Christopher Brooks, has original music signed to major Australian labels, Open Records, Bassic Records, Frisson Records and Late Night Music. Performing original Live sets as well as DJ sets. Christopher’s sound bind the grounds of Deep Progressive House and Minimal Techno, always responding to the environment and moment. Christopher has become a key member of the Love Camp crew, co-curating their notorious festival programs and serving as artist liaison, while frequently teaming up with Butterz for unforgettable B2B sets.

Christopher tours up and down the east coast of Australia, ripping up dance floors at some of the most renowned clubs and festivals. His distinctive sound has been heard at, Esoteric Festival, Elements Festival, Earth Frequency Festival, Rabbits Eat Lettuce, Love Camp, SASH, Revolver, Sutra Sunrise, Breakfast Club, BushTechno, My Aeon, Elsewhere Club and Sub Rosa, among many others. Christopher has also supported international DJ's, such as Robert Babicz, Guy J, Hernan Cattaneo, Henry Saiz, Danny Howells, Marc Marzenit, Max Cooper and Claude VonStroke, just to name a few... as well as top Australian artists such as, Doppel, ThankYou City, Jamie Stevens, Fabrication, Tom Baker, Unknown Concept and many more.

Christopher’s deep passion for sound led him to earn a Bachelor of Music Technology degree from the Queensland Conservatorium of Music. There, he honed advanced skills in sound engineering, design, and composition. Beyond his performances, Christopher operates Studio B, an audio specialist service providing pre and post-production, sound design, mixing, and mastering for music, TV media, and online advertisements.

Ordia’s journey with electronic music began in the early '90s, falling in love with dance music before even understanding what it was. Influenced early on by pioneers like Jam & Spoon, Orbital, and Underworld, these formative sounds laid the foundation for a lifelong obsession.

His voice and selections have featured across numerous radio shows - from underground UK broadcasts to Melbourne’s Street FM, and even co-hosting on Kiss FM in the late '90s. Today, he's come full circle, hosting Positive Education every Monday night on Kiss FM Australia - a show known for its carefully curated sets, guest interviews and deep dives into the genre’s icons.

In particular, the 101 Series has become a fan favourite: a radio documentary-style format celebrating legendary acts like The Prodigy, Future Sound of London, Jeff Mills, Aphex Twin, and Underworld - weaving music, stories, and context into a sonic journey through their legacies.

While Ordia’s taste spans the electronic spectrum, techno remains his foundation - especially the deeper, hypnotic, melodic strains. His sets blend rolling rhythms, heavy synth basslines, and immersive atmospheres that are as entrancing as they are energising.

Catch him every Monday 8:30-10pm only on Kiss FM: Dance Music Australia.

Bookings:
Worldwide requests: ben@radiusartists.com  
Italy: erica@oltrebooking.com
Germany/Austria/Switzerland: Andre Quaas, andre.quaas@timesartists.com


Timo Maas is a storyteller. For him, it's never about back-to-back bangers or brainless hits, but 
about crafting, building, teasing and eventually pleasing. From hefty concrete funk to stripped-
back and brain-altering techno via psychedelic synths stronger than any drug, he knows exactly 
what to play and when. He has done so at every major club and festival on the planet from 
Tomorrowland to Kazantip, Creamfields to Coachella, while for 17 years during the golden years 
of Ibiza's Circoloco party at DC10 he was a regular guest, which is a testament to the fact that 
he has always stayed ahead of the times. 
Two-time Grammy Award-nominated Timo has made every shade of electronic music from 
famous remixes of Azzido Da Bass and Depeche Mode, leftfield reworks of Afro-Peruvian group 
Novalima and Indonesian all-female heavy metal band Voice of Baceprot via work with pop 
greats like Paul McCartney, Madonna and Placebo. But his pure love of techno keeps him 
coming back to his most famous sound. It's all united by his ability to craft weighty bass and 
rolling drums that lock you in. To dream up unusual breakdowns, freaky vocal treatments and 
deftly designed details that sound like nothing else. He has released on majors like Warner and 
Virgin and underground staples like Stripped Down Records, Cocoon, Mobilee, Tenampa and 
Last Night On Earth. But whatever he does and wherever he does it, Timo is always 
investigating new musical grounds.

Sol Flare a.k.a Dominic Wood combines 80’s synths, electronic beats and soulful vocal lines to create his own unique style of melodic electronic.  

2018’s ‘Chroma’ EP and the following string of singles including ‘Blueshift’, ‘Retrofit’ and 'Coloured by the Sound' saw support from BBC Introducing, London Live, 6Music & Amazing Radio. While based in the UK, Sol Flare performed well-received sets at Blue Dot, Kendal Calling and London Live festivals. Early 2020 saw Sol Flare take his energetic live set on a run of Australian club shows at Oxford Arts Factory, Melbourne’s Laser Highway and the infamous Elsewhere in Surfers Paradise. 

Now based in Melbourne, Sol Flare has kept busy during lockdown finalising upcoming releases and organising numerous international streaming festivals as co-founder of Synth Stream. 2021 will see Sol Flare return to the Australian club circuit, before more shows and releases later in the year.

💥 LEARNING TO SAY NO 💥
https://www.beatport.com/it/release/learning-to-say-no/5667855

Melbourne DJ & Producer | QUIRK 



Always playful & fun, a little bit naughty, a little bit noir; incorporating both dark & light elements in her music style - you will enjoy a unique & carefully curated journey every single time.

Spinning DJ sets in the industry for over 8 years, playing at QLD music festivals such as Mushroom Valley, Elements Festival & Earth Frequency. Along with various sets at nightclubs, bars & doofs all over the eastern coast of Australia. 

She has studied a Diploma of Music Production at SAE Institute Melbourne & has been producing for 5 years, though still very much in the experimental stages of finding her unique sound before showing the world what's been under wraps.

QUIRK is passionate about expressing her exquisite taste in a variety of different genres including :

progressive techno
tech/deep & progressive house
progressive psytrance 
drum & bass


QUIRK made her first appearance as a DJ in 2014 at a doof in the Northern Rivers Shire surrounding the beautiful Byron Bay. 

She discovered her incredible interest and thriving passion for creating a space emanating with a consistent, psychedelic & thriving dance floor energy for people to connect with. Creating an individual experience for each event; she has always provided a tasteful, hand picked journey every single time.

Bookings Australia (Andrew)
andrew@morningafteragency.com.au
Bookings International (Sally) 
booking@db-booking.com

❖Vapour
❖Sudbeat
❖Bedrock
❖Meanwhile
❖Selador
❖The Soundgarden
❖Balance

https://linktr.ee/kaseyvapour

One of the most loved and respected names in the Australian dance music industry, Kasey Taylor made his mark in his hometown of Melbourne before John Digweed scouted him in the mid-nineties on his first trip to Australia where Kasey was playing the warm up set for him. It was that warm up where he gained Digweed’s instant respect and shortly after he invited Kasey to play at his infamous Bedrock night in London. That was the catalyst for Taylor to take his sound to a global audience, leading to international exposure and a permanent move to Europe to satiate the demands of his worldwide bookings that followed.

Kasey is the creative power behind the highly revered Vapour Recordings, the 25-year old mainstay which was founded in 1997 and is over 160 releases deep and still going strong.

More recently Kasey has gone through a massive personal and creative resurgence. The recently rebranded Vapour Recordings is on a roll again with the label releasing regularly after a 2 year break due to the pandemic. The standard of the releases is and has always been what makes the label stand out from the rest, with names like Guy J, Hernan Cattaneo, Gai Barone, Stereo Underground, Jamie Stevens, Nick Warren, Dousk, James Monro, Mike Rish, GMJ, D-Nox & Beckers and many more high profile artists all appearing on the label. With an armoury of names like that, it’s easy to see why Vapour creates
excitement with the scene’s biggest players.

On a more recent production level, Kasey’s releases and remixes have appeared on labels such as Sudbeat, The Soundgarden, Bedrock as well as his very own label Vapour Recordings. Kasey has a ton of releases and remixes in the pipeline as well as some exciting collaborations with some of the worlds finest producers as he continues his drive to making quality productions to raise the hands of his beloved loyal followers on dance floors all over the world.

Behind the decks, Kasey is a fan favourite at all the clubs and festivals in his hometown of Australia as well as on a global scale too. He’s played and supported alongside all the industry greats you can think of and is one of the very few that can captivate an audience with his combination of versatility, patience and experience which allows him to move through a variety of genres from deep house to techno with his perfect attention to detail and immaculate programming.

With his finger well and truly on the pulse, Kasey has an ear for a great tune and is always looking to the future, and that future is set for one of Australia’s most popular dance music artists and exports to continue his already well decorated career well into the future.

VAPOUR RECORDINGS

Since 1997 when Kasey Taylor founded Vapour Recordings, the label has gone on and forged itself an enviable reputation, not only as one of Australia’s leading independent dance labels, but the worlds too.

When you feast your ears upon a new Vapour Recordings Ep, think of it as forward thinking dance music. If there is one defining feature of a Vapour record, it’s that it is just a little ahead of its time. The sort of tune that the average person might put back on the shelf, and then later on hear it out in a club and kick themselves because they didn’t realise how damn good it really was at first listen, and because they knew they had just let a gem of a tune slip right through their fingers.

July 2011 saw the label reach it’s landmark 100th release. The clock was wound back for this one choosing artists from the past, present and future to remix the back catalogue. The package contained some fantastic names, with remixes from the likes of Guy J, Hernan Cattaneo, Luis Junior, Jamie Stevens, Peter Horrevorts, Nick Warren, Dousk, Rodskeez, Fiord and many more.

There are DJs in the world who have vision. Those who can pick up a sound before it becomes popular and break it to the masses. Names like John Digweed & Hernan Cattaneo spring to mind, and Vapour releases have always found their way into the record boxes and charts of these luminaries. They are attributes that Kasey Taylor has also.

It isn’t easy to turn heads in the underground dance music scene when you are a small record label operating from the ass end of the universe! It’s harder to slip promos to DJs and radio station reps, magazine editors and so on. There’s seldom a chance to drop your own track in front of the big name DJs to prove just how effective your music can be. With that in mind, it’s a real credit that Vapour Recordings has earned a spot as premiere labels on the global market, commanding the attention of all the industry heavy weights through nothing more than releasing quality tunes. No huge advertising budgets, no massive PR campaigns, no industry schmoozing, no shit talking, no sales driven drum rolls, no poxy synth lines – Just a talented collective of like minded artists doing it well from around the globe.

Vapour has a strong reputation for releasing quality tunes and we aim to keep up our standards of the highest order.

Vapour Recordings Established 1997

Sol Flare is following