2025

SoHaSo - Complete Catalogue

Originals & Remixes

Natur & Substak - Fusion Dub

https://odrexmusic.bandcamp.com/album/fusion-dub

Natur & Substak - Fusion Dub III

Bandcamp: https://sohaso.bandcamp.com/album/to-sit-quietly-where-everything-is-moving-fast

For his debut album To Sit Quietly Where Everything is Moving Fast, https://soundcloud.com/love-over-entropy used only one source: a Yamaha DX11 synthesizer. It’s a vintage machine from 1987 that was also used by early IDM and techno producers. “Working with an artificial constraint unleashed a different kind of creativity," says the The Hague-based musician, who normally does not shy away from elaborate productions.

Love over Entropy spent a lot of time working out the correct order of the tracks on the album. "I think it's important that the story also flows well on a higher level. It was a nice puzzle to solve."

Although the Covid pandemic is long behind us, much of the material on this album comes from the days when society was still largely in lockdown. "Which explains the title," says Love over Entropy. "But it also refers to my distancing myself from the hustle and bustle of the dancefloor. Up until then, I was primarily making dance music."

You won't find any kick drums or heavy bass lines on To Sit Quietly Where Everything Is Moving Fast. It is intimate, meditative and often very beautiful ambient music. But not the formless kind that seems to dominate chill-out playlists these days. Tracks like Finnkroken, Tidalene and Rotiriot have a story to tell, with a lot of effort put in to get it just right.

“To me, making music is mostly about the process. So I will spend many hours working on details that probably nobody will ever notice. Above all, the pastoral melodies stand out, undulating back and forth like foam on the surf. The harmonies are reminiscent of Isan, Boards of Canada and Murcof, while the album also pays homage to the Artificial Intelligence period on Warp Records.

According to the Dutch producer, a lot of current ambient music falls short of the original idea, as coined by Brian Eno. "Eno once described ambient as music that should be 'as ignorable as it is interesting', but nowadays it seems to have become 'as unignorable as it is uninteresting'," Love over Entropy says cheekily. "Ambient music really is everywhere, with modern production tools often doing the heavy lifting."

With To Sit Quietly Where Everything is Moving Fast, the producer hopes to make a difference, simply by raising the bar. It's a journey that can be taken both horizontally and vertically, and hopefully offers comfort. Or as the producer describes it: "music that offers a refuge."

Artwork by Spherical Waves (www.sphericalwaves.com)

Love Over Entropy - Tidalene

Love Over Entropy - Echolon

Love Over Entropy - Finnkroken

Love Over Entropy - NLC

Love Over Entropy - Nohmannoh

The pair behind the Ouïe label, Acid Pauli & Nico Stojan, collaborate again on a new release on their own label - Vola. 

The title track fits perfectly with their long-established signature sound of intimate and psychedelic electronic music for the more leftfield leaning music lovers. 

This track features a spongy rhythm, accompanying samples seemingly draw from far and wide, creating a lush and meditative feeling. 

The second track, Tensione, builds from the same sound palette but incorporates more elements, from modular arpeggiators to tasteful pads. 

Vola

Tensione

Acid Pauli & Nico Stojan - Vola

Atol Disks is a brand-new journey, one that doesn’t rely on many words—music speaks for itself.

Our vision is to trace a path of coherent eclecticism and spontaneous connections, like an archipelago
of islands tied together by invisible currents.

No Era, No Tempo Vol. 1 embodies this idea:
14 tracks by Italian and international artists, curated by A-Tweed and Oltrefuturo. Each track is a world of its own, yet together they form a natural weave where differences meet and converse in instinctive harmony.

https://soundcloud.com/octoaeterna
https://soundcloud.com/atol-diskz

PREMIERE⚡️Octo Åeterna - Iteritas Fortunata [Atol Diskz]

☆★★ https://bit.ly/GRSCLM130 ★★☆

Inzajeano, a seasoned producer with over 20 years of experience, delivers a nuanced exploration of dub techno with Sounds From The Darkroom. Each track is a shinning example of his ability to blend minimalism with emotional depth, creating an intricate sonic journey.
The EP opens with ‘#C’, where melancholic piano notes float over a crisp, airy backdrop. A delicate balance of tight dub loops and shimmering melody brings a peaceful and reflective vibe, calling to mind the emotive works of Shinichi Atobe. ‘#M’ follows with a hypnotic rhythm built on a foundation of deep bass and shuffling minimalism. The progression of warm chords subtly shifts the energy, wrapping the listener in its understated charm. ‘#Y’ injects a touch of momentum, layering smooth, island-inspired sounds with polished, techy grooves. The track masterfully balances its deep basslines with a light and uplifting feel, making it equally suitable for introspection or a laid-back dancefloor vibe. Rounding out the release is ‘#K’, a track defined by its heady atmosphere and unique vocal hook. The arrangement evolves with precision, stripping back layers of FX to reveal a steady beat that glides effortlessly into a serene conclusion.
Sounds From The Darkroom showcases Inzajeano’s ability to craft dub techno with soul and finesse. Each track is a unique perspective, blending subtlety and sophistication for an evocative listening experience.


w&p - Inzajeano
mastering - grad_u
artwork - Rima Prusakova
write-up - Tim Humphrey

☆★★ https://bit.ly/GRSCLM130 ★★☆

Sounds From The Darkroom

Get it here

Bandcamp: https://sohaso.bandcamp.com/album/herbology

If you are into psychedelic and adventurous electronica, you'll love So Oishi's second EP for the Dutch record label SoHaSo. Herbology is a five-part trip where acoustic and electronic elements merge in slow motion. On his last record, The Lithospere EP, Japanese producer So Oishi showed off his skills in a variety of styles. But this time, Oishi keeps things slow and dreamy for most of the ride. 

The opening track, The Opposite Shore, has a Heart of Darkness-kinda vibe, with strange noises emerging from the river banks somewhere deep in the jungle. On Canopy Rites, we've seem to have reached an African village, judging by the tribal rhythms coming from the shacks ashore. 

Next up is Artemis, the only proper club track on this otherwise intimate EP. With its kick drums and howling bass, it reminds us of early Underworld productions. It’s a surprising center piece on Herbology. With Sinking and Herbology we're back in chill out territories, where acoustic instruments like tablas and flutes float harmonically with electronic soundscapes. 

Japanese producer https://soundcloud.com/sooishi has carved out his little safe space on planet SoHaSo and we rather like it there. We hope you do too. 

Artwork by Bas Dobbelaer

So Oishi - Herbology

So Oishi - Canopy Rites

So Oishi - Sinking

So Oishi - Artemis

So Oishi - The Opposite Shore

Buy album: https://LateNightTales.lnk.to/aloudersilence

Leifur James will release his debut album 'A Louder Silence' through Late Night Tales’ artist label Night Time Stories. The album is both spacious and thought-provoking, energetic yet restrained, brimming with nuanced electronic instrumentals, dubby synths, and jazz breaks — creating an array of rich textures, complemented occasionally by James’ own soulful vocals. 

Tracklisting:
01. Alpine 
02. Time 
03. Suns Of Gold 
04. Argonaut 
05. Mumma Don’t Tell 
06. Uncle Blue 
07. Night And Day 
08. Salaninam 
09. Red Sea 
10. Osho

https://www.facebook.com/leifurjames 
https://twitter.com/leifurjames 
https://soundcloud.com/leifurjames
http://www.nighttimestories.co.uk 
http://www.latenighttales.co.uk

Buy album

Leifur James - Argonaut

Something Happening Somewhere
OOSSHA / NOWHERE

http://www.sohaso.com
https://sohaso.bandcamp.com/

Something Happening Somewhere (SoHaSo). 
Founded by https://soundcloud.com/nunodossantos, residing in Utrecht, The Netherlands. "The name itself leaves a lot open for your own imagination."