Posting one track made with Supercollider per week. A project of http://subnaught.org

Edward Stumpp is a composer / improviser of electronic and electroacoustic music. His work focuses on implementations of machine listening, guided improvisation, visualized scores, and audio-visual music.

Vittorio Garis, architect musician and improviser is an artist of strong sensitiveness, tightened also to the random discoveries of the percussions and the electronics connected with them, without forgetting the cultural relations with different arts.
His set consists of a bass drum, a snare, cymbals, a bow and many objects, for a sonic research that leads the experimentation between the surprises of the amplification and the friction of the objects: it is an electro-acoustic effect that wants to rule, a vibration that begins from his hands and projects in paradises of sensation and of liminal images.(freely taken and remixed from Percorsi Musicali "Few notes on italian improvisation” by Ettore Garzia)
Recently released cd on Setoladimaiale with Ulrike Lentz (flutes) Anja Kreysing (accordion).
http://www.setoladimaiale.net/catalogue/view/SM3370.

Vittorio Garis, architetto, musicista improvvisatore è artista di sensibilità spiccata, teso anche alle scoperte "casuali" delle percussioni e dell'elettronica collegata ad esse, senza dimenticare le relazioni culturali con arti diverse. 
Il suo set percussivo si compone di una grancassa, un rullante con piatti ed archetto e tanti oggetti, per una ricerca sonora che conduce la sperimentazione segmentare tra le sorprese dell'amplificazione e gli attriti degli oggetti: è un effetto elettro-acustico che si vuole dominare, una vibrazione che parte dalle sue mani e proietta in paradisi della sensazione e delle immagini liminali.(liberamente tratto e rimixato da Percorsi Musicali "Poche note sull'improvvisazione italiana" di Ettore Garzia)
http://www.percorsimusicali.eu/2016/11/25/poche-note-sullimprovvisazione-italiana-la-ricerca-di-una-movimentazione-tra-fisicita-elettronica-ed-atopia/
http://www.percorsimusicali.eu/2016/05/25/poche-note-sullimprovvisazione-italiana-da-ismene-al-riduzionismo/

mostly homemade analog synths & sequencers with filters and circuit bent devices
http://theanalogdump.tumblr.com/


In the year 2026:
In the ashes of the technology wars...


Project with Glitched out Roland and Atari ST:
XB71
https://soundcloud.com/xb71

Other side project with Shalo P: TheEasternBloc
https://soundcloud.com/theeasternbloc

Still on Glacial Movements out now.
http://www.glacialmovements.com/music-news/rostami-blomquist-still

Distant Companion available on Dark Entries
http://www.darkentriesrecords.com/store/vinyl/aria-rostami-daniel-blomquist-distant-companion-lp/#tab-description

Signal Artifact now Available on Jacktone Records
https://jacktonerecords.bandcamp.com/album/signal-artifact

Collaboration with Aria Rostami to be released on Glacial Movements June 20th
https://glacialmovements.bandcamp.com/album/wandering-eye
Nascent/Egress has been released by Audiotalaia.
http://www.audiotalaia.net/catalogue/at079-daniel-blomquist/

Floooded/Overflow available on my bandcamp now. 

My work is process based, beginning with samples gathered and manipulated digitally, then dubbed down to analog tape; eroding away music, field recordings and other found media. Effectively reconstituting the quality and predictability of the digital recording. The combinations used in this approach examine the nature of the chosen media, how it is stored, distributed and ultimately how it evolves over time. One sound's initial intention begets an all together new purpose by setting points of faliure and degradation. My final compositions are warm, textured, emotive environments for these recycled sounds to live and tell new stories

AKA ZennPapa AKA Entharsis

keep experimenting

1/2 of KYN and Polite Speak (RIP)
https://soundcloud.com/kynsound
https://politespeak.bandcamp.com/releases

Robert Lopez, Drum Set and Percussion
Shanna Sordahl, Cello and Electronics

SO AR (formerly known as ZE BIB!) is a collaborative effort between cellist/electronic musician Shanna Sordahl and percussionist Robert Lopez. Their music grapples with the spastic intensity arising from their explorations into sound worlds developed both collectively and independently. Both are graduates of Mills College's music MFA program, and their extreme musical interests converge with explosive force. Their music is tinged with influences ranging between noise, free improvisation, avant garde rock, and heavy drone. They cultivate psychological structures and interpretations of material grown out of improvisations, all with an emphasis on the deconstruction of composed melodic and rhythmic material.

SO AR is following