instruments and voices: Jeff Gardiner and jo richter (and one outside voice generated via magix hub and some further artefacts that just manifested during the process)
further reading: How Forests Thinl: https://www.anth.ucsb.edu/sites/secure.lsit.ucsb.edu.anth.d7/files/sitefiles/Kohn%20-%20How%20Forests%20Think%20-%20Introduction.pdf
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter


whilst I was looking
for some kind of semblance
of something somewhere in the tangled undergrowth of
silent thoughts and bellow-voiced persuasions
that might be well described as somewhat sidewinded akin
to the kinesthetics of the barnacles and brambles and
cliffside-dangling while still clinging, perspiration hope
I met the transcendental hobo drifter
down in the scalar fields , tied with a rope
to roaming notions of delusion
and love and love and running from a mistress,
his or mine, known to be crow of crowleyan dimensions

endowed with much renown among the locals
for telling truth and spitting frogs
and hailing hail and splitting rocks
and all the while the transsedential drifter
ate from his open can of beans upon the pitted fire

and whispered ruthless, patient, cunning, sweet
on repeat:

[in the sonic version, the following 
icaro is overlaid by a voice-
over explaining the term "icaro"]

„the tunnel of dances
the funnel of trances
the fuel for chances
the focus of tidal glances
paint eyes on your forehead
wide eyes on your forehead
so the jaguar knows
so the jaguar knows
that you are not dead
not asleep and not dead
not asleep and not dead yet.“



and all I heard and all I got and all I simply understood
was to hush that voice, that voice within my head
to hush that voice, that voice within my head

it was then I noticed, not without bewilderment
the wooden spoon in his left hand
a spoon not made of silver
not silver and not gold but wood
and it was then I very nearly understood

scalar fields pt 4 talon'd heels

scalar fields pt 4: talon'd heels - with stonerjazz

Me gusta toda clase de música ritmos, melodías, beat, sampler para inspiración en lo bueno y quedarte con lo Positivo, que sirve para aprender y entender la vida, como  buen melómano,  actividad musical.. https://open.spotify.com/user/31khce5eg7hjeldt6fqquyuukvym …      
     Estuve en un coro cuando era niño durante mucho tiempo, cuando era más joven, también algunas colaboraciones en un local  y ensayos… 
     Me gusta Music conceptual, https://youtube.com/@Inscreup ,electro alternativa con clásicos y visualizar vídeos de todos estos estilos musicales. Sobre todo terminando en crear-componer estos discos-single.. https://youtube.com/@jesush1973 (1.Home-2.Nighy home-
3.Synthetizer-
4.Natural-5.La Experiencia (edad media)
-6.Ambient&Dance. 
Algún formato cd con 
 rock CD, etc …) 
     En vídeos es “homedj1973VEVO” https://youtube.com/@homedj1973vevo con sintetizadores  algún Daw Casas Steinberg, ableton, piooner, tambien VST Native también actualizo algún DAW o VST etc… Arreglos ozone y editor de vídeos seguiré haciendo música para poder realizar https://youtube.com/channel/UCCSRIiRettDsI1UmTD_Q2_A el groove, jazz o hard rock con fusión electro-techno-house, cinematográficas y músicas alternativas-sicodelica con vídeos clip…. 
     La música  que escucho con audial en alternativa como electro progresivo inglés house-dance-tecno.. Groove americano y psicodélico-electro Noruego , Goa alemán o español. jazz o rock-heavy-blues funky o pop.
     La Música “home dj” es seguirla y  disfrutarla.(Al final apoyo por mi cuenta en mi banco a UNICEF en vida y Donación en campañas).
     Apoyar aportar en ayudando a hacer mi música…
 ( https://paypal.me/jeshdez )
     Agradecer familia amigos safecreative…
( https://www.safecreative.org/user/Jeshdez ) y a las Radios, rockCd, SoundCloud, DistroKid mil gracias…

synthetic pulse // real chaos
error becomes rhythm ⚙️

Here I would like to present music composed and produced by myself (multitracking guitars, bass, and drums) and pieces that were created in the context of various bands since 1990. Some of the tracks are completely worked out, some are demos, some are from jam sessions, and some are live recordings. When relevant, in each single track the band name is given, the respective players are listed, and details as to the background of the music are presented.
All drawings and paintings were done by myself and, in some cases, by my wife, Andrea.

Tea-Snuggery Show #63 w/ Threeemoji (*Landau) - 23-Jul-24 | Threads

"The majority of the ordinary population does not understand what is really happening. And they don't even understand that they don't understand!"
-Noam Chomsky-

Welcome to Tea-Snuggery #63 with a psychedelic-influenced krautrock mix that will send us tumbling but tasty into the apocalypse! Listen with care! q:

Playing tracks by Jac Berrocal + David Fenech + Vincent Epplay feat Cosey Fanni Tutti and Jah Wobble, Famous Forgotten Artist, Meridian Brothers, DJ Koze, Shackleton & Six Organs of Admittance, Mary Ocher, DJ Linus, Die Wilde Jagd and much more.

For more show: @threadsradio ~ Listen live: www.threadsradio.com

https://soundcloud.com/tea-snuggery

https://www.instagram.com/tea_snuggery/

-------------------------------------------------
Weird and wonderful is the name of the game - a musical journey out from the Tea-Snuggery - way off mainstream: impulsive, spontaneous, demanding - hopefully never boring!

:(:/:) aka ThreeEmoji, is Tom Bossert. Born in 1976, his musical journey quickly led him to electronics. From Kraut Rock and bands like Cluster, Can and Kraftwerk in his youth, to the early 90’s with the start of the techno movement and club culture in Germany. His sets have always pulled on this progression, never purely one thing or the other.
One of his major influences is DJ Marcelle from Amsterdam, and her way of breaking conventions. Music is a world phenomenon and so its output should reflect this. Just like a nervous Zen master on tenterhooks, waiting for the very last sound, impulsive but deeply circumspect, it should bring together everything in a Jackson Pollock-like manner. For Tom, spontaneity and improvisation are always more important than perfection.

The Tea-Snuggery wants to invite the listeners to discover new music and artists from all over the world – enjoy and listen with care! q:
email: t.bossert@gmx.de

Listen to & support:

https://threadsradio.com/
https://soundcloud.com/inrgdfriendsthreads
https://soundcloud.com/199radio
soundcloud.com/those-that-cant
https://soundcloud.com/loose-lips123
https://soundcloud.com/joan-sala-1
https://soundcloud.com/famous-forgotten-artists
https://soundcloud.com/justajok
https://soundcloud.com/jonathanmalikmorel
https://soundcloud.com/h-artmann-1
https://soundcloud.com/charlie-hartmann-1
https://soundcloud.com/myrhyum
https://soundcloud.com/inrgd
https://soundcloud.com/ois-agver
https://soundcloud.com/agitationphi
https://soundcloud.com/agnoria-zottos
https://soundcloud.com/marcelle
https://soundcloud.com/schamoni-musik
https://soundcloud.com/themagneticdogsisters
https://soundcloud.com/helenswambo
https://soundcloud.com/lesbianhorse
https://soundcloud.com/xnschuss
https://soundcloud.com/ugliestman
soundcloud.com/housemaid-the-fear
https://soundcloud.com/first-earth-records
https://soundcloud.com/tur-cois

Kurios und lustig, vielleicht nicht das, was mancher unter großer Kunst versteht, aber wer immer nur große Dinge haben will, muss sich wohl oder übel in eine Mücke verwandeln. Das wars für heute, schönen Abend und auf Wiedersehen!

Google translated ;) ...

Étrange et drôle, peut-être pas ce que certains moyenne par grand art, mais qui veut avoir seulement de grandes choses doivent se transformer en un moustique bon gré mal gré. C'est tout pour aujourd'hui, bonne soirée et à bientôt!

Strange and funny, maybe not what some mean by great art, but who wants to have only great things must transform into a mosquito willy-nilly. That's it for today, nice evening and goodbye!

奇怪而有趣的，也许不是有些意思了伟大的艺术，但谁愿意只有伟大的事情必须转变成蚊无可奈何。这就是它的今天，美好的夜晚，再见！

aimlessambience is the culmination of my 25 years of musical exploration, a project driven by a relentless desire to evolve and grow in both musicianship and production. With a deep-rooted passion for sound design and composition, I craft immersive landscapes that blend ambient, electronic, and experimental elements—each piece unfolding like a cinematic journey through emotion and soundscapes.

Music has always been a space for me to aimlessly explore, to capture fleeting moments of introspection, tension, and beauty. My sound is constantly shifting, shaped by a love for synthesis, glitch aesthetics, and the raw imperfections that make music feel alive. From intricate synth layers to hypnotic textures and evolving soundscapes, I aim to create something that resonates—not just as background ambiance, but as an experience that pulls listeners into a world of emotion and movement.

This project isn’t about staying in one place, it’s about growth and taking on new elements and techniques. Every track is a step forward, an experiment, a challenge to break past creative limits. aimlessambience is a reflection of that journey, and I’m excited to see where it leads next.

Now available on all major platforms.

https://www.facebook.com/aimlessambience/

https://www.tiktok.com/@aimlessambience

https://www.instagram.com/aimless4111/
 
https://open.spotify.com/artist/23UMSuRDwu5TYFRrh39NME

https://music.apple.com/us/artist/aimlessambience/1801413918

https://www.iheart.com/artist/aimlessambience-46068925/songs/

https://www.youtube.com/channel/UCgidoj5GXsdpcWgpA62UZ8A

lolothebee@yahoo.com

Psych sounds, dub vibes and a whole bunch of FX in operation
SoundCloud collabs most welcome. Remixes, guitar bashing, conceptualising (a big word for a guitar player, I know) or whatever you have 😎

Member of the transatlantic music machine that is The Eclectic Collective

Member of Mid-Wales’ premier cheezepunk band The Recursives - watch us get down and boogie!!

https://youtu.be/f0CnN7FsIzM?si=4yCzlCMsylbIjKLx

https://youtu.be/E_tYwc83XPs?si=MjmQbwNeRpNXRhQS


Logo and cover art by Marianne

You may wish to check out my older dub based stuff here 
https://soundcloud.app.goo.gl/TwJYv9QgWsDdKNvu9

Electronic noises 

I co-found a duo with my friend Artur
on guitar - Surfers Like Us

Composer, Sound designer, Recording Artist
Electronic / Ambient / Soundscape
MUSIC FOR FILMS & TELEVISION
Original music from real synths.
© All rights reserved

PLEASE NO PROMOTERS . I DO MY OWN !

"Fear produces money while the absence of fear creates culture"
Vangelis Papathanassiou

AI music and voice production infects human creativity and inspiration.

As a kid starting play keyboards for fun. Then I played live piano in piano bars and restaurants. During 90s also compose and recording my first audio tracks. After a 20 years break I came back with more love for music creation especialy for electronic sound.

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

scalar fields pt 4: talon'd heels - with stonerjazz

sonic structures and silent stretches