и поглотит нас морок..

SOL ABYSSORUM (Maryja Prytčyna) soundcloud.com/sol_abyssorum
One-Woman Folk/Dark Ethereal project from Belarus (based Vilnius, LT)
 
~Pagan & Gothic folk aesthetics~

EP 'Išła Kupałka' [Kupalka was walking] (Jun 20, 2021) 
SP 'Voŭki' [wolves] (Aug 25, 2021) band.link/5Rn5K
SP 'A Ŭ Ciomnym Lesie' [in the dark forest] (Nov 28,2021) band.link/MnXH5
SP 'Šum' [noise] (Jul 12, 2022) band.link/2Mnjp
SP 'Nanoŭ' [anew] (Jan 7, 2023) band.link/1J94B
SP 'Ja Skakała' [I was jumping] (Mar 19, 2024) band.link/ilsGm
SP 'Oj, Ty Sonca' [oh, you're the sun] (Jun 18, 2024) band.link/oZGMG
SP 'Chmara' [storm cloud] (Dec 16, 2024) band.link/44pH3

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+Lyrics https://sol-abyssorum.bandcamp.com

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Sol Abyssorum - Pagan Folk/Dark Ethereal project

Sol Abyssorum

Copy of Dark Pagan Folk - Slavic Witcher Music

морок

Išła Kupałka Pa Vulicy

Śviaty Janie

Soniejko

Jak Chto Nia Byŭ

Siahońnia Ŭ Nas Kupała

Sena

Maybe A Body

This Ukrainian pagan folk song comes from very old times, most likely it is related to slavic spring rituals. It has survived through Christian period, because this text was used in a popular game, that children and young people are playing in the spring, mostly at the time of Easter. Some researches think that Šum (means "forest" in several slavic languages) is personified image of the spring forest spirit, and this song is calling for him to wake up. There are a lot of different variations of the text, some are quite new, but the rememberance of Šum and his "green fur", that is used in each version, shows real age of the original song.

The first mention of the song dates 1865.
lyrics
A v našoho Šuma zelenaja šuba,
Divky hulialy, šubu porvaly,
Siju-viju, siju-viju konopelečky,
Siju-viju, siju-viju nevelyčečky.

Divky hulialy, kukly porobily,
Kukly porobily, vony pohorily,
Siju-viju, siju-viju konopelečky,
Siju-viju, siju-viju nevelyčečky.

Oj numo, numo, zapletemo Šuma,
Šuma zapletemo, huliaty pidemo,
Siju-viju, siju-viju konopelečky,
Siju-viju, siju-viju nevelyčečky.

Zapletysia, Šume, zapletysia,
Chreščatyj barvinku, rozstelysia.

___


А в нашого Шума зеленая шуба,
Дівки гуляли, шубу порвали,
Сію-вію, сію-вію конопелечки,
Сію-вію, сію-вію невеличечки.

Дiвки гуляли, кукли поробiли,
Кукли поробiли, воны погоріли,
Сію-вію, сію-вію конопелечки,
Сію-вію, сію-вію невеличечки.

Ой нумо, нумо, заплетемо Шума,
Шума заплетемо, гуляти пiдэмо,
Сію-вію, сію-вію конопелечки,
Сію-вію, сію-вію невеличечки.

Заплетися, Шуме, заплетися,
Хрещатий барвінку, розстелися.

Šum

these eyes they don't show what you know
the shedding of lies will unfold

remember the scars you have sewn
but there's nothing to recall nothing to recall
remember the dreams you've been told
but there's nothing to believe and there's nothing to pray for
surreal and confined the frills and the rind
receding receding receding
the science of grief despair no relief in silence you wait cause

you forgot how to feel 
as revealed in your eyes

these eyes they don't show what you know
nothing to believe and there's nothing to pray for
remember the scars you have sewn 
but there's nothing to recall nothing to recall
surreal and confined the frills and the rind
receding receding receding
the science of grief despair no relief in silence you wait 

you forgot how to feel 
as revealed in your eyes

COME FEEL

❖ Nerium FB - www.facebook.com/nerium.artist
❖ Nerium IG - www.instagram.com/nerium_artist/

All music and lyrics by Katarzyna Nerium Nowosadzka
Mix & mastering: Hound Studio

Wilczy Pokrzyk

It is non-ritual Belarusian folk song, very popular and connected to "girls and marriage" topic. Lyrics tells the story about a girl that was dancing and lost her keys. She promises to marry anyone who finds it. The keys were found by an old man who asks her to marry him, but the girl refuses and says that it's better to lose the keys forever than to marry an old man.

Marriages between young girls and old men were quite often in our past, and it was not fun. But the ambiguously colored text gives the performer opportunity to choose his own intonation, from humorous to dramatic. I tried to choose serious and even dark tone.

Ja skakała-plasała prociŭ novaha dvara
Oj, loli, kalina, loli, jahada maja
Paciarała klučy z šaŭkovaha pojasa
Oj, loli, kalina, loli, jahada maja
Chto maje klučy znajdzieć, za taho zamuž pajdu
Oj, loli, kalina, loli, jahada maja
Stary ranieńka išoŭ, maje klučyki znajšoŭ
Oj, loli, kalina, loli, jahada maja
Oj ty dzieuka-dziavica, ci ty pojdzieš za mianie?
Oj, loli, kalina, loli, jahada maja
Ci ty pojdzieš za mianie - addam klučyki tvaje
Oj, loli, kalina, loli, jahada maja
Prapadajcie klučy, jak za staraha jdučy
Oj, loli, kalina, loli, jahada maja

***

Я скакала-плясала процiў новага двара
Ой, лёлi, калiна, лёлi, ягада мая
Пацярала ключы з шаўковага пояса
Ой, лёлi, калiна, лёлi, ягада мая
Хто мае ключы знайдзець, за таго замуж пайду
Ой, лёлi, калiна, лёлi, ягада мая
Стары раненька iшоў, мае ключыкі знайшоў
Ой, лёлi, калiна, лёлi, ягада мая
Ой ты дзеука-дзявіца, цi ты пойдзеш за мяне?
Ой, лёлi, калiна, лёлi, ягада мая
Цi ты пойдзеш за мяне - аддам ключыкi твае
Ой, лёлi, калiна, лёлi, ягада мая
Прападайце ключы, як за старaга йдучы
Ой, лёлi, калiна, лёлi, ягада мая

Ja Skakała

A story that plunges us headfirst into the world of Slavic mythology with a dash of horror. Created Special for Your Story Interactive company.

And The Haze Will Take Us - Avatar

And The Haze Will Take Us - Mystic

And The Haze Will Take Us - Spring3

And The Haze Will Take Us - Vesnyanka

And The Haze Will Take Us - Spring

The text of this song was created from the two Belarusian traditional spells against thunderstorm. One of them ("Piarun-Piarunie") was used at the time of harvest. Authentic performance of it can be found in the short film "Movement of the Earth" - "Рух Зямлi" (www.youtube.com/watch?v=m4Sj5_hQ6mo). It is probably one of the few texts, preserved through direct folk tradition, that contains an appeal to pagan deity (Piarun), not to his Christian substitutes. Another part is based on the spell from the book of Polesian spells, recorded near Homel in 1982. It was used in case of meeting thunderstorm while traveling.

Piarun Piarunie
Pamažy Boža
Chmaru adahnaci
Dy za tyja lasy ciomnyja
Piarun Piarunie

Piarun Piarunie
Pamažy Boža
Chmaru adahnaci
Dy za lasy ciomny
Dy za lasy ciomny
Za hory vysoki
Pamažy Boža
Chmaru adahnaci

Idzi hraza
U čystaje pole
Tam sam Haspodź
Ciabie dažydaje
Załatyja klučy
Vynimaje
Siarebranyja zamki
Admykaje

Piarun Piarunie
Pamažy Boža
Chmaru adahnaci
Dy za lasy ciomny
Dy za lasy ciomny
Za hory vysoki
Pamažy Boža
Chmaru adahnaci

___


Пярун Пяруне
Памажы Божа
Хмару адагнацi
Ды за тыя лясы цёмныя
Пярун Пяруне

Пярун Пяруне
Памажы Божа
Хмару адагнацi
Ды за лясы цёмны
Ды за лясы цёмны
За горы высокi
Памажы Божа
Хмару адагнацi

Iдзi граза
У чыстае поле
Там сам Гасподзь
Цябе дажыдае
Залатыя ключы
Вынiмае
Сярэбраныя замкi
Адмыкае

Пярун Пяруне
Памажы Божа
Хмару адагнацi
Ды за лясы цёмны
Ды за лясы цёмны
За горы высокi
Памажы Божа
Хмару адагнацi

Chmara

This song is a part of ancient spring/early summer ritual coming from south of Belarus and north-eastern part of Ukraine. "The Burial of the Arrow" involves singing, dancing and the burial of a specific object, coin, doll or simply some metal object (may vary from one village to another, as well as lyrics and melody of the songs). As per words of the latest bearers of this tradition, it is done with the aim of causing rain and making the land fertile. It has pagan origins and, according to some theories, in the ancient times was performed in honor of Piarun. Per some sources, "arrow" in ancient times meant lightning. This ritual survived both Christian and Soviet times and is held in many places till today. "Burial of the Arrow" is included in the List of Intangible Historical and Cultural Values ​​of Belarus.

Jak pušču strału pa usiamu siału
Och i oj, luli, pa usiamu siału

Oj, laci, strała, da j uzdoŭž siała
Och i oj, luli, da j uzdoŭž siała
Nie čapaj, strała, dobra mołajca
Och i oj, luli, dobra mołajca

Pa tym mołajcu płakać niekamu
Och i oj, luli, płakać niekamu
Mamka starańka, siastra maleńka
Och i oj, luli, siastra maleńka

Žana mołada, dzietki drobnyja
Och i oj, luli, dzietki drobnyja
Tam dzie mać płača, tam raka ciače
Och i oj, luli, tam raka ciače

Dzie siastra płača, tam kryničańka
Och i oj, luli, tam kryničańka
Dzie žana płača, tam rasy niama
Och i oj, luli, tam rasy niama

__________________

Як пушчу стралу па усяму сялу
Ох і ой, люлі, па усяму сялу

Ой, ляці, страла, да й уздоўж сяла
Ох і ой, люлі, да й уздоўж сяла
Не чапай страла добра молайца
Ох і ой, люлі, добра молайца

Па тым молайцу плакаць некаму
Ох і ой, люлі, плакаць некаму
Мамка старанька, сястра маленька
Ох і ой, люлі, сястра маленька

Жана молада, дзеткі дробныя
Ох і ой, люлі, дзеткі дробныя
Там дзе маць плача, там рака цячэ
Ох і ой, люлі, там рака цячэ

Дзе сястра плача, там крынічанька
Ох і ой, люлі, там крынічанька
Дзе жана плача, там расы няма
Ох і ой, люлі, там расы няма

Strała

Idegen

- No Hard Feelings - has been released on September 6, 2016 through the french label Synth Religion
You can order your copy on hante.bandcamp.com/album/no-hard-feelings
Check the music video here ---> https://www.youtube.com/watch?v=fChnyDYyGEM

Lyrics:

Nothing’s gonna happen
I’m sinking in a fantasy 
If we love each other
Why can’t we be dreaming together?

Nothing’s gonna happen
I cannot stand reality
Does true love only exist?
I don’t want to live in a french movie

Living in a French Movie

Every cell is telling me, ‘run’...but what would I be to you then? – Zanias’ lyrics

Best remixes happen when the initiative comes from the very own remixer, instead of by commission. This denotes admiration and respect to the original artist, as well as a necessity to provide your own vision to an already consolidated work. 

Berghain´s resident Kobosil delivers strong dancefloor instances blending his unique understanding of the Berliner techno with Zanias’s vocals. Agency is the new solo project of half of Operant band August Skipper. His debut track offers a mature evolution that guides the listener from a percussive beginning till a high pressured synthed end. In case one track is not enough to be remixed, Dax J's raved version increases the BPMs in a mixture of "Follow The Body" and "In Eternal Return". The closing track is signed by Unhuman and brings the original EBM atmosphere back to the record.

Mastering: Matt Colton at Alchemy Mastering  
Vinyl Distribution: Ready Made
Digital Distribution: Dig Dis! and Hardwax
Photography: Catherine Yule
Edition & Design: Zosima

To The Core Remixes

Zanias - Follow The Body In Eternal Return (Dax J Remix) [NTK011]

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Zanias - Follow The Body (Kobosil Remix)

Sol Abyssorum is a one-woman project dedicated to reconceptualizing of ethnic ritual music through the scratched lens of postindustrial music culture.