Hey man, this is wildly creative and original. Love the evolution it undergoes throughout. Way to go with it!

method: slippery slopes on the pitch-bend joystick of the reface dx, the internal looping function of the dx, voice through vt 4, zoom r20 for recording as well as some eqing and compression, no post production
narration: spaces in between are special
image: copyright jo richter

poem / copyright jo richter
(as published in Auslegpapier):

even
though humidity
might take its toll
honouring each whim of entropy,
there is stolid persistence
adjucated by attachment,
by clinging to
the moments of
doubt.

bricks belong
and heed their master's
each and every indulgence:
dear, sweet, homely gravity!
while mere mortar may
dissolve and crumble

it won't be long.
it never is. ask the nymphs
and fauns and watcher spirits that
last. neural uniformity goes first
as mosses, fungi, viral, vital cells
demand their share and shed humility:
minerals to feed the masses, yearning
to be free. ugh, structures long
to breathe through the
gaps left by
mortar

mortar

Recorded by TPMB in Sheffield September 2018.
Terry Todd - bass
Andy Peake - keyboards
Nigel Manning - flute/sax
Paul Bray - Percussion

REBOUND (TPMB demo)

Sometimes ..
sometimes ..
sometimes 
we learn to love ..
sometimes ..
sometimes ..
we'll make it home ..
we'll make it home ..

KEYS/STRINGS .. S,Delight
GUITAR .. S.Delight
Vocals .. S,Delight 
SITAR .. RJ Walker
BASS .. RJ Walker

written by S.Delight and RJ Walker
recorded and arranged  by Stephen Delight  in Llanberis , Wales

Sometimes .. by Stephen Delight and Walker

Carátula gracias a;
 https://www.instagram.com/indiala.studio?igsh=YnJiN3o0aGJsdHZw

Smile

UA519: XFA - CLLR [LP] 13 Tracks 30.06.2023
https://www.junodownload.com/products/xfa-cllr/6173666-02/
https://www.beatport.com/release/cllr/4142946
https://open.spotify.com/album/05W1kmamHVxOMivJCooLII

MMXIXXIIIIISTFFD

Another's Room Another's Temperature

VB - 28

Fourteen Ego Maniacs part 1

Here's a collab with the exceptionally talented https://soundcloud.com/frawstakwa

The original vocal can be found here

https://soundcloud.com/frawstakwa/lemme-show-you-whats-1


Cover art created at https://www.canva.com/

FRAWSTAKWA X RiZLiX - Lemme Show You

Steel Skies

UA397: XFA - XCSS.DSRS [LP] 33 Tracks 27.06.2020
https://www.beatport.com/release/xcss-dsrs-lp/2983092
https://www.amazon.com/XCSS-DSRS-Lp-XFA/dp/B0893L5YNJ/ref=sr_1_1
https://music.apple.com/us/album/xcss-dsrs-lp/1514436272

BXRMMXXIXII

MMXXIXIIBXR

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery. After all, sound is one way my poems know to materialize - insolently shapeshifting, indelibly greening into the cultural real.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

mortar

sonic structures and silent stretches

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