your song. A song immediately plays back to you - though it is modulated by distance, time, origin, and the idea. A singular experience in itself, Malayeen.Space also creates a community-generated archive of our diasporic imagination.

猿木土真通 mado
violin, clarinet, organ

Still on Glacial Movements out now.
http://www.glacialmovements.com/music-news/rostami-blomquist-still

Distant Companion available on Dark Entries
http://www.darkentriesrecords.com/store/vinyl/aria-rostami-daniel-blomquist-distant-companion-lp/#tab-description

Signal Artifact now Available on Jacktone Records
https://jacktonerecords.bandcamp.com/album/signal-artifact

Collaboration with Aria Rostami to be released on Glacial Movements June 20th
https://glacialmovements.bandcamp.com/album/wandering-eye
Nascent/Egress has been released by Audiotalaia.
http://www.audiotalaia.net/catalogue/at079-daniel-blomquist/

Floooded/Overflow available on my bandcamp now. 

My work is process based, beginning with samples gathered and manipulated digitally, then dubbed down to analog tape; eroding away music, field recordings and other found media. Effectively reconstituting the quality and predictability of the digital recording. The combinations used in this approach examine the nature of the chosen media, how it is stored, distributed and ultimately how it evolves over time. One sound's initial intention begets an all together new purpose by setting points of faliure and degradation. My final compositions are warm, textured, emotive environments for these recycled sounds to live and tell new stories

full releases: https://svist.bandcamp.com

Robert Lopez, Drum Set and Percussion
Shanna Sordahl, Cello and Electronics

SO AR (formerly known as ZE BIB!) is a collaborative effort between cellist/electronic musician Shanna Sordahl and percussionist Robert Lopez. Their music grapples with the spastic intensity arising from their explorations into sound worlds developed both collectively and independently. Both are graduates of Mills College's music MFA program, and their extreme musical interests converge with explosive force. Their music is tinged with influences ranging between noise, free improvisation, avant garde rock, and heavy drone. They cultivate psychological structures and interpretations of material grown out of improvisations, all with an emphasis on the deconstruction of composed melodic and rhythmic material.

Followers of SO AR