Ohmmmman Humming Being-Freaky Cool soundscape and Poem--Compliments to Hazel Also--:)

super chill dream machine

Super Chill Dream Machine

Nos Ruisseaux (s'entremêlent)

aDom: voix, guitares, clavier
Ad: batterie

Musique/Paroles: Dominique Avril

Nos Ruisseaux

Nos Ruisseaux (s'entremêlent)

Music:  PJ Project & Janne Hennie
Lyrics & vocal:  Janne Hennie
Instruments & Mix:  PJ Project

Lyrics:

The sun is shining
Warms body and heart
So many smiling faces
Spring is about to start..

This could be a perfect day
Lets spread som love on the way
Look at all the happy people
And the sun in the sky..

Lalalalala.....

The birds are singing
The grass is becoming green
Trees grow leaves
There will be flowers and bees..

This could be a perfect day
Lets spread some love on the way
Look at all the happy people
And the sun in the sky..

Lalalalala...

Oh, this could be a perfect day
Lets spread some love on the way
Look at all the happy people
And the sun in the sky..

Lalalalala...

People fall in love again
Its easier to make a friend
We are happier
Winter is at the end..

This could be a perfect day
Lets spread some love on the way
Look at all the happy people
And the sun in the sky..

Lalalalala...

A Perfect Day  W/PJ Project

Who crosses whose line? 
Track inspired by 'Axis Crossline'...an old piece reflecting on an incursion of two 'out of town' poisoners in Salisbury a few years ago. 
A line was crossed....but it carries on....

 https://soundcloud.com/windscaleblues/axis-crossline?in=windscaleblues/sets/axis&si=30a0967228ff44c0831e40632caa9cd7&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Pic from denofopulence c/o Pinterest.

Crossing Lines

Darkness invoking silence

Beats from Looperman
What Kind of Fear by KRIMINS9N
Drill Drumloop - Man U by Negusfirst

Silence at the end is a sample of John Cage's 4' 33"

Silence After

Anthony Dodd - Terms to Define (demo)

D'avoir mis son âme dans tes mains
Tu l'as froissé comme un chagrin
Et d'avoir condamné vos différences
Nous ne marcherons plus ensemble
Sa vie ne bat plus que d'une aile
Dansent les flammes, les bras se lèvent
Là où il va il fait un froid mortel
Si l'homme ne change de ciel pourtant, j'ai rêvé
J'ai rêvé qu'on pouvait s'aimer
Au souffle du vent
S'élevait l'âme, l'humanité
Son manteau de sang
J'irai cracher sur vos tombeaux
N'est pas le vrai, n'est pas le beau
J'ai rêvé qu'on pouvait s'aimer
À quoi bon abattre des murs
Pour y dresser des sépultures
À force d'ignorer la tolérance
Nous ne marcherons plus ensemble
Les anges sont las de nous veiller
Nous laissent comme un monde avorté
Suspendu pour l'éternité
Le monde comme une pendule qui s'est arrêtée
J'ai rêvé qu'on pouvait s'aimer
Au souffle du vent
S'élevait l'âme, l'humanité
Son manteau de sang
J'irai cracher sur vos tombeaux
N'est pas le vrai, n'est pas le beau
J'ai rêvé qu'on pouvait s'aimer
J'ai rêvé qu'on pouvait s'aimer
Au souffle du vent
S'élevait l'âme, l'humanité
Son manteau de sang
J'irai cracher sur vos tombeaux
N'est pas le vrai, n'est pas le beau
J'ai rêvé qu'on pouvait s'aimer
J'ai rêvé qu'on pouvait s'aimer
Au souffle du vent
S'élevait l'âme, l'humanité
Son manteau de sang
J'irai cracher sur vos tombeaux
N'est pas le vrai, n'est pas le beau
J'ai rêvé qu'on pouvait s'aimer
J'ai rêvé qu'on pouvait s'aimer
J'avais rêvé du mot aimer

Rêver (Cover Mylène Farmer)


 method: mostly digital, btw her name is Hazel and I met her in a Balabolka engine  room where she hid from one of Bill Gates' younger clones
narration: the history of voice recreation and vocoding  is not only shrouded in the cold-war kind of truth but also a token of man's technological preoccupation with mirrors 
image: copyright jo richter, also using sections from my photo of a mural dating back to 1569 

poem / copyright jo richter:

time has slipped below the dial  
into an interstitial zone -
an abyss marking mass‘ modal 
iterations, as interference-prone 

as any mental skill held in a vial 
made of human flesh and bone -
meta-breathing arbitrary model 
citizens, grouped in groups and cloned alone

predictive voice encoder

This track is part of my Anthology series 2015 CD1 track 01

Above And Beyond (2015) Anthology 2015 CD1 Track 01

Dusk

These Are The Citizens Of Tomorrow...

Temporarily, SHELLF LIFE has requisitioned this page for publication purposes.  ENJOY!

I am overjoyed to partake in something beautiful:
https://stonerjazz.bandcamp.com/album/up-up-out

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

predictive voice encoder

sonic structures and silent stretches

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